A bunch of my BG2 character renders: Aerie, Anomen, Edwin, Haer'Dalis, Imoen, Jaheira, Jan Jansen, Keldorn, Korgan, Mazzy, Minsc, Nalia, Valygar, Viconia, and Yoshimo. All made and rendered in DazStudio.
For some more technical stuff, only Aerie is currently made for Genesis 9 (the latest generation of Daz figure) due to her being in the comic I make. The others were made for Genesis 8 (and in fact there's a Gen 8 version of Aerie in the group shot).
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An Archive of Our Own, a project of the Organization for Transformative Works
Outside the walls of Suldanessellar, Alaundo's prophecies foretell blood and flame. Inside the walls of Suldanessellar, the Bhaalspawn Angelique and her party are barely tolerated by the elves whose lives they so recently saved.
But that isn't really what's important right now.
The real issue is that Imoen's organizing a girls' night. And, whether they like it or not, her sister and her friends are going to finally let their hair down and have some fun.
Whether or not Suldanessellar will survive it is quite another story.
This brilliant fic by SilchasRuin - who on this entire planet could resist the premise of a girlsâ night organised by Imoen? - is hilarious and touching by turns. Witty, beautifully written, and reaching out from the jokes to grab your heart and never let it go, this charming story is unforgettable.
Imoen, her sister, Viconia, and Hexxat go out on the town for a girlsâ night ... leaving Korgan and Edwin without supervision. :D Oops! Will Suldanessellar ever survive this utter disaster? Read the story to find out!
And if you love the Viconia romance, youâll also love this story.
Can we please be blessed with headcannons of a pining Arthur? Heâs such a soft boah đ
Arthur puts pencil to paper and every time, the results donât come out the way theyâre supposed to. Itâs not that heâs never seen something in his head and have it come out different on the pageâ thatâs nearly every time, thatâs what drawing was, trying to sketch his best approximation. But everything thatâs coming out is wrong, a disconnect between his hands and his brain. The horsesâ legs are crooked, the flowers look flat, the landscapes are lopsided.Â
âYouâve had your nose in that thing for ages,â Marston calls, too close, behind his head. Arthur startles, perched on a covered crate in front of the fire, though he doesnât close the journal in time, not before Johnâs gotten a good look. âWhoâs that supposed to be, anyway?â
Arthur huffs in annoyance. âTrying to draw you, actually.â
Heâs drawn John, Hosea, Dutch and even Grimshaw more times than he can count. Theyâve been together so long, their faces are familiar, even when heâs not staring at them like he usually does when he sketches. But on this page, Marston looks lopsided and uneven, his brows furrowed and his scars lost to the smear of lead.Â
âWhat the fuck, Arthur.â John responds first with anger, and then almost barks out a laugh as he leans over him to look closer at the page. âYou made me look like Bill.â
Arthur shakes his head, pinches the bridge of his nose and tries to swallow a peal of laughter that threatens to escape down. âWhat?â
Sketch-John has a stern countenance, though with Arthurâs current inability to draw, its less stern than sour, like a child trying to act tough. His eyes are uneven, too. Arthur idly tries to correct it as John looks on, but it just makes sketch-John look like he has one black eye, his pencil scratching uselessly against the page.
âYeah, yeah.â He tries to lean over, press a finger to the page, but Arthurâs sitting up and leaning away from Marston before he can smudge a greasy finger on it. âI ainât that ugly and my beard donât look like that.â
âWhat beard?â Arthur snaps his journal closed, looking over his shoulder at Marstonâs frown. âYou can grow one of those? I thought that shit on your face was from the dog.â
âI could say the same of you!â John shouts, unsuccessfully, because Arthur is staring at him with raised eyebrows and an amused smirk thatâs just-visible beneath the mustache thatâs in a sore need of a trim, before the hairs curl over and into his mouth. He doesnât have to say anything, barely gets out a giggle before Johnâs hands are thrown up into the air, âLook, I donât have to deal with this.â And he stomps off with Arthurâs laughter at his back. He keeps that sketch, at least. Will probably tear it out and leave it on Johnâs pillow, when he finds the time, just to antagonize him a bit; all in good fun, until Dutch tells him to play nice because his favorite son is cussing and stomping around instead of choring.
But stillâ as amusing as the doodle is, Arthur canât draw. Or, at least, nothing is coming out well in his eyes. Itâs been weeks now. Flat and lifeless, crooked lines. Between hauling bags of grain, he crouches next to the chicken coop, watches the birds scratch at the ground. He sketches one of the chickens, and then aggressively scribbles over it when the texture of the feathers looks, too on-the-nose, like chicken scratch.
âWhatâre you drawing?â
Kieran asks like heâs been rehearsing the simple sentence in his head for too long, and still, his voice cracks at the end as Arthur fixes him with a look over his shoulder. He always forgets how tall Kieran is until heâs sitting somewhere in Kieranâs vicinity, and he has to look up to meet his eye. He doesnât carry his height well, perpetually slouching, unless heâs dealing with the horses. Then he has to draw himself up, if only to get them to behave.
âNothing.â Arthur admits with a grumble, because it feels like heâs been drawing nothing over the past few days, just series of lines and shapes that donât connect together into anything tangible. Kieranâs smile goes uneasy, baring his teeth with uncertainty as he takes a step back and away from Arthur.Â
âSorry to botherââ
âNo, no, itâs fine.â Arthur rushes to clarify; he hadnât realized his tone had been rough enough to have sent the other man almost scurrying off. Kieran flinches, stands and stares at his hands. âFrustrated with myself, is all. Nothingâs coming out right.â He hesitates, for a moment, before he turns and moves in closer, so that Kieran can see. His eyes go a little wide, glancing up towards Arthurâs face before he looks at the proffered journal.
âIt all looks real fine to me.â Kieran says, almost sweetly, hesitantly flipping back to a previous page. Makes something in Arthurâs gut twist. âI- I think youâre being hard on yourself, is all. I could never get anything to look like that.â He taps below one of the sketches of the horses, careful not to actually touch it, âThatâs a real nice one. Nell?â
âYeah,â Arthur confirms, huffing out a chuckle. âStands still long enough to sketch. Just like Uncle, actually.â
Kieran laughs, genuine, the corners of his eyes creasing, tucking strands of hair behind his ears. Arthur laughs, too, even if itâs not the funniest thing heâs ever said, but its infectious when he hears it from him. âItâs true,â Kieran says, âOh, he can be real awful, even if heâs a sweet horse. Always rolls around in the dirt after I brush him through...â
Arthur flips through his journal, showing Kieran a past page of Uncle in various states of sleep around camp, his face an exaggerated, comical caricature, drool from his lips. Kieran laughs again, hides his mouth behind his knuckles pressed against his lips, setting the edge of his teeth against the cracked, rough skin there.
Kieranâs always busy working. Arthur is, too, even if Dutch donât see it, browbeating him whenever he lingers too long in camp, the moments in-between where Arthur catches his breath. He stays for a day or two, at the cusp of outstaying his welcome, then heads off; hunting, carriage theft, house robberies, whichever the road takes him towards. Keeps his hands occupied with violence instead, hoping once heâs sufficiently wrought enough destruction he can create something again.
Camp pulls him back, like it always does; he cleans before he returns, for Grimshawâs sake, but ice cold river water canât rinse off the dark shiner heâs sporting before he rides into camp and leaves his horse in the pasture. He has to walk through camp to reach the stewpot, loading up the cleanest bowl he can find with Pearsonâs pottage. By the time heâs finished eating standing next to the fire, spitting the most inedible bits of gristle to the ground, someoneâs left a salve by his cot. A metal tin promising pain relief, among a long list of other cures, the label blurred under the oils of nervous fingers ceaselessly worrying the paper. Arthur rolls it over in his hands. Mulls over who gave it to him as he smears the thick lotion around his eye, under his shirt and the deep bruises across his ribs. The greasiness sticks to his fingers, and is an easy excuse to blame when he settles back into his cot that night and his pencil slides uselessly over the pages, and it snaps in half between his fingers.
The next morning, Kieran leaves him another gift when he tacks up Arthurâs warhorse, tucked into his saddlebags. Arthur doesnât notice the two pencils wrapped carefully in a scrap of fabric, pre-sharpened, until heâs nearly in New Hanover.
Arthur returns a week later with he sun at his back, his shiner healed. He doesnât draw attention to himself when he makes his way to the tithing box, pulling a stack of cash and two watches from his satchel. He has a necklace, too, delicate and brilliant glass beads, but he puts that back into his satchel when it comes out tangled with the watches; thatâs for Tilly.
With the sun setting, thereâs precious few hours of light left in the day, though theyâre longer and longer with each sunrise. Arthur hates the heat that clings to his brow, but loves the hours of daylight summer brings. Sweating oneself dry was a small price to pay for more hours in the day. But theyâre running thin, the sun disappearing in a fireball beyond the waterâs horizon; Arthur has only a few minutes to find Kieran. He wasnât in the pasture when he dismounted his horse; heâs not at the scout campfire, either, and Arthurâs hands feel sweaty in his gloves. He almost misses him, on his second walk through the camp; near the chicken coop once more, sitting beneath the large tree there, quietly smoking in its roots.
âKieran.â
Kieran looks flushed, the ember of the cigarette throwing his face into stark shadows. His eyes shift upward as he stubs it out against the bark. âArthur?â
ââFore the sun sets,â Arthur starts, trying to calmly stress his limits, the strange feeling that their time was quickly waning. It doesnât make much sense; Arthur could always show him tomorrow. But thereâs an urgency thatâs gripping his lungs, as he reaches for his satchel, âLook.â
Kieran stands, using the tree as support for his wobbly legs. Arthur opens his journal, paging to the ribbon holding his place.
He has to rotate his journal, and Kieran pulls in close, looking over his shoulder. Itâs hard lines in some spots and soft smudges in others, thumbs and knuckles used, the side of his pencil washing shades of grey. The soft shadows mottled underneath Kieranâs eyes, purple and blue, somehow rendered perfectly in the soft smudge of lead across the page. The greasy knots of his hair. Kieranâs smile, crooked and easy. Itâs all there.
âOh.â Kieran clutches at Arthurâs sleeve, where heâs rolled it up to the elbows, in the folds of fabric there. Buries his fingers in and scrunches his grasp in tight. âOh. Arthur, Iââ
He sounds almost on the edge of tears, maybe. Or some other emotion swirling thick in the back of his throat. The sun slips slowly beyond the trees, the clouds drifting fat overhead speeding up the pace of darkness falling over Clemenâs Point. The campfire has been allowed to dwindle down further than it should, and it barely casts any light towards where they stand behind the coop and the shadows of the trees. Kieran steps forward and Arthur steps back, lets him box him up against the rough bark of the big oak before he grasps Arthur by the front of his dress shirt and kisses him. Kieran tastes like tobacco, mostly, when he parts his lips to let Arthur lick into his mouth, suck on his bottom lip until Kieran whines and his knees buckle against Arthurâs legs. When they part, Arthurâs eyes opening, itâs almost too dark to see Kieranâs smile, the redness splotching across his cheeks. Another picture to sketch, another page in his journal.
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I have a Mass Effect OC what is neither a Ryder nor a Shepard.
Her name is Michelle Mayer and she works in the Nexus/Citadel Nursery and takes care of the younglings of their space station.
The Salarian baby is made in Jarun Tannâs colors on purpose. Look upon him, Tann Haters. LOOK AT HIM!