Sumitra screamed in pain, strands of her hair plastered to her face, her nails digging into the nearest medic's hand.
Did she hurt the medics? The queen of King Dasharath would have been horrified at her own actions, the Sumitra in labour couldn't care less.
Pain had dulled her senses, morphing her gentle self into something else entirely.
It wasn't long before the queen had not even the energy to scream, reduced to a state of near hyperventilation. She sucked in air in huge gasps, panting, her eyes clutched tight to avoid the macabre sight that was her own body.
Pain pervaded through her entire being, snapping her bones and sending her into a strange slumber, till she could no longer feel a thing. But she could still hear the familiar sounds of the Sarayu, thumping and flowing through Ayodhya's heart.
𝘈 𝘭𝘶𝘭𝘭𝘢𝘣𝘺, 𝘩𝘰𝘸 𝘴𝘩𝘦 𝘸𝘪𝘴𝘩𝘦𝘥 𝘵𝘰 𝘴𝘭𝘦𝘦𝘱.
But her mind, perhaps sensing the danger of giving in, took her back to her home, to her Kashi. To her mother's rosaries, to her father's crown, to her brothers' weapons, to the world she had known and loved before stepping foot in Koshala.
It took her back to the sound of Maa Ganga's flow, so much like the Sarayu's and yet so different in its stark vitality.
It took her back to the magnificent temple at Kashi where she'd prayed ever since she was a little girl, where she'd spent countless nights chanting and pouring milk down the Shivalingam in hopes of securing a husband like Anagha.
Her prayers had been answered, in the form of the kind, strong, yet gentle king of Koshala.
"Queen, please," the ayurvati murmured. "Don't fall asleep. It's almost over."
"Almost over, you say?" She tiredly whispered, her head almost lolling back, long tresses flowing wildly down the bed.
She closed her eyes, breathed, and sat up, using every last ounce of her strength before falling back on the bed, back into the powerless stupor, hoping it was over.
𝘐𝘵 𝘸𝘢𝘴𝘯'𝘵, 𝘰𝘧 𝘤𝘰𝘶𝘳𝘴𝘦 𝘪𝘵 𝘸𝘢𝘴𝘯'𝘵.
The pain didn't quite recede and she had almost given up, until the ayurvati squealed in delight, right before Sumitra heard a scream that would've scared her to her bones if she had been completely conscious.
𝘈 𝘤𝘳𝘺, 𝘢 𝘤𝘩𝘪𝘭𝘥'𝘴 𝘤𝘳𝘺.
𝘏𝘦𝘳 𝘤𝘩𝘪𝘭𝘥'𝘴 𝘤𝘳𝘺.
She turned her head around, only to find the ayurvati's joyous expressions melting into one of concern.
"My lady," she gulped, looking into Sumitra's eyes, "Please. Just a few more moments."
Had she been asked to repeat the ordeal a few minutes ago, Sumitra would've shook her head and resigned herself to death.
But her child's cry had given her new vitality. It had breathed new life into her body.
It had made her want to live.
Every bone in her body still hurt, but now, she could scarcely feel it over the need of saving herself and the child who still had to see the light of the day.
Gathering all her courage, she lifted her body up again, grabbing onto the nearest bed post for support.
Pain, hot, burning, searing pain flared in her body, traveling upwards through her spine, and she screamed loud enough to all but drown out the cry of her younger child, so much softer than the first had been, but a cry, nonetheless.
𝘚𝘩𝘦 𝘩𝘢𝘥 𝘥𝘰𝘯𝘦 𝘪𝘵.
Relief washed over her in waves, cooling her flushed face and her burning eyes, returning her famed grace back to her.
It was over, finally over. She could rest now, slip into the welcoming abyss that would take her to the land of oblivion again, lined with the sweet dreams of her memories.
The princess of Kashi let her drooping eyelids meet.
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In the morning, Mareecha – the dog, the beast below all beasts, the clod of dirt that did not bear a place even under Ravana’s ugly shoe – comes to them. He is dressed as he always is, bright, shining gold, barely short of being gaudy, and breathtakingly beautiful.
“Oh look!” Sita calls, like she always does. “Oh, oh, what a handsome deer!”
Lakshmana looks up obediently, as he always does, and his hands still where he is stoking the kitchen fire.
“Huh,” he says. “That can’t be a real deer.”
“Why not?” Sita is enraptured, already taken by the gilded body, the soft, innocent face. How sweet she is, and how naïve! And how naïve he had been too, all of them except Lakshmana.
“Deer look like deer,” his brother explains, eloquent as ever. “That is not a deer.”
“So you say!” Sita huffs and pouts, swaying like a sunflower on a stem. “Husband! Will you not speak on my behalf?”
Rama closes his eyes to meditate harder; pretends not to hear. Behind him, his brother snorts. “Really?”
Rama sighs. “It is very beautiful,” he acknowledges, because he is not a liar, and because he cannot be accused of blindless yet.
“I want it!” Sita says. “How happy Mother Kausalya shall be to see it! When we go back in a year or so – oh, how fast time has flown – we will give it to her, and wouldn’t she be pleased? Remember how she adored that mynah you caught for her, brother Lakshmana?”
“Mhmm, I don’t think there is any guarantee that we can catch things without killing them, you know. I don’t think the hare traps will do.”
“Then we can skin it!” Sita says, warming up to the topic. “Whichever way you see it, we will benefit from it.”
Lakshmana hums. “I still don’t think it’s a good idea.”
Rama listens as the two bicker, clenching his trembling hand into a fist. His body is weighed down with the exhaustion of repeated grief. It hurts to hear Sita so bright and excited, planning gifts for their return as if it was a given, as if no disaster could strike them now, so close to the end. It hurts to hear Lakshmana’s prophetic words, and to wonder how he could have been so foolish, so utterly dumb, as to not hear the brother who forsook life and limb for him, and to –
“…will go, won’t you?”
It takes him a moment to understand he is being addressed, and another to parse out the question. When he does, he barely holds back a snarl and says coldly, “We should heed Lakshmana. Leave it alone.”
Her lip purses, and her eyes burn, but Sita doesn’t cry as he had feared. Perhaps it had been all Rama’s fault before, the ignorance of his weak, quailing heart. Nothing can happen now.
Sita slips inside, frowning. Rama hates himself for putting that expression there, but it is preferable to months of war and death. He meditates, and Lakshmana snips the wood into shavings, and the forest is calm around them.
At noon, he gets up. Lakshmana has moved on from shaving wood, and is now gathering clothes they hung out to dry. Sita has not yet emerged.
“Sita?” Rama calls. Was she upset? “Sita, where are you?”
The house is silent and empty. The hunting traps Lakshmana made for the hares are missing. Rama’s blood chills, and in spite of himself, he shrieks.
Lakshmana comes running, quiver on his back and knife unsheathed. He takes one look around the empty house and hauls Rama up. “Come,” he commands, and Rama goes.
Please, he begs, as they search, to whoever will listen. Please don’t let Ravana take my Sita away again.
And yet when he finds his wife, he wishes he had not prayed so at all. Sita is cold and unmoving, blood pooling around her. Sita is no more.
2.
Rama drops to his knees and howls.
In the morning, Mareecha – the dog, the beast below all beasts, the clod of dirt that did not bear a place even under Ravana’s ugly shoe – comes to them. He is dressed as he always is, bright, shining gold, barely short of being gaudy, and breathtakingly beautiful.
“Oh look!” Sita calls, like she always does. “Oh, oh, what a handsome deer!”
Lakshmana looks up obediently, as he always does, and his hands still where he is stoking the kitchen fire.
“Huh,” he says. “That can’t be a real deer.”
“Why not?” Sita asks, as taken by the gold as ever, always so keen and eager, as if the loveliness in her sought in that deer a paltry companion.
“Lakshmana is right,” Rama interjects, before it can devolve to the same argument he has heard over and over.
“Oh, but even so, I want it!” Sita says. “How happy Mother Kausalya shall be to see it! When we go back in a year or so – oh, how fast time has flown – we will give it to her, and wouldn’t she be pleased? Remember how she adored that mynah you caught for her, brother Lakshmana?”
“Uh,” he brother says intelligently, torn between agreeing with Sita and paying heed to Rama’s words. “Sure?”
“Will this one not look so fetching in Ayodhya’s gardens? I say– ”
“Lakshmana,” Rama commands, interrupting his wife quite rudely, but unable to bear her excited joy for even a moment more, “Lakshmana, go get that deer. Kill it, we will cure the hide and take it home for mother’s shrine to Shiva.”
Sita starts, but does not protest; she is by nature easily pleased. Rama would feel ashamed for using it so, if he did not know what would happen, and if he did not know he had to prevent it.
Lakshmana rises, picks up his bow, dithers awkwardly for a second where he seems to recognize that Sita had wanted Rama to give it to her, then swallows his opinions and obeys. Rama feels a sudden swell of affection for his poor, sweet brother, so shy and clumsy in such matters, and when he looks over at his wife, she too is smiling.
“You should not tease him so,” she scolds him, when Lakshmana is gone. “You know how he is.”
“He doesn’t mind.”
“Even so,” Sita looks affectionately the way he went. “Poor boy.”
Rama laughs, heart easing. “It’s like you like him more than you like me.”
Sita stands up, puts her nose to the air. She does not take kindly to Rama fishing for compliments. “Fie the woman,” she declares primly, “that picks the husband over the son.”
Rama is amused. “People will disagree, you know.”
There isn’t an answer to that, so Sita hmphs and pokes the fire aggressively. His plate at lunch, Rama reflects, will surely have an interesting taste.
He thinks differently when Lakshmana isn’t back by noon, even though the sun is high in the sky and Sita has laid out their plates.
“Oh, has he not found that thing yet?” Sita asks him, fretfully. “Now I wish I hadn’t asked for it; he will be late for lunch and the food will go cold.”
No sooner has she finished saying this that a horrible, high-pitched scream, so full of surprise and fear it does not seem it could ever belong to his brother, but is, unmistakably Lakshmana’s, trembles through the forest, sending birds flying from trees and rendering the singing cicadas silent.
Rama’s body reacts before he permits it too, but halfway he remembers what his brother had said.
“You have to go,” Sita screams, shaking his arm. “Lakshmana is in danger.”
Rama is unmoving, like a mountain, like stones. “It is the creature,” he says, and does not go.
Lakshmana does not return all night. In the morning, Rama takes Sita by the hand, and they trudge across the leafy forest path, to where the screams came from. There is a clearing, crudely made by a hacking sword. There is Mareecha, spilled across like ground like a broken bird. There is Lakshmana too, silent in death, a familiar gold-fletched arrow at the back of his neck.
3.
There is also Rama now, on his knees, howling.
In the morning, Mareecha – the dog, the beast below all beasts, the clod of dirt that did not bear a place even under Ravana’s ugly shoe – comes to them. He is dressed as he always is, bright, shining gold, barely short of being gaudy, and breathtakingly beautiful.
“Oh look!” Sita calls, like she always does. “Oh, oh, what a handsome deer!”
Lakshmana looks up obediently, as he always does, and his hands still where he is stoking the kitchen fire.
“Huh,” he says. “That can’t be a real deer.”
Rama looks to the deer, to Mareecha, and feels something quail in his chest. He does not allow Sita to ask for it, cannot allow himself to hear her praise that wretched creature.
“It is Mareecha,” he tells them. “He is here to cause us ill.”
His wife and brother look at him with wide eyes – one pair confused, one disbelieving.
“How do you know that?” wonders Lakshmana, frowning. “Wasn’t he meditating or something?”
Rama cannot breathe from the rage that consumes him. “Is it not enough that I know?” he demands. “Must I always answer to you now?”
“Don’t say that,” Sita chides him immediately, suddenly frightened. “Don’t speak to him like that. What happened to you?”
Lakshmana bows his head and doesn’t say anything, because he never speaks over Rama, but he too is surprised and hurt. Rama has never spoken to him in this manner.
(Well, he has, once. But now no one but himself remembers it.)
“Forgive me.” Rama says. A gentleman always acknowledges his mistakes, and Rama will not have those in his care fear him. “Let us not think on it now.”
“Shouldn’t we catch him then?” Sita asks. Rama wonders if it is fate, laughing at him. “You said he has ill intentions.”
“Later.”
“Why later?” Lakshmana demands. Rama wills himself not to snap again. “Last time, they wrecked such havoc and tormented so many sages. Is it not our duty to at least apprehend him?”
“If you leave now,” says Sita, gentler, “you will be back by lunch, I think. We can have the hare you caught yesterday.”
Rama does not hear her entirely – his vision is filled with the sight of him chasing that knife’s edge of gold through the sunlit forest, of watching his brother arrive alone, of coming back to an empty hut. He means to say all of this, but what comes out is, “I will go? And what, leave you alone with him?”
Silence, great and condemning, fills their little house.
Slowly, the words he spoke trickle into Rama’s consciousness. Sita is quaking with barely-controlled rage. Lakshmana is close to tears.
“I didn’t…” Rama begins, “I didn’t mean…”
Lakshmana stands. “I will go,” he says, through what, Rama realizes in muted horror, is a sob held back. “Please stay here.”
Rama wants to reach out, but again, the sight of Lakshmana lying unmoving and dead shakes him to his bones, and instead he says, “No!”
His brother crumples back to his seat.
“What happened to you,” Sita shouts. “Both of you then, begone, kill that beast. No one is good enough without your supervision, are they?!”
Sita, it turns out, can speak well to hurt. Then again, with the mess Rama has caused, can he blame her?
“All of us will go.”
Mareecha is still there when his wife and brother follow him out, glittering between the trees like a fragment of dawn.
Rama knows it is wrong.
He has known it a hundred times before.
“Stay close,” he tells Sita and Lakshmana, anyway, though he knows bone-deep that it is futile. They run, fleet-footed and swift, following the deer.
However, it does not go in circles as before – Rama has played fate too dangerously. He senses the arrow before he hears it whistle, and foolishly, knowing Ravana’s desire for Sita, leaps to guard her.
There is a prickle at the back of his neck. Sita screams. Lakshmana shouts. The forest floor, wet and alive, comes up to meet him. His heart thumps, measuring his failures beat by beat.
One, Sita pulls the dagger from his waist. Two, his hands reach for her, and meet only air. Three, she sinks beside him, curling into him like they do in the cold nights, her blood hot on her cool skin.
+1.
Lakshmana, shouting and screaming, is still standing over them. His poor, loyal brother, still swinging his sword over the enemy closing in, only to delay Ravana the indignity of their remains. Rama does not see him fall over them, shielding till the very end. Rama does not hear Surpanakha’s mocking laughter, or Ravana’s tantrum at not having Sita. The last he knows is his wife, who chose ash over captivity, and his brother, still standing, still fighting.
In the morning, Mareecha – the dog, the beast below all beasts, the clod of dirt that did not bear a place even under Ravana’s ugly shoe – comes to them. He is dressed as he always is, bright, shining gold, barely short of being gaudy, and breathtakingly beautiful.
“Oh look!” Sita calls, like she always does. “Oh, oh, what a handsome deer!”
Lakshmana looks up obediently, as he always does, and his hands still where he is stoking the kitchen fire.
“Huh,” he says. “That can’t be a real deer.”
“Why not?” Sita asks, eyes bright with joy.
Rama listens to them quietly. It will be a long time before they are like this again – just the three of them, gently laughing and teasing, no war or grief or misery between them. It will be a long time before he hears the cadence of Sita’s voice, clear as the rushing river, stir the world around him. Rama watches them, and keeps that image in his heart, for all the long years ahead.
When Sita asks him for the deer, he leaves without protest.
As always, Lakshmana comes for him alone. When they return, the cottage is empty. Rama sinks to his knees and weeps, relieved. Lakshmana kneels by him, fruitlessly consoling and apologising, but he need not have bothered. Rama has learnt to count his blessings; at least, they are all alive.
Series on Shiva the Supreme!
(Continued)
– Dr. Dhananjay B. Ghare
(This series is designed in a dramatic dialogue type conversation format. Important information on Lord Shiva and his family, as it is available in several related Pauraṇic, Upaniṣadic and Vedic Sūkta literature is briefly compiled in this episode-9. Such mini dramatic episodes can be presented on stage on occasions like Gaṇesha…
L-"Aap maa ki baat maan ke ghar se nikal to gaye ho...jaoge kaha?"
R-"...good question"
L-"Nahi socha?"
R-"Nahi socha"
L-"Paise ya card uthaya tha"
R-"...paise hai.. card nahi hai"
L-"Aab wapis jaoge nahi"
R-"Nahi"
L-"Hmm...bhabhi apke paas koi idea hai?"
S- "mere to jaha patidev jaenge wahi mai jaungi"
*long pause*
L- "dekha bhaiya maine bola tha bhabhi ka sense of humor apse zyada acha hai"
R- "are yaar socho ki kaha jana hai"
L- "maa ne koi definite time limit batai thi ghar na jane ki?"
R-"nahi..."
L-"to bas ek baar matter thanda hone do...uske baad chalenge"
R-"waise I was serious. Bharat will take over instead of me now"
L-" ek to aap aur apke wade. Mr.mariyada puroshottum apna ghar thikana zyada zaroori hai kuch random wado se"
R-"pata hai par aab papa promise kar chuke hai"
L-"ye idea mujhe acha to nahi lagta par...chalo theek hai...bhaiya aa gaya idea!"
R-"kuch bekar baat mat karna abhi"
L-"acha chalo rehene do phir"
S-"are nahi. Mujhe sunna hai"
L-"apan kisi jungle mei chalte hai. #vanvas core"
R-"vaNvAs coRe. Aur kuch?"
L-"are bhaiya cool down sab ho jayega resolve. Ham konsa 14 saal ke liye kahin jane lage hai. Koi sasta sa lodge ya room book karwa lete hai jab sab theek ho jayega to chalenge na wapis"
S-"par wapis jane ki green light kab ki hai?"
L-"pata nahi par aap pehele yaha footpath ke beech mei se chalo"
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Ive always found it interesting how ramayan gives us so many different dynamics of the same relationship .
for example- brothers
Ram and lakshman:
lakshman is absolutely devoted to ram and would kill and be killed for him. Left behind the palace just so he could be with his bhaiya. Even though he will obey his brother he still has his opinions and stands his ground if he feels somthing is wrong.
Vibhishan and raavan:
how even though Vibhishan loved him raavan was a terrible person who hates him in return and as much as he hated it he had to help ram kill raavan.
Raavan and kumbhkaran:
He knew what raavan had done was wrong but he refused to betray his brother.
Sugreev and bali:
They loved each other until it was all shattered by a misunderstanding.
And there are so many more that aren't that explored
Jatayu and his brother (im sorry I just cannot remember his name rn)
Vibhishan and kumbhkaran
Lakshman and shatrugan
Shatrugan and bharat
Bharat and ram
Nal and neel
You can always find a way to somehow relate because it is so vast