🎬 1992 คืนระห่ำโหด คนระห่ำแตก 🎬 ดราม่า–ระทึกขวัญสุดเข้มข้น จากเหตุการณ์จริง LA Riots ปี 1992 เมื่ออดีตนักโทษต้องปกป้องลูกชายท่ามกลางความวุ่นวายของเมืองที่กำลังลุกเป็นไฟ
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🎬 1992 คืนระห่ำโหด คนระห่ำแตก 🎬 ดราม่า–ระทึกขวัญสุดเข้มข้น จากเหตุการณ์จริง LA Riots ปี 1992 เมื่ออดีตนักโทษต้องปกป้องลูกชายท่ามกลางความวุ่นวายของเมืองที่กำลังลุกเป็นไฟ
👉 อ่านรีวิวเต็มที่นี่: https://www.filmzaa.com/

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There is a lot of disinformation coming out of the Left about a President's authority to nationalize, mobilize and deploy National Guardsmen. Let's clear some things up.
A U.S. president can deploy National Guard troops without a governor's request under specific circumstances defined by federal law, primarily through the Insurrection Act of 1807 (10 USC §§ 251–255) and other legal provisions. Here are the key scenarios:
Insurrection or Rebellion: Under the Insurrection Act, the president can deploy the National Guard (or other federal forces) to suppress an insurrection or rebellion against federal authority if it obstructs the execution of federal laws or threatens the government's stability. This can occur without a governor’s request, as the Act prioritizes federal supremacy (e.g., 10 U.S.C. § 252).
Domestic Violence or Unlawful Obstruction: If a state is unable to maintain order due to domestic violence or other crises, and this prevents the enforcement of federal or state laws, the president can act unilaterally to restore order (10 U.S.C. § 253). This applies when a governor cannot or will not request assistance.
National Emergency or Federalized Situations: The president can federalize the National Guard under Title 10 of the U.S. Code (e.g., 10 U.S.C. § 12406) during a national emergency declared by the president or Congress, such as in response to a major disaster, terrorist attack, or other crisis threatening national security.
Enforcement of Federal Law: If a state’s actions (or inaction) violate federal law or constitutional rights (e.g., civil rights protections), the president can deploy the National Guard to enforce compliance, as seen in historical cases like the desegregation of schools in the 1950s and 1960s (e.g., Little Rock, Arkansas, 1957).
Given these citations, President Trump is well within his right to not only mobilizr National Guardsmen, but active duty US military. So, the protestations by Gavib Newsom and California's AG, along with congressional Democrats is not only in grotesque error, it's disingenuous bullshit.
LARiots #Trump #NationalGuard #USMilitary #IllegalImmigration #ICE #Deportations #UnlawfulAssembly
Why Los Angeles Protesters Are Holding up the Mexican Flag
via @YouTube #hispanics #protest #LARiots #Mexicans
When the people fear their government, there is tyranny. When the government fears the people, there is liberty. -Thomas Jefferson.

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Rev. Dr. Cecil 'Chip' Murray was L.A.'s fixer
(News4usonline) - Rev. Dr. Cecil "Chip" Murray, an icon to the Los Angeles community during the 1992 riots, passed away at the age of 94 on April 5, 2024. He was the first pastor of the First African Methodist Episcopal Church of Los Angeles in 1977. During his time as a pastor, he transformed a small congregation of 250 into an 18,000-person church with multi-million dollar community and economic development programs that brought many jobs and housing, according to the USC Center for Religion and Civic Culture website. We are humbled and honored to continue the legacy of the Rev. Dr. Cecil L. Murray. His family has asked donations to be directed to Rev. Murray’s Circle of Support: https://t.co/D9ZLdZ2KhG. We will share the livestream for his funeral services here next week. pic.twitter.com/Udvosn5iSQ— USC Center for Religion and Civic Culture (@usccrcc) April 18, 2024 He later was appointed as the John R. Tansey Chair of Christian Ethics in the School of Religion at the University of Southern California. Dr. Anthony Asadullah Samad, who is the Executive Director of the Mervyn Dymally African American Political and Economic Institute (MDAAPEI) on the campus of California State Dominguez Hills, said Rev. Murray was a lot of things to a lot of people. “Reverend Murray was not just a icon in the Los Angeles community,” said Samad. “Not just the Black Los Angeles community, but the Los Angeles community. But he was also a personal mentor.” Samad first joined First AME Church in 1981 and when he left the church, Rev. Murray was a senior pastor at the time. The significance that Rev. Murray was that he continued the tradition of Black radical Christian theology from a church that had religious activists. “What projected First AME into the national limelight was on the day that the four police officers were pronounced not guilty, April 29, 1992,” said Samad. “Tom Bradley was holding a town hall gathering, sort of to pray for the city. And we came out of the church and the church was on fire.” California mourns the passing of Reverend Dr. Cecil Murray—a landmark civil rights activist and spiritual leader. He was a tower of strength for the Black community in Los Angeles. His impact will continue to be felt by millions for generations to come.https://t.co/wS67HnFJsc— California Governor (@CAgovernor) April 11, 2024 First AME Church became “the center of the frustration and expressions of the Black community” according to Samad. However, it was not just the Black community that Rev. Murray had a direct impact on. He also reached out to the Latino and Asian communities as well. Under Rev. Murray's leadership, First AME Church grew from roughly 250 members to more than 18,000 members by the time he retired 27 years later. “Cecil Murray basically took what was a dying congregation and built it over a 28-year period,” said Samad. Rev. Murray was born on September 26, 1929, in Lakeland, Florida. He grew up in the segregated South. He graduated from Florida Agricultural and Mechanical University and then earned his PhD from the School of Theology at Claremont College. After the 1992 Los Angeles riots, Rev. Murray and First AME Church began to rebuild the L.A community. “Through a grant from State Farm, (they) built a nonprofit called L.A. Renaissance that began to build housing and build businesses and rebuild what had been destroyed in the L.A. riots of 92,” said Samad. “So first AME became the go-to location for community mobilization. And Reverend Chip Murray was that focus.” “Rev. Murray became the model for using religion and using churches to advocate for the poor,” Samad added. After Rev. Murray retired from the First AME Church after 27 years, he then began teaching his theology around social advocacy and fighting social injustice where he would teach young ministers how to use the church to address social injustices. I was honored to celebrate the distinguished career of Rev. Cecil Murray. Incredible legacy of bridging communities and uplifting our world. https://t.co/HBHXiWfMtl pic.twitter.com/aekja08DGo— Carol Folt (@PresidentFolt) September 23, 2022 He also had a center named after him, the Cecil Murray Center for Community Engagement. The center helps faith leaders to transform underserved communities. But besides being an icon to the greater Los Angeles community and being the backbone of the Black residents during a time of instability, Rev. Murray was a person with a good heart, Samad said. “He was a beautiful person, always positive. There was a lesson in every engagement with him in terms of helping people sort through differences, mitigating conflict,” Samad remarked. “He never closed the church doors when the community was trying to address an issue.” “So he was a person who basically sought to bring people together and he'll be remembered for that. He'll be remembered as a builder, as a peacemaker. Blessed are the peacemakers, so that they will inherit the earth. So that will be his legacy and his memory,” added Samad. Top Image Caption: FILE - The Rev. Cecil Murray delivers a benediction at the conclusion of a memorial service, at the Shrine Auditorium, Wednesday, April 18, 2012, in Los Angeles. Murray, an influential pastor and civil rights leader who gained international attention for his efforts to help Los Angeles recover from one of the country's worst race riots, died Friday, April 5, 2024. He was 94. (Luis Sinco/Los Angeles Times via AP, Pool, File) Read the full article
newsone_official Today marks the 31st anniversary of the end of the Los Angeles uprisings, a time of intense pain and suffering for the South Central communities.
As we look back on those days, we remember the injustices that led to the uprisings and the ongoing struggle for justice that still continues today.
🎥: Getty Images
📸: LAPD
It’s amazing how it’s been thirty one years since and yet NOTHING HAS CHANGED when it comes to our country law enforcement
#rodneyking #lapd #lauprising #lariots #policebrutality #policereform #1992 #onthisday
A poignant 'Twilight' explores the LA riots
LOS ANGELES (News4usonline) – There were a couple of things that triggered the Los Angeles riots in 1992. You had a Black motorist getting the snot beat out of him by four white Los Angeles police officers after a routine traffic stop. This incident blew the already simmering tension between law enforcement and the Black community right out of the water. The beatdown of Rodney King at the hands of those sworn to serve and to protect generated outrage both nationally and globally as footage of that fateful night was caught on videotape.
From L to R: Lovensky Jean-Baptiste, Jeanne Sakata, Lisa Reneé Pitts, Sabina Zúñiga Varela, and Hugo Armstrong in “Twilight: Los Angeles, 1992” at Center Theatre Group / Mark Taper Forum March 8 through April 9, 2023. Photo by Craig Schwartz Photography This was in 1991. Black people were angry. Folks were ready to tear things up then as the friction between the police and the Black community hit a low point. Adding to that inferno was the unjustified killing of a Black teenager by a local grocer over a bottle of orange juice in South Los Angeles only a couple of weeks after King found himself being pummeled by wildly swung batons wielded like Thor’s hammer. The murder of Latasha Harlins by Soon Ja Du and the fact she did not receive any jail time for shooting the teenager in the back of the head burned a hole in the relationship long forged between the Black and Korean communities. It was also a premeditated and contributing factor to the riots of 1992, an ugly upheaval that would cost Los Angeles more than $1 billion in property damage. With the city on edge and Los Angeles teetering on revolt, the acquittal of Timothy Wind, Sgt. Stacey Koon, Theodore Briseno, and Laurence Powell was the final straw to break the Black community’s back. Kindness would have to take a backseat to disgust. Rage was now the champion over humility. The official date or anniversary of the Los Angeles riots is April 29, 1992. The jury’s verdict of the four police officers sent Los Angeles to a point of almost no return. For those who can remember, the rioting became five days of mayhem, chaos, and utter destruction. Actor Anna Deavere Smith knows firsthand what that period was like. Drawing from more than 300 interviews, Smith first put together a one-woman show three decades ago about the unrest. Today, Smith is reliving her one-woman show in the form of a cast of five people in “Twilight: Los Angeles, 1992,” playing at the Mark Taper Forum through April 9 in downtown Los Angeles. “Being asked by Gordon Davidson to move through the embers of the Los Angeles uprising was a watershed moment in my life as an artist and as a human being,” Smith said. “The can do must do spirit of Gordon, the entire institution and the community, sparked something I had never experienced and have not experienced since. Center Theatre Group provided a way for me, in tandem with other drama professionals and with local intellectuals/activists, to respond to the civic disaster through theatre.”
From L to R: Hugo Armstrong, Sabina Zúñiga Varela, Lovensky Jean-Baptiste, Jeanne Sakata, and Lisa Reneé Pitts in “Twilight: Los Angeles, 1992” at Center Theatre Group / Mark Taper Forum March 8 through April 9, 2023. Photo by Craig Schwartz Photography “Twilight: Los Angeles, 1992,” traces back to the pivotal moments that would eventually lead Los Angeles down the path of seeing individuals trying to burn the city down and create an atmosphere of criminality, including looting. Adding a layer of depth to the play that resonates deeply are the videos of the shooting of Harlins and the King episode that is played to the audience. The visual campaign of those two dramatic moments of American history serves as a stark reminder of what led to the riots in the first place. Both videos are raw and unflinching. Both hit hard like a Mike Tyson uppercut. The stage play, directed by Gregg T. Daniel, unabashedly hone in on the video beating of King and footage of young Harlins being killed. But the actors make all things go with stellar performances. Hugh Armstrong, Lovensky Jean-Baptiste, Lisa Rene Pitts, Jeanne Sakata, and Sabrina Zuniga are dazzling on stage as they bring to life or re-create individuals who were major players in the upheaval. Daniel praises Smith for bringing this project to life. “This show is about such a consequential time in Los Angeles and Anna poured so much effort into making it a transformative, radical moment in theatre,” Daniel shared. “Her journalistic approach to writing revolutionized theatre when she wrote ‘Twilight,’ and I am honored to work alongside her to breathe new life into this historic and revered play.” The Center Theatre Group, which the Mark Taper Forum falls under, has held a plethora of community engagement activities to coincide with the playing of “Twilight: Los Angeles, 1992.” The next event is on April 4.
Sabina Zúñiga Varela in “Twilight: Los Angeles, 1992” at Center Theatre Group / Mark Taper Forum March 8 through April 9, 2023. Photo by Craig Schwartz Photography April 4: Radical Hospitality: Moving towards Hope & Outwrestling Despair Dr. Cornel West tells us “Those who have never despaired have neither lived nor loved. Hope is inseparable from despair. Those of us who truly hope to make despair a constant companion whom we out-wrestle every day owing to our commitment to justice, love, and hope.” In this culminating conversation, we return to the spirit and the body to assess how each of us can cultivate a fortitude that allows us to fight the good fight. Among artistic and civil rights giants, we ask how each and every one of us can discover our role in the movement toward liberation. ACCESS Performance – 2:30 p.m., Saturday, April 8, 2023 Center Theatre Group’s ACCESS program is committed to accessibility for all audiences. CTG offers a number of services to accommodate persons requiring mobility, vision, and hearing access. One Saturday matinee for every mainstage Center Theatre Group production is designated as an ACCESS performance. These performances are designed for patrons who are deaf, hard of hearing, blind, and/or have low vision. ACCESS performances offer American Sign Language interpretation, Open Captioning and Audio Description. For more information on the ACCESS program visit CenterTheatreGroup.org/Access. Read the full article