Apr 24
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hello peoples!! Ive been thinking about getting a piano, but the 88 key digital pianos are just not in my budget right now. Wsaving up would take a while so i was thinking of going with a 61 key keyboard in my budget instead.
Right now ive landed on the Kurzwiel KP70
My problem right now is that i cant really find any reviews on it. It has USB, touch sensitivity, and a sustain pedal, and the piano sound on it was much better than my dink school keyboard, so i was thinking this would be a good option. If anyone has had experince with this keyboard or Kurzweil in general feel free to share, It'd be of great help.
Dame in Gelb, 1899. von Max Kurzweil
«Fundamentalmente, veremos que el transhumanismo se divide en dos grandes campos: los que “simplemente” quieren mejorar la especie humana sin reunciar por ello a su humanidad, limitándose a reforzarla, y los que, como Kurzweil precisamente, abogan por la “tecnofabricación” de una “poshumanidad” para la creación de una nueva especie, híbrida en su caso con máquinas dotadas de capacidades físicas y de una inteligencia artificial superiores a las nuestras. En el primer caso, el transhumanismo se sitúa voluntariamente en la continuidad de un cierto humanismo “no naturalista” (veremos más adelante el sentido preciso de este concepto), un humanismo que, desde Pico della Mirandola a Condorcet, abogaba por una perfectibilidad infinita del ser humano. En el segundo, la ruptura con el humanismo en todas sus formas se consume y se asume al mismo tiempo.»
Luc Ferry: La revolución transhumanista. Alianza Editorial, pág. 25. Madrid, 2017
TGO
@bocadosdefilosofia
@dias-de-la-ira-1
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Woman in Yellow, 1899
Max Kurzweil
**Never gonna be alone (Cover) ~ Nickelback** [en] You dedicated this song to me long time ago and I cried with emotion when I listened it. You always expressed your feelings with gestures, music, surprises... you said with them what you couldn't to say with words. While I was with you I was never alone; You were always with me and now I know I wont be alone. You'll be with me at every step and, above all, you'll be ways in my heart. To My Heidy Galleani, with love. -- [es] Esta canción me la dedicaste hace mucho tiempo atrás y llore de emoción al escucharla. Tu manera de expresar tus sentimentos siempre fue con detalles, con música, con sorpresas... a través de ellas decías lo que no podías con palabras. Estando contigo nuca estuve solo, siempre estuviste conmigo y se que ahora tampoco lo estaré. Estarás conmigo a cada paso que dé y, sobre todo, estarás siempre en mi corazón. Con amor, para mi Heidy Galleani. #Kurzweil #KurzweilPiano #KurzweilPianos #KurzweilStagePiano #KurzweilStagePianos #KurzweilSP1 #KurzweilSP1🎹 #Piano #Cover #Covers #PianoCover #PianoCovers https://www.instagram.com/p/CYUYuhjJCUPvzHxIP-3WmYNaYwBnUt1W6LoF5Q0/?utm_medium=tumblr
Max Kurzweil, Woman in a Yellow Dress, 1907