In the time I have spent consuming media that involves popular bad⢠male characters and/or M/F ships where the male character is morally gray or outright evil or conflicted or basically anyone who isn't completely safe and defanged, I have often comes across this statement and its countless other variations.
"Stuff like this is made to brainwash young girls into thinking that they can 'fix' dangerous men. Such girls usually end up in abusive relationships and their parents are right to worry."
It is rather strange to come across such a gross generalization, operating on an assumption that girls are blank slates whom anyone can manipulate and who can't distinguish between real and make believe on top of it.
In my entire "career"(if you can call it that) of engaging with fiction , the girls and women that I have run into in fandoms happened to be some of the most intelligent, talented, cool, witty and insightful people I have ever met. I've devoured the fics they have written. I have delighted in the arts and edits they've made. Their perspectives and interpretations about the characters and their relationships are genuinely fascinating to read about regardless of whether I agree with it or not. They are the ones who are most often at the receiving end of the antis' ire for no valid reason but they just keep deriving joy and inspiration from their favourite characters and ships and keep sharing it with others through stories, art and thoughts. They are not just smart but incredibly resilient, sensitive and aware not just about the media they consume but about the world around them and its issues.
I look up to their brilliance. I marvel at their passion. I admire them. I adore them.
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let's talk about klaus mikaelson's love life (or: why klaroline was always a beautiful, shiny lie)
Iāve been sitting on this draft for literally months, but after rewatching The Vampire Diaries and The Originals back-to-back, I need to scream into the void about this. The absolute chokehold that Klaroline still has on this fandom is wild to me, but when you strip away the gorgeous lighting, the beautiful actors, and the pure fan service, the narrative reality is stark: Klaus and Caroline do not make sense as a believable, long-term romantic pairing.
If we look at Klausās actual characterization, his deep-seated psychological trauma, and his demonstrated romantic behavior across both shows, Klaroline falls apart. To me, their dynamic represents a localized, highly curated fantasy of escapism and projection rather than any form of genuine emotional intimacy. Letās actually look at the text.
Deconstructing the "Caroline Stands Up to Klaus" Myth
One of the most persistent talking points in this fandom is that Caroline "stands up" to Klaus, and that this structural equality is what makes them so compelling. But I honestly believe this is a complete misreading of their actual interactions. Carolineās pushback is almost always a mix of localized small-town moralizing and defensive snark. And the thing about Klaus is that he doesn't feel challenged by this heās just amused.
To a thousand-year-old hybrid who has slaughtered entire villages, a newborn vampire telling him he's a "disgusting" monster is just cute. He treats her defiance as a novelty, a little spark of entertainment in his otherwise paranoid, boring existence.
What gets me is how we, as a fandom, gloss over the fact that Caroline is consistently, deeply terrified of him and for very good reason. Their dynamic is not built on mutual respect; it is a predator-and-prey game where Carolineās snark is actually a desperate shield.
Think about Into the Wild (4x13). When Caroline gets too close to the boundary spell trapping Klaus, he doesn't hesitate he literally spears her with a rusted curtain rod and chomps on her neck. He then forces her boyfriend, Tyler, to beg repeatedly for her life, ultimately refusing to heal her. Caroline is left sweating, hallucinating, and convulsing on his floor.
When Caroline finally looks at him and whispers, "I know that youāre in love with me, and anybody capable of love is capable of being saved," that is not a romantic breakthrough. Personally, Iāve always interpreted this as a highly calculated, terrifying survival strategy. Caroline is literally at death's door, and she knows the only way to survive is to feed Klaus's desperate, narcissistic self-delusion that he is a redeemable man. Itās not emotional vulnerability; itās hostage negotiation.
The dynamic we see between them is almost entirely dependent on flirtation, shiny grand gestures, and aesthetic distractions. Klaus draws her ponies, leaves expensive gowns on her bed, and buys her diamond bracelets. But what does he actually know about Caroline Forbes?
The truth is, Klaus doesn't want to know the real Caroline the neurotic, over-organizing, small-town girl who is deeply insecure about being anyone's second choice. He projects an idealized, untainted fantasy of "innocence" and "light" onto her. When he tells her in Our Town (3x11) that the rest of the world is waiting for her, filled with "art, music, and genuine beauty," he isn't engaging with her specific psychological interiority. He is inviting her to escape into his aesthetic fantasy.
Caroline is his safe, consequence-free vacuum. Because they share no history, no mutual trauma, and no real darkness, Klaus can play-act the role of a refined, misunderstood romantic benefactor around her. She represents a beautiful distraction from the blood-soaked reality of his existence. But thatās all it is: escapism.
The Reality of Love: Comparative Dynamics in The Originals
To understand how Klaus behaves when he is actually, deeply involved in a characterās emotional reality, we have to look at the mature, raw, and often devastating dynamics in The Originals.
Hayley Marshall: The Unspoken Partnership of Two Wolves
I honestly believe the tragedy of Klaus and Hayley is one of the most beautifully written, slow-burn emotional arcs in the entire franchise, even if they never became a traditional couple. They are two deeply broken, abandoned foster kids who became apex predators just to avoid being prey. As Klaus famously tells her, "We both learned to fight when we were pushed into a corner".
Their connection is forged in the fire of co-parenting their daughter, Hope, which forces them to drop their defensive masks and deal with each otherās worst traits. Unlike Caroline, Hayley has seen Klaus at his most paranoid, ruthless, and monstrous and she doesn't just judge him from a safe distance; she demands better of him as his equal partner in their daughterās survival.
What kills me is their famous confrontation in the compound courtyard in Season 3, Episode 2. Hayley is absolutely furious after Klaus cursed her pack, and she attacks him physically, screaming:
"My parents left me! Yours turned their backs on you! Look at us now, Klaus! She deserves something better than what we had, all I have ever wanted for her is something better! Fight back! Fight back!"
Klaus, who has the raw physical strength to tear her apart, does nothing. He stands there, completely still, letting her hit him as his face cracks open in a look of absolute, stricken horror.
He recognizes the profound truth of her words and the shared trauma that binds them. That quiet surrender is infinitely more intimate than any dance at a Mystic Falls ball. Itās a moment of deep, devastating mutual understanding.
To me, Klaus and Hayley were emotionally in love, even if timing, circumstance, and their own massive psychological defense mechanisms prevented them from fully acknowledging it before she died. His grief in Season 5 is quiet, heavy, and completely hollows him out. He reads her old letters alone, crying in the dark compound, entirely devastated by the loss of the one person who truly understood what it meant to fight for their family.
His breakdown at her grave, wishing she was there to help him guide their daughter, shows a level of raw devotion he never reached with Caroline:
"Loving her brings her closer to death. And I want her to live. I want her to grow up. I want her to love... and be as strong and beautiful, a woman... as her mother. I don't know what to do. And I really wish that you were here to tell me... little wolf."
Aurora de Martel: The Tragic Mirror of the Beast
If Caroline represents the sanitized fantasy Klaus runs to, Aurora de Martel is the raw, obsessive subconscious he can never fully escape. As his first requited love from 1002 AD, Aurora is deeply woven into the fabric of his psychological development. She is a dark mirror sharing his manic intensity, his paranoia, and his capacity for chaotic cruelty.
With Aurora, Klaus didn't have to pretend to be a "good man" to win her affection. In fact, she is the first person in his thousand-year life to whom he confessed his deepest, most shameful trauma: that he murdered his mother, Esther, and framed his father for it. He was too terrified to tell Elijah or Rebekah, but he told her. In his letters to her, his emotional vulnerability is poetic and raw:
"I never meant for you to know me. I never meant to let you in... There is a light in you so bright it makes feel like the man I wish I was... and forget the thing I am."
Even a thousand years later, after her mind has fractured and they have tried to kill each other, the tragic weight of that first love lingers. Klaus admits to her:
"Two hundred years ago, it was my art studio. It became a tomb for my memory of you. I thought if I painted what haunted me, I could free myself of you forever. In all my years, I have never been more wrong about anything."
Aurora accessed the absolute darkest, most obsessive, and most unvarnished parts of Klaus. It was toxic, yes, but it was a deeply felt, historic love that possessed a psychological weight Klaroline could never dream of matching
Camille OāConnell: The Mature Devotion of the Soul Sanctuary
To me, Camille OāConnell is the absolute blueprint of Klaus Mikaelsonās emotional capacity for mature, romantic love. Cami is the complete antithesis of Caroline Forbes. She doesn't judge his complexity from a distance or play-act a high school romance; she sits down with him, looks him in the eye, and psychoanalyzes his pain. She sees his violence not as a series of simple, evil acts, but as a deeply ingrained survival response to a harsh, unfair world.
Around Cami, the theatrical "mad king" persona slips away. He is quiet, protective, and completely honest. His devotion to her is entirely selfless, which is a massive contrast to how he treated Carolineās life as currency to punish Tyler. With Cami, he says:
"Because you wished it. Because what's important to you is important to me. What makes you happy makes me want to keep you so. What scares you, I want to tear apart. I do not wish to watch you from behind glass."
This is a quiet, profound devotion built on trust and mutual healing. When Cami is dying in Season 3, Episode 20, Klaus doesn't use her death to teach a lesson or play a game. He holds her, baring his soul, and delivers what I honestly believe is the most romantic line in the entire television franchise:
"Don't you think for a moment that you've failed me. You stayed my hand. Quelled my rage. You inspired goodness in me, and unlike all of the souls I've encountered and forgotten in the long march of time... I will carry you with me."
Cami was his greatest canon romance because she met him on a psychological level, offering him a sanctuary of emotional honesty and transforming his capacity to love.
we need to talk about the absolute goldmine of unrealized narrative potential that was Bonnie Bennett and Klaus Mikaelson. Personally, I believe that if the writers had committed to a slow-burn enemies-to-lovers arc between Bonnie and Klaus starting in Season 3, it would have been the most iconic, psychologically complex pairing in the entire television universe.
Shared Loneliness, Sacrifice, and Parent-Child Trauma
The psychological symmetry between Bonnie and Klaus is honestly staggering. Both are defined by a profound, agonizing loneliness that comes from being the strongest people in any room.
Klaus's entire existence is shaped by maternal betrayal his mother, Esther, cursed his hybrid nature, locked away his power, and tried to murder him.
Bonnieās life is similarly fractured by maternal abandonment. Her mother, Abby Bennett, abandoned her twice first as a child, and then again after being turned into a vampire leaving Bonnie to shoulder the terrifying weight of her magical legacy entirely alone.
What gets me is that both characters are consistently treated as highly functional tools or weapons by their respective social circles rather than as human beings worthy of unconditional love.
Klausās siblings and enemies only reach out to him when they need his hybrid blood, his physical protection, or when they are terrified of his rage.
Bonnieās friends systematically exploit her magical powers, expecting her to bleed, die, and sacrifice her grandmother, her romantic happiness, and her own life to solve their supernatural crises.
If Klaus had noticed this and he canonically notices everything about peopleās unspoken resentments he could have called out her friendsā hypocrisy. Imagine Klaus Mikaelson, the king of paranoia, looking at Bonnie Bennett and saying, "They only love you when you're bleeding for them, little witch".
That recognition would have shattered Bonnieās defensive moral posture far more effectively than any diamond bracelet or drawing of a pony ever could.
Existential Friction: Power, Magic, and Earned Respect
Unlike Caroline, whose pushback is just cute to Klaus, Bonnie represents an actual physical and moral threat to him. In the Season 2 finale, Bonnie Bennett a teenage witch who had barely tapped into her power comes within seconds of completely obliterating the most powerful creature in existence.
Klaus is a character who is deeply attracted to power, ancient lineages, and magical legacy. He surrounds himself with powerful witches like Greta Martin because he respects what they can do. The fact that he never tried to win Bonnie to his side, negotiate with her, or court her is a massive plot hole that only exists because the writers were terrified of their chemistry.
A slow-burn romantic arc between them would have evolved naturally through a exchange of power and history. Instead of buying her dresses, Klaus would have had to court Bonnie with his motherās ancient grimoires, ancestral Bennett artifacts, and the forgotten magical histories heās collected over a thousand years. He would offer her knowledge and agency.
This intellectual and magical partnership would have been incredibly compelling during Season 4, when Bonnie is exploring Expression and sliding into darkness. Klaus, a creature of pure instinct and darkness, would have been the perfect guide for her, encouraging her to embrace her sovereign power instead of constantly suppressing it for the sake of her ungrateful friends.
Bonnieās rigid moral code would create massive narrative tension. She would never let him get away with his atrocities, and she would demand real change not the performative, sanitized version of goodness he played at for Caroline, but actual, structural choices to protect the innocent and show mercy.
To win the love of a hero like Bonnie Bennett, Klaus would have to earn it. The symmetry of the "witch of the oldest bloodline" and the "ultimate supernatural abomination" finding solace in each otherās shared isolation and power would have been a masterpiece of character writing. Itās the epic, dark, and deeply respectful romance we actually deserved.
Iāve read several responses to that post that stirred up the usual Klaroline vs. Klamille tension, so Iād like to address a few of the writerās claims. Not all, just the ones that are commonly repeated and factually off-base.
"Caroline challenged Klaus; Cami enabled him."
This is factually incorrect.
Caroline challenges Klaus morally and behaviorally.
She tells him to be better, but she never digs into why he behaves the way he does.
She doesnāt address his trauma, his attachment wounds, his paranoia, his fear of abandonment, or his identity fragmentation.
Cami did.
Cami asked, "Why are you like this? What are you afraid of?"Cami said, "Show me.ā
She didnāt excuse him. She explained him to himself so he could understand his own patterns.
Explaining is not enabling. Itās therapy. Itās accountability. Itās the opposite of "letting him off the hook.ā
Itās pushing him to confront his own actions and emotions.
"Caroline pushed him to be better, Cami comforted him."
Oversimplified and untrue.
Caroline pushed Klaus to be good, but she did it from a place of moral superiority, distance, judgment, and idealism. She was, after all, a teenage girl ā idealism comes with the age. She wanted him to be the man she believed he could be, but she couldnāt accept the man he was, flaws and all.
Cami did. She accepted him and tried to help him become a better person.
Cami was empathetic, insightful, and had the knowledge to identify the disease behind the symptoms. She wanted him to understand who he was versus who he thought he was.
Where Caroline questioned his behavior, Cami challenged his identity, his view of self.
"Caroline was the love he wanted, Cami the love he needed, but heād choose Caroline."
This contradicts canon. If Klaus wanted Caroline more, he would have pursued her, stayed in Mystic Falls, returned for her, chosen her when she reciprocated, etc.
He did none of those things. Instead, he left Caroline the moment she reciprocated (if you can call a hookup in the woods reciprocation).
Klaus didnāt make a move on Cami, not in the beginning when he was so obviously attracted to her, not when they found their way into a friendship, not even when he declared them soulmates.
Klaus worked to be in her good graces, not by being grandiose or making promises or showing off. He didnāt try to impress Cami with jewelry or fancy dresses.
He tried to be in Camiās good graces by being honest, by being there for her, by showing respect, by protecting her, and by simply caring for her.
Klaus needed Cami in his life, and at the same time, being with her terrified him.
As it terrified her too.
Cami was the person who saw him as he actually was, not as he portrayed himself to be.
The issue with fantasy (and Caroline) is that the fantasy collapses when it becomes real. The forest sex was good, but not what he thought it would be, because the chase is always the fun part in that kind of dynamic.
With Cami, there was a connection, a real, not idealized, connection.
The writers made that crystal clear.
He died protecting Cami. He didnāt give a damn about his sireline or Caroline when he went after Mikael weaponless.
He died for Cami. Not for Caroline. Not for any lover. Only Cami. Thatās canon.
He broke after Camiās death. He promised to follow where she goes.
Klaus Mikaelson ā who triumphed in his immortality ā promised Cami he would follow her in death.
He promised to carry her with him always. Thatās canon.
After Camiās death, his mind conjured her. She was "the moments of solace that sustained him.ā
Again, canon.
After Camiās death and the five years he spent as Marcelās prisoner, Klaus returned to something like normalcy, and his main focus was Hope. But the end of S4 forced him away.
When we see him again ten years later, he is in bed with a woman he has obviously slept with and killed. But nothing changed in his romantic life.
He never again loved after Cami.
He still flirted with Caroline when she showed up, but he never opened himself emotionally again.
If he "would have chosen Caroline," he had multiple opportunities.
Paris, Mystic Falls, the road trip, her visit to New Orleans.
He chose none of them.
Because he didnāt want the fantasy.
He wanted the person with whom he shared a real connection.
"Caroline was his epic love."
No. Caroline was his romantic fantasy.
Epic love requires mutual vulnerability, emotional intimacy, connection, shared trauma, and shared growth. Klaus and Caroline never had a real relationship ā not even a friendship. They had chemistry, flirtation, longing, and potential.
Thatās not epic love. Thatās romantic projection.
"Cami was his therapist."
Love, Cami was his equal. His mirror.
She challenged him, called him out, refused to excuse him, confronted his cruelty, and demanded accountability. She set boundaries, and he respected them (most of the time).
Cami was not passive. She was not enabling. She was not his moral buffer.
She was the only person Klaus ever treated as an intellectual equal. He cared about her opinion. He listened to her advice. He valued her perspective.
"He prioritized Caroline even while with Cami."
This misreads the narrative. Saving Stefan was a favor to Caroline ā perhaps because she had just become a mother and he was a father, and she sounded overwhelmed in that phone call. He could relate. Anything beyond that was fanservice.
He didnāt prioritize Caroline over Cami. He took Stefan to Freya, dealt with the problem, and never put his family, his city, or his daughter in danger.
"He would have chosen Caroline."
Thatās a personal opinion. Nothing more.
From where I see it, Klaus would never choose Caroline over Camille.
In fact, I personally believe Caroline would ship Klaus and Cami if she had met her and seen them interact.
What is canon is that Klaus made grand speeches to Caroline.
But he was never with Caroline. Never connected with Caroline. Never died to protect her. Never declared his love for her. Never cried, holding her dead in his arms.
Perhaps Caroline was his aspirational love.
But Cami was the love he got and the love he needed. That love was true love.
Cami was the woman who, "against every ounce of her better judgment, her sanity, and her common sense⦠had complicated feelings for a monster."
Cami was the woman who helped the monster address his trauma.
Cami was the woman who pushed Klaus to accept Hayleyās pregnancy.
Cami was the woman who inspired Klaus to be a better man.
Caroline was the love he imagined, a fantasy.
Cami was the love he experienced, the one who transformed him, inspired him, and influenced him.
Cami was the woman he couldnāt survive losing.
And thatās why Klaus died as the man Cami believed he could be ā not the man Caroline wanted him to be.
Over a decade later, I caved. I watched The Originals. And I have thoughts, okay? A lot of them.
Over the years, I have heard and read so much about the similarities between Caroline and Camille. After finally watching, I have to say aside from the fact that they are both blonde women, have a first name that begins with 'C' and have an attraction to Klaus, I don't see a lot of resemblance between them. I really don't. I find even less similarities between Klaroline and Klamille.
Here's my take:
Caroline challenged Klaus constantly. She didn't tolerate his bs, and she pushed him to be a better version of himself. She was almost a mirror of what Klaus could aspire to (light, strength, beauty). And the characters said it themselves. "We're the same, Caroline." (Klaus, TVD 4X14). Klaus saw a version of himself in Caroline. She had qualities that he admired but also possessed (they were a little buried, I'll concede that). "I reminded you of a part of yourself that you lost and wished that you could get back." (Caroline, TO 5x06) Caroline saw the resemblance too. She was just more reluctant to admit it.
In contrast, Camille was more of a moral anchor for Klaus in my opinion. She was always rationalizing his behavior, trying to understand why he did what he did. That's what she gave Klaus: understanding. Caroline understood him too. She knew where his darkest nature came from, she understood the pain and trauma he carried. But unlike Camille, she didn't tell him that, she didn't allow him to use his past as an excuse to justify his terrible deeds. Camille provided comfort and acceptance. Caroline created friction and pressure. One made him feel understood and emotionally safe. The other demanded growth from him, stretching him beyond the easy and comfortable parts of himself, in order to earn a place by her side.
Camille met Klaus where he was. She listened to him, explained him, helped him articulate his pain, reframed his behavior through trauma, always trying to provide a logical and acceptable explanation for why he did what he did to the point of almost enabling him. She was literally his therapist, his conscience, a moral buffer. Caroline, however, never met Klaus where he was at. Ever. While Camille met Klaus where he was, Caroline defined where he wanted to go. He had to bend for Caroline, adapt, transform, deny his darkest instincts. He held her to such a high standard he had no choice but to rise to that standard to be worthy of her.
The bottom line is those two women served different purposes in his life, and it's okay to acknowledge that. I will always be a Klaroline shipper, but I acknowledge that Klaus needed Camille at a certain point in his life in order to become who he did. Caroline was able to unlock his vulnerability, but Camille is the one who sustained it. Camille is the one who held space for him, who welcomed his emotional moments, who let him sit and linger in his feelings, who allowed him to process his trauma.
Having said that though, there is no denying that Klaus longed for Caroline "Dearest Caroline... Yours, Klaus", "however long it takes". She never stopped holding his heart. He remembered her and held onto her across time and distance. He continued to make her a priority even when he was involved with Camille. He saved her boyfriend's life as a favor she didn't even have to ask for even though he was romantically entangled with Camille at the time. What's that, if not enduring devotion and unshakable love?
Very simply put, this is how I see it: Caroline was the love that elevated Klaus, Camille was the love that grounded Klaus. Now, I believe Klaus Mikaelson was a man who didn't settle. I believe he wanted a love that felt transcendent, a love that forced him to work every day to deserve it. So if we remove all narrative obstacles and just focus on who Klaus Mikaelson was at his core, there is no doubt in my mind that if given the possibility to be with one of them, both being willing to have him, he would have let Camille go and chosen Caroline.
If you understand his character differently, you may have a different opinion, and that is alright.
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Ships that scream "I'm still holding on to everything that's said and done. I don't want to say goodbye 'cause this one means forever." >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Just because you wanted to dye your hair blonde after seeing Caroline Forbes doesnāt mean Leah Pipes did too, girlie pretty much always wore her hair in shades of blonde (and still does) and therefore Cami OāConnell was blonde.
They cast a blonde because a blonde won the chemistry test (yes, Joseph Morgan had a chemistry test with the actors auditioning for Cami because guess what, Cami was always supposed to be Klausās love interest on TO), and that blonde was the best female performer on that show, with only Claudia Black (Dahlia) probably being a competition (yet the material Leah delivered was obviously way more layered and versatile given her tenure on the show).
If you wanna go on a meta level and insist Klaus had a subconscious pull towards blondes, the origin of that would be his mother and sister Rebekah who were both blondes, not a teenager he met in MF at 1000 years of age. But letās be real, he has gone for women of all hair colours and actually does not seem to have a fixation on phenotypes.
If you want to think from a studio perspective, CW shows tended to have some diversity in the hair colours of series regulars. Claire Holt joined the show at the last moment and was still planning to leave after half a season. Phoebe Tonkin and Daniella Pineda and Danielle Campbell were all brunettes. For visual diversity it might be preferable for some regular characters to not have dark hair and Klaus and Cami were those characters (we see this in TVD itself, there is a reason they made Caroline herself blonde even though she wasnāt in the books, after deciding to go for a brunette actress for Elena, this exists in Gossip Girl, in Buffy, in plenty of other shows).
I usually hate and ignore Klaus ship wars for the simple reason that I like all the girls individually, and it makes me so sad when people put any of them down because of a man who, letās be honest, didnāt deserve any of them.
(Camille, Hayley, Aurora, Caroline... all of them could do way better.)
But I mostly hate it when people act as if Camille didnāt hold her ground against him. She did. And she did it as a HUMAN!
During the compulsion arc, she never, at any moment, accepted the position he was putting her in. She argued with him the whole way through.
After he revealed the supernatural world to her and began telling her about his monstrous acts, she remained unafraid to speak her mind. In episode 8, he told her about stabbing his siblings for disagreeing with him, and she immediately called him out. Anyone in that situation would probably rationalize that if he did that to his own blood, it would be best to stay quiet. But she didnāt.
In episode 6, he told her about Agnesās death (the woman who killed her brother, by the way), and she SMACKED him.
A thousand-year-old hybrid walks in, telling you with a smile that he just participated in a murder, and you, a young human woman, slap him hard and threaten him. (I could never, my girl was so brave.)
All while she was secretly working under his nose to free herself from the mind control she knew very little about at the time.
When the compulsion was broken, she refused to let him have any form of control over her.
In episode 11, he told her over the phone to leave Rousseauās when Papa Tunde was there. She didnāt. When he tried to stop her from helping Marcel, she went for it anyway.
"You donāt control me anymore, remember?"
During Father Kieranās hex plot, he continuously told her she should accept it and let go. Even though he was right (and I believe deep down she knew it), she didnāt stop fighting for her uncle.
"I refuse to accept that. And you too, if you had any concept of family."
When she sleeps with Marcel, she refuses to let him shame her for it.
Honestly, I would say 90% of season 1 for Klamille consisted of Cami humbling him.
In season 2, he hurt everyone to defeat Dahlia, but Camille was the only one he apologized to and actually showed some remorse. She only accepted help him after he acknowledged what he did to her.
In the first few episodes of season 3, she firmly, and even harshly, made it clear to him that she would only truly believe in his change once he started putting it into action.
And she did the same toward any man who tried to intimidate or tell her what to do (Marcel, Finn, Kol, Lucien, her uncle).
She is SO far from the doormat people tried to paint her as.
She was compassionate, understanding, caring, lovable. But she was also smart, strong, brave, and assertive.
Anyway, I will always support the Camille OāConnell (and Leah Pipes) Deserved Better Club.