It's weird to read a manuscript of her own life, no matter how much she sometimes struggles to recognize the events through Varric's narrative embellishments. She lies on a couch in the library of the Amell Estate, the chapter she's on held above her so she can 'check it over' for 'approval.' Suddenly, she groans, dropping the papers on her chest. "Was I really that transparent when meeting Sebastian?" She was. "Please tell me I had more tact than that." She did not. Or, at least, not by much.
There has been a cadence to this. He writes as she makes commentary, he nettles her, she spits back at him, and he edits along with it. She's nestled herself somewhere, lost to plush furnishings or something of the like; his focus is instead the tone of this next chapter, how it paces seems to be the thing chasing him, the very tail ahead of the dog so he strikes through a word, again as she speaks. He doesn't laugh at first; instead, his quill strikes through one more word before he finds himself placing the quill back in an inkwell.
Her question rolls against his mind, back and forth for a moment before his brows knit and his hands meet - no, she had not, but then again, fools in love never really found tact or reason; love was like fire, something hot lost to a forge. Something his hands unlace for, and he snuffs out the candle on the desk, the desk he has claimed these last few days, both keeping company as they work ( well, her more his editor today than working on her own ).
It isn't the fire he reached for years ago, not the fire that burned him and many others. So, callouses are good now at tampering that heat out, forefinger and thumb meeting on the wick of the candle, a sigh on his lips as the wax falls, white wax falling to brass, pooling there and cooling against the metal. He still doesn't move; there are blueprints he sees in the back of his mind - and well, none of that really matters now, but he can answer her question because of it.
The chair scrapes against the stone as he moves, hefting himself to stature as he does it, and he lulls his shoulder at her question; he does it again as he meets her eye. "Well, I saw it - I can only write what I saw." That part is true, but the part he leaves out is something starcrossed, something tender, something that he doesn't think Kirkwall needs to know, and it is not something anyone needs to see other than the pair. Those words stay within him, settled somewhere like the letters in his desk, the ivy that covers his own story and heart, the people he could and would never place aside.
So he moves again, pushing her legs aside as he sits, with an exaggerated sigh, both arms over the back of the couch. "Much better." There is a pause, always for thematics and dramatics. She kicks him; it's deserved, and he laughs as she does it; he laughs again as it's a little firmer this time. "Alright, stop, point made. but - but, we are all fools when it comes to love."