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Slow Motion, Kurt Seligmann, 1955, Minneapolis Institute of Art: Paintings
red spiral-like form in ULQ connected to a rounded, curving grey form; blue and grey shadowy background images; yellow and green forms in ULQ; black ground Kurt Seligmann is often associated with the French Surrealists, whose works were recognized for their fantastic, dreamlike imagery. Seligmann exhibited with this group throughout the 1930s before emigrating to New York in 1939. With personal interests as diverse as alchemy, magic, and gardening, Seligmann filled his canvases with biomorphic and organic forms. Deliberately ambiguous in its subject matter, Slow Motion is from a later period in the artist's career when he was involved in costume and stage design for ballet and modern dance performances. Size: H.46-7/8 x W.38-13/16 in. Medium: oil on canvas
https://collections.artsmia.org/art/13248/
Mennon and Butterflies, Kurt Seligmann, 1942, Brooklyn Museum: Contemporary Art
Size: 49 x 58 1/2 in. (124.5 x 148.6 cm) frame: 50 1/4 × 60 1/4 in. (127.6 × 153 cm) Medium: Oil on canvas
https://www.brooklynmuseum.org/opencollection/objects/147271
Pleine Marge, Kurt Seligmann, 1943, MoMA: Drawings and Prints
Mary Ellen Meehan Fund Medium: Broadside with one etching
http://www.moma.org/collection/works/10905
The Marriage, Kurt Seligmann, 1944, Brooklyn Museum: European Art
Size: 22 5/8 x 15 3/8 in. (57.5 x 39.0 cm) Medium: Etching on wove, handmade rag paper
https://www.brooklynmuseum.org/opencollection/objects/160545

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Frida Kahlo with Arlette and Kurt Seligmann #FridaKahlo #SantaFrida #ArletteSeligmann #KurtSeligmann #SantaFrieda https://www.instagram.com/p/Bo95Z21AUnX/?utm_source=ig_tumblr_share&igshid=dwqrnm4ndas5
Slow Motion, Kurt Seligmann, 1955, Minneapolis Institute of Art: Paintings
red spiral-like form in ULQ connected to a rounded, curving grey form; blue and grey shadowy background images; yellow and green forms in ULQ; black ground Kurt Seligmann is often associated with the French Surrealists, whose works were recognized for their fantastic, dreamlike imagery. Seligmann exhibited with this group throughout the 1930s before emigrating to New York in 1939. With personal interests as diverse as alchemy, magic, and gardening, Seligmann filled his canvases with biomorphic and organic forms. Deliberately ambiguous in its subject matter, Slow Motion is from a later period in the artist's career when he was involved in costume and stage design for ballet and modern dance performances. Size: H.46-7/8 x W.38-13/16 in. Medium: oil on canvas
https://collections.artsmia.org/art/13248/
Slow Motion, Kurt Seligmann, 1955, Minneapolis Institute of Art: Paintings
red spiral-like form in ULQ connected to a rounded, curving grey form; blue and grey shadowy background images; yellow and green forms in ULQ; black ground Kurt Seligmann is often associated with the French Surrealists, whose works were recognized for their fantastic, dreamlike imagery. Seligmann exhibited with this group throughout the 1930s before emigrating to New York in 1939. With personal interests as diverse as alchemy, magic, and gardening, Seligmann filled his canvases with biomorphic and organic forms. Deliberately ambiguous in its subject matter, Slow Motion is from a later period in the artist's career when he was involved in costume and stage design for ballet and modern dance performances. Size: H.46-7/8 x W.38-13/16 in. Medium: oil on canvas
https://collections.artsmia.org/art/13248/