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Havenāt posted art in a while, bit hereās some ocs for Valentineās Day! Sammy is the werewolf with the dimples and Kyeo is his boyfriend that gets him salami.
Fugazi,Ā Mass Art Gymnasium, Boston, MA USA 4/19/2002 - photo Ā© by Edwina Hay
Fugazi, Mass Art Gymnasium, Boston, MA USA 4/19/2002 (FLS #1029) & 4/20/2002 (FLS #1030)
Not having played in Boston proper for 11 years (i.e. since their one-off show at the Channel on March 17, 1991)Ā due to the lack of promoters willing to do shows in larger venues for low ticket prices and the city suddenly ruling all ages shows illegal,Ā Fugazi would finally return to play two consecutive nights at the Mass Art Gymnasium (MassArt), ā[f]ounded in 1873, [...] one of the nationās oldest art schools, the only publicly funded free-standing art school in the United States, and [...] the first art college in the United States to grant an artistic degreeā (via).Ā
Moreover, and according to the MassArt website, it is āa place with wide reach, where the hardest, most important, and most rewarding work of [their] students, staff, and affiliates, is to keep [their] eyes open [!] and continue expanding [their] vision.ā In other words, a place most suitable to host a couple of Fugazi shows and haveĀ some 1500 enthusiasts share in the experience each night.Ā
Interestingly, these shows in Boston played out while Washington D.C. was preparing for another round of large-scale protests on April 20th. According to an April 14, 2002 article āD.C. Protest Organizers Take On New Causeā byĀ Manny Fern and ez published in theĀ Washington Post,Ā
āThose opposed to global capitalism and the U.S. policies that support it, others who have decried the war in Afghanistan and activists who objected to widespread arrests of Muslims in the United States have joined pro-Palestinian groups to march for a common cause.ā
In their lengthy follow-up article,Ā āDemonstrators Rally to Palestinian Causeā, published on April 21, 2002 in the Washington Post, the authors provide some more details as to how these events unfolded,
āTens of thousands converged on downtown Washington yesterday to demonstrate for a variety of causes, but it was the numbers and passion of busloads of Arab Americans and their supporters that dominated the streets.
Eager to make their presence felt and their voices heard in the nation's capital as never before, Arab and Muslim families marched and chanted for an end to U.S. military aid to Israel, overwhelming the messages of those with other causes in a peaceful day of downtown rallies and marches.ā
Considering the nature and backdrop of these events, it only makes sense that the demonstrations run like a thread through both Fugazi shows in Boston. Leading into the song Argument on the first night, Ian gives a lengthy address touching on the causes of the demonstrations, his concerns and doubts in relation to the media coverage and on the band playing shows in Boston instead of standing with the demonstrators in Washington D.C., concluding that ā[t]he fact of the matter is that, wherever you are, in the world, if you disagree with war, then you should be protesting every day, no matter where you are, so right now, this is the beginning of the protest.ā
The recording of the first night documents a collection of songs that are performed very well for the most part and blend nicely together, with some cool extras, cf. the vocals catching some nice reverb on Oh, a memorable version of Ex-Spectator, GuyāsĀ āpublic housingā rap into Dear Justice Letter, a cool double shot of Joe with The Kill / By You combo, or a rare 2002 live appearance of Bad Mouth.
However, there are a couple of reasons that will probably keep me from revisiting this one anytime soon.Ā My main gripe is that the recording is incomplete. The introduction is missingĀ as well as the actual last three songs of the set, i.e. Arpeggiator, Sweet and Low and Repeater. Guyās vocals are low in the mix on Sieve-Fisted Find and kind of get stuck in the left channel for most of the recording. Also, the recording skips a couple of times during Cashout.
And so my preference lies with the recording of the second night, which fortunately is complete and better sounding overall,Ā even though BrendanāsĀ snare drum comes off a bit harsh the first couple of songs. This one too has a nice flow to it and documents a really good performance (never mind the guitar soloing towards the end of Strangelight is a bit off).Ā
My highlights here include a nice little midsection with 4 early songs which provide Guy with ample opportunity to lay down his guitar and go off, rare 2002 live versions of Song #1 and Last Chance for a Slow Dance (this oneās a beauty), another nice double dose of Joe by way of Recap Modotti / By You played back-to-back, and last but definitely not least, more remarks by Ian about protests āto celebrate the idea that not the entire country is insane, there are some people who are saneā as an introduction to anĀ outstanding rendering of KYEO which has Ian catering some more to the issues of the day:
āImportant bulletin, we have from unconfirmed sources, an alleged plot to possibly blow up five streets in an unnamed city, somewhere in this country, we canāt say itās gonna happen, but we canāt say itās not gonna happen, that doesnāt mean you shouldnāt walk on the street, we actually donāt know what it means, we just want you to be scared...ā
The troops are quiet tonight, But it's not alright, Because we know they're planning something. Don't you know things have settled down,Ā
Down, down but silence is a dangerous sound,Ā
āBecause when youāre scared, youāre off-balance, and when youāre off-balance, you canāt reason, when you canāt reason itās very hard to recognize that something is being done in your name that you would not like to have been done, or you would not like people to do, so get on-balance, donāt be scared...ā
The troops are quiet tonight, But it's not alright, Because we know they're planning something. Don't you know things have settled down,
Down, down but SILENCE is a dangerous sound,
We must, we must, We must keep our eyes open, See what we see, What once was promised now will be. Still uncertain? Get off that hang, Don't wait for the bang, The tools, They will be swinging, But we will not be beaten down.
Note that videos of both performances circulate on YouTube (see below). These haveĀ been synched-up with the recordings presented here, with permission of the band. On an interesting side note, and according to Ian,Ā āryanne hodson, who is credited with the video editing was responsible for uploading hundreds of the FLS shows on the site. sheās been a real friend and booster to the project.ā
Ironically, the footage of the first show is pretty much complete (contrary to the incomplete audio recording) while the footage of the second show is missing about 30 minutes of the performance (contrary to the complete audio recording).
The set lists:
April 19, 2002 (incomplete):
1. BreakĀ 2. Sieve-Fisted FindĀ 3. ReclamationĀ 4. OhĀ 5. Ex-SpectatorĀ 6. Interlude 1Ā 7. Dear Justice LetterĀ 8. Interlude 2Ā 9. StacksĀ 10. The KillĀ 11. By YouĀ 12. Interlude 3Ā 13. Forensic SceneĀ 14. CashoutĀ 15. NightshopĀ 16. Bad MouthĀ 17. Break-InĀ 18. Interlude 4Ā 19. FurnitureĀ 20. BlueprintĀ 21. EncoreĀ 22. ArgumentĀ 23. Full DisclosureĀ 24. Long DivisionĀ 25. No Surprise
April 20, 2002 (complete):
1. IntroĀ 2. Number 5Ā 3. Facet SquaredĀ 4. Rend ItĀ 5. Interlude 1Ā 6. Birthday PonyĀ 7. OhĀ 8. StyrofoamĀ 9. Life and LimbĀ 10. Closed CaptionedĀ 11. Public Witness ProgramĀ 12. Five CorporationsĀ 13. StrangelightĀ 14. BreakĀ 15. BurningĀ 16. Song #1Ā 17. Interlude 2Ā 18. Give Me The CureĀ 19. Waiting RoomĀ 20. Recap ModottiĀ 21. By YouĀ 22. Last Chance for a Slow DanceĀ 23. Epic ProblemĀ 24. Encore 1Ā 25. CashoutĀ 26. Interlude 3Ā 27. Full DisclosureĀ 28. Interlude 4Ā 29. KYEOĀ 30. Outro
GEUM TAEKYEOĀ āKyeoā
AGE: Twenty COMPANY: 360° Studios POSITION: Resetās Lead Vocalist/Visual/Synthesizer FACECLAIM: Jeon Wonwoo PLAYED BY: Brock
Kim Hyun Jun off cam is just a cutie patootie bomb squad agent... šā¤ļøš

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Now Spinning⦠FUGAZI // Steady Diet of Nothing (1991) ⢠āYou will do what looks good⦠on paper/ We will do what we MUSTā - Reclamation šš¾š„š¤š¾ #nowspinning #Fugazi #steadydietofnothing #KYEO #houvinylclub #vinylig #nowplaying #vinyl #records #recordcollection #myrecordcollection #dischordrecords #myhometown #myhtx (at Houston, Texas) https://www.instagram.com/p/CWUgA_igKO2/?utm_medium=tumblr
WHY YES, we could use your help! Here's how āš½ THANKS!!! #Repost @kiamshayouth ⢠⢠⢠⢠⢠Wondering how you can support Kiamsha Youth now that #kiamshaweek has wrapped? Please check out this flyer for all the ways you can help. No donation or amount of time given is too small. Contact us by emailing [email protected] (CashApp $kiamshayouth) ⢠⢠⢠#supportyouth #KiamshaWeek2020 #kyeo #kyeoyouth #kiamsha #mentoring #youth #education #kids #youthconference #mentoringmatters #youthmentor #youthvoice https://www.instagram.com/p/CBd2VfYlEL3RJKDGOOYajJX0W4Dpl56dEszdaI0/?igshid=4cdqsqw6uz8f
Whew! We've been busy with our youth before AND during this global pandemic! šŖš½Mid-year, we adjusted Mentor Mondays to virtual sessions & our youth still planned their content for #KiamshaWeek2020 Are y'all tuning in this week? #Repost @kiamshayouth ⢠⢠⢠⢠⢠Kiamsha Year in Review l We've all had to do A LOT of adjusting these last few months, but Kiamsha hasn't skipped a beat! Here's are some of the amazing things the 2019-2020 Kiamsha Youth Steering Committee did this year. #kyeo #kyeoyouth https://www.instagram.com/p/CBS-jKihALO44c2v9XXsLBM2PCSVuujRz8Q27U0/?igshid=1ocx713b6w2ne