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Summary: You finally realize your future, and itâs always going to be with Steve.
WC: 5.2k
Warnings & What to Expect: established relationship w/ build up, very brief mentions of abuse and death, talks about kids (Steve wants them obviously but reader is conflicted - being a Hargrove has to take a toll on that topic imo), Steveâs a patient sweetheart, little bit of angst and lots of fluff!
Masterlist If Interested!
Peachâs Note: hi lovies! this is product of a combo of things. i had this one in a draft and then got a couple of requests to incorporate harry styles music which Iâll always say yes to. so this is loosely based on âkeep drivingâ and then got a request for hargrove reader realizing steveâs her future (hell yes!). but anyways, tysm to everyone who has shown love on my works - it means the world. Requests are open! no promises on a quick turn around though as I narrate quite a bit, and my job keeps me busy - but feel free to send anything and I can certainly try my best đЎđŤĄ
Divider template credits to @saradika-graphics
You knew for a fact that you were in love with Steve Harrington when he accidentally knocked you flat on your ass at the local roller rink.
And you knew, without a doubt - years later - that you could see a future with him when he tipped his head back in a fit of laughter; lush pink lips curled up in joy, eyes squeezed shut - creating tiny creases by the edge of the delicate skin there.
It didnât hit you like a freight train, more like a quiet realization that Steve would have a permanent spot in your life - like a puzzle piece slotting seamlessly into place.
With your lives on the brink of extinction nearly every day, you never gave much thought to your future with Steve. But the dust had finally settled, allowing you room to breathe for once - life returning to a normalcy that felt well deserved after everything youâve gone through.
Itâs why youâre currently pressed against your step-sister, celebrating her graduation from Hawkins High at your favorite place in town, Melâs Diner - Lucas and Steve in a conversation about Steveâs job as the middle schoolâs baseball coach.
Lucas quipped something snarky, which caused Steve to laugh unexpectedly hard, throwing his head back against the cushioned booth - and damn, watching his face light up with an unadulterated radiance across from you, you realize that Steveâs always going to be it for you.
Youâre examining every feature on him, gazing at him lovingly with this new information blooming in your mind when Max elbows you.
âRethinking those six nuggets?â she asks you tauntingly, raising her eyebrows.
âMax,â you seethed sharply, glancing at Steve who thankfully didnât seem to hear that comment.
When Steve told you his plan for the future all those years ago, you timidly shared with him that you werenât sure if kids were in your plan for life because admittedly, you never thought much of having children.
Growing up with an abusive father skewed your outlook on having them. Then your mother left you, and Billy turned into a raging asshole - allowing you to see the effects of marrying the wrong person.
You promised yourself youâd never put yourself in a situation where youâd be trapped - stuck in an unhappy marriage and tied down with children who were left to face the consequences that shouldnât be theirs to bear.
The look of disappointment that washed over him haunted you, worried that heâd leave you, but Steve cleared his throat and assured you that he understood your fear - and that if all he ever got in this life was you, then that would be enough.
But watching him now, you could see the whole thing; marriage, a home, kids. You could see it so clearly that it had you reflecting on the moments between the two of you that had been building to get to this place of understanding.
Steveâs presence in your life wasnât really solidified until the night you watched your brother die at the Starcourt Mall - hole in his chest, bleeding profusely out. He stuttered a broken apology to you and Max, before his gaze stilled, and you knew he was gone.
Your hand carded through his curly hair, begging him to stay, and the texture between your hands reminded you of your mothers hair, similar to his own when she didnât straighten it. Long gone were the days of you and Billy laughing on the beach together with her, and he had made it abundantly clear that it wouldn't ever be the same, and now with him gone - it really wouldnât be.
Steve was there to pick up the pieces for you; because your father had left you with Susan, who could barely take care of herself without him, let alone Max - which resulted in the weight of taking care of the girl on your shoulders.
You didnât mind it - you loved her like she was your own flesh and blood, but watching her become a hollow version of who she once was caused an ache so intense in you that it felt like your heart was being carved out sometimes.
Steve was the only one who noticed it - that the burden you were carrying of losing your brother, father, step-mother, and step-sister, each in a different way - had taken a toll on you. He saw it hidden behind your eyes each time you tried to convey to the party that everything was alright.
He couldnât help the pull in his gut to check in on you, which is how he found himself walking into your place of work one day - the Hideaway.
You were a waitress at the shitty dive bar and restaurant; it sucked being hit on by creeps twice your age, but the tips were good and you needed the money if you ever wanted to help Susan get out of the pit of bills she was in with Neil gone.
Steve had to admit to himself that part of the reason why he wanted to check in on you had to do with the intense crush that he was harboring for you.
Heâd been careful not to interact with you when Billy was alive because every time he saw you, he remembered the absolute ass beating heâd taken from your brother. Now, there was nothing holding him back from you anymore - even though it meant that it came at the cost of losing someone you loved.
Your pulse picked up tenfold as you watched Steve walk into the Hideaway. Your own hopeless feelings that you have for him had never been buried, just simply pushed to the side with everything that had happened.
Steve waltzed up to the bar where you were cashing out someoneâs order, leaned against it and said, âAny good food recommendations, beautiful?â
You were a bit taken aback, not expecting Steve to show up on your shift, or call you the sweet term of endearment that caused your chest to flutter about.
âNot if you want a severe stomach ache,â you responded, laughing lightly.
âHow about Melâs Diner then?â Steve tilted his head to the side, trying to signal that he was inviting you to go with him.
âMelâs is great. Since it just opened, itâs definitely up to par,â you shrugged your shoulders, not catching onto what Steve was trying to insinuate.
âWould be nice to go there with someone,â Steve tried again, fingers tapping briefly against the bar.
âYeah, Iâm sure Robin would love it and - oh,â you pause when Steve smiles playfully at you, finally realizing what heâs trying to get across, âI mean, I could go with you, if you want.â
âI want that,â Steve shares warmly, biting his lip just slightly. The sight of it makes your brain all fuzzy, and you somehow stammer out that your shift ends in ten.
After spending that night with Steve, sipping on coffee, eating pancakes drenched in maple syrup with a side of hash browns and eggs - talking late into the evening, you grew attached to him. The both of you were lonely, and you fell into a routine of spending time together to fill the void.
It was unspoken, that there was something more between the two of you - you both knew it, but never said it out loud, too afraid to break the fragile start of something real.
But then that all changed the night Steve convinced you to join him at the roller skating rink.
The music was pulsing loudly throughout the rink with something upbeat, vibrating the room with an energy that bled into every corner - thumping in time with the sounds of the machines of the small arcade, the snack bar, and playscape that was crawling with children.
The lights were colorful, flecks of it scattering across the floor and the skaters zooming around. It was dancing across Steveâs face too, bathing him in a soft hue that highlighted his sharp jaw and nose, doe eyes looking a little more hazel than brown.
Steve was definitely the prettiest guy youâve ever seen. You remember thinking so when you met him for the first time. He had these sunglasses perched on his nose - which was ridiculous since he was inside - but even then you could tell he clearly took pride in taking care of himself well. And when he slid the sunglasses off to introduce himself to you, his full beauty had you transfixed, staring at him shamelessly as you took in his appearance.
God, was he gorgeous.
It was hard to appreciate how good Steve looked though when you were busy gripping tightly to the edge of the wall by the entrance to the floor, watching people fly by with delight on their faces.
âI donât think I can go out there,â you squeak, casting a glance towards Steve - who's already moving, gliding backwards like some sort of expert before circling back to you, amusement clear on his face as he watches you cling to the wall.
âWhy? Are you scared of having fun?â He jokes, slowing down in front of you.
âI have two left feet, remember?â You look at him flatly, reminding him that youâre not exactly the most coordinated person in the world.
âAnd Iâve got two hands, perfect to catch you with if you fall,â Steve grins before throwing a wink at you.
Your heart kicks up at his flirty words - heâs been extra charming with you this evening, and the tension between the two of you is growing thicker with each moment that passes.
âYouâll catch me?â You raise an eyebrow at him, disbelief etched into your tone.
âYou wound me,â he laughs, clutching dramatically at his heart, before continuing, âbut yes, probably.â
âProbably?â You repeat, smiling at him teasingly.
Steve beams mischievously before extending his hands towards you, âCome on, I got you.â
You decide to trust him, huffing out a breath before taking a step towards him. Youâre instantly wobbling, like Bambi on legs for the first time. You panic, hands shooting out to grab at Steve, clutching onto the sleeves of his jacket.
âThis was a bad idea,â you yelp as your skates start to slide in opposite directions, and a chuckle escapes Steveâs lips before he can stop himself.
âStop laughing at me,â you whine, grasping onto his arms now for dear life as you try to right yourself.
âIâm not laughing,â he replies cheekily, and at your glare he continues, âMaybe Iâm laughing a little.â
Youâre struggling to ground yourself, and Steveâs arms slither around you, firmly holding onto your waist, hiking you up to stand straight. It causes you to nearly brush against his chest, your face drawing nearer to his. The shift gives you a clear view of the pretty birth marks that linger across the exposed skin of his neck.
âLook at you, not falling,â he murmurs quietly.
You let out a noise of agreement, too distracted at his sudden closeness to properly respond. You could smell the delicious scent of his cologne combined with the sugary sweetness of the strawberry ice cream that heâd treated the two of you to before coming to the rink. It was intoxicating, and you were struck with the sudden realization that you wanted to drag him to you and kiss the hell out of him.
Steve moves slightly, just enough to give you space to actually try to move forward. He guides you, as you hesitantly start to skate on shaky legs. For a minute, you think you might actually have it, when someone zips past the two of you, accidentally brushing against your shoulder.
The movement causes one of your feet to roll out from under your crafted stance and just as youâre about to go down, Steveâs arms are quick to stop you. Heâs grasping on tight to your elbows, pulling you back up. You feel yourself teeter backwards at the jostled movement, which makes you wrap your arms around his neck, not thinking twice about it.
âTold you Iâd catch you, clumsy little thing,â he grins confidently at you, hands brushing against your back.
You breathe out an embarrassed laugh, not at the new nickname, because that actually makes you swallow hard, molten lava spreading low in your stomach. It was the fact that you could barely stand on your own when literal five year olds are going faster than you.
You try to put on a brave face, âI think Iâve got it now.â
âYou do, do you?â Steve jests, barely loosening his grip on you.
âMhmm,â you mumble, forcing yourself to drop your hands from him.
âWhatever you say, beautiful,â he replies smoothly, letting you go.
God, when he calls you that it makes you feel like you're in a trance; the roar of your blood singing at the praise is rushing in your ears. Heâs sufficiently thrown you off, and you wonder if that was his goal all along, just to have you unsteady on your feet - a puddle of goo at his tender words - having no choice but to hold onto to him.
Youâve made it all about a couple more feet on your own before you come to a complete stand still in the middle of the rink, overwhelmed at trying to focus on not falling.
âThought you had it?â Steve asks, smiling widely at your frozen position.
âSteve,â you whimper desperately, deciding you donât care anymore about how pathetic you look.
Steve slips his hand into your own, âJust let me help you.â
You shake your head, âYou shouldâve just taken Robin, at least you wouldâve been having a good time then.â
At that, Steve pauses, facing you again, âIâm having a good time with you.â
âSteve, you canât even skate properly, Iâm horrible at this,â you roll your eyes in frustration.
âYouâre just learning,â he tries to reassure you.
âIâm ruining your night,â you press, and in your irritation at yourself, you fail to realize that Steveâs expertly brought you back to the edge of the rink until he brings your hand to rest at the railing.
âYouâre not ruining anything,â Steve promises, reaching out to tuck a stray piece of hair back behind your ear.
âSteve-,â you start to argue with him.
âNo, listen to me. I donât want to be anywhere else right now. I want to be here with you,â his tone is serious, no more hints of the lightheartedness heâd demonstrated earlier.
Your lips part at his admission, and you feel your cheeks set ablaze when you catch his eyes flash down to your mouth, his tongue darting out to wet his own.
âCan I try something?â Steve asks, thumb reaching up to brush affectionately at the skin of your jaw. You know immediately that he wants to kiss you because you can feel your own desire for him pooling inside of you.
You nod rapidly, eager to feel his lips against your own.
âYou really are beautiful,â Steve whispers, gently angling your chin up - the distance between you two dwindling effortlessly.
Steveâs mouth hovers over yours, and you just feel the brush of his lips when out of nowhere, a kid smacks hard into his back. Steveâs eyes blow wide, and the momentum causes his body to shove into yours. This time he canât catch you, because his own legs are betraying him, taking you out with him.
You fall hard on your butt, wind knocked out of you briefly. Steveâs not far behind, landing on his knees by your side. His upper body keeps moving, pushing you backwards - forcing you to lean on your elbows - and he finally stops himself with both of his hands on either side of your head, hovering over you.
The two of you stare at each other for a moment, shell shocked at the reality of what just happened.
âGet a room!â The kid who bulldozed into Steve yells as he skates by.
Steve drops his head into the crook of your neck and groans, âOh my god, this is embarrassing.â
You smirk at his reaction, âAnd here I thought Iâd be the one knocking you over.â
âGuess that was karma for being a little too cocky about my skating skills,â Steve mumbles out, lips grazing against your collarbone.
The sensation of his lips there tickles, causing you to laugh, and soon enough the two of you are in a fit of giggles at the absurdity of the situation.
When your fit of laughter dies down, Steve slowly lifts himself up before extending his hands to you.
âLetâs go get dinner at the diner, yeah?â Steve asks you, and you're thankful that heâs giving you an out.
He steers you to a deserted corner by the skate check out counter, and you plop down on one of the benches - ready to take the damn things off your aching feet.
âHere, let me,â Steve stops you, kneeling down in front of you.
His hands are gentle as he grabs one leg at a time, caressing the skin of your calf, then ankle, taking his time to untie the laces, before slipping the skates off.
You watch him unabashedly - having an oh shit moment - because the endearing act of service heâs just done for you makes you think you might be in love with him.
Your mouth is moving before you can contemplate the confession slipping from your lips, âI love you.â
âYeah, love you too,â he answers casually, flippantly, like the way heâd say the words to Robin or Dustin.
âNo, Steve,â you stop him from moving, placing your hands on his shoulders, forcing him to look at you.
He quirks an eyebrow at your sudden intensity, breath picking up when he realizes how close you are to him.
âIâm in love with you,â you disclose, sliding your arms to loop around the curve of his neck again.
The skate in Steveâs hand clatters to the ground, and he blinks at you owlishly. You watch his throat working, and in his speechless state, you slowly become worried that youâve just messed everything up.
âSorry,â you mutter self consciously.
âNo, donât ever be sorry about that. Iâm,â he breaks off, staring at you in wonder before continuing, âIâm just processing that mind blowing fact.â
You smile bashfully at him, gently tugging him closer to you.
âYou love me?â he asks in disbelief.
âIn love, but yeah,â you clarify.
âHow the hell did I get that lucky?â he goes to stand, but forgets that heâs still got his own skates on.
The rug underneath restricts his movements, and he loses his center of balance, gravity pulling him backwards and heâs taking you down with him again. You land in a jumbled heap with him against the carpet.
âMaybe Iâm not the clumsy one,â you snicker, hands coming up to cradle his face.
âMy egoâs really taking a hit from you here, beautiful,â he laughs lowly, fondly looking up at you.
âI donât think so,â you tell him.
âWhat do you mean? Iâve now fallen more times than I care to admit and-,â you cut him off, kissing him softly.
Steve immediately lets out a noise of pleasure, a pretty sigh escaping his lips, and you know that youâre going to be trying to get that sound out of him again for a long time.
âDamn, Sinclair, that was funny,â Steveâs shoulders are still shaking, and youâre still staring at him like a lovesick fool.
Lucas grins, then mentions something about a D&D session they need to get to at the Wheelerâs place. Thereâs movement, everyone shifting to leave, but youâre too wrapped up in admiring Steve to notice.
Max nudges you again, âYou still with us?â
At that, Steveâs attention turns to you, and when your eyes connect, he gives you the cutest lopsided smile youâve ever seen.
It strikes you again, the possibilities of your future with him - laughing with your own kids at a restaurant, watching them grow until theyâre the ones graduating, Lucas and Max coming over for family dinners if they stay together - which you have no qualms that they will.
After bidding them goodnight, Steveâs blue Chevy truck cruises along the roads bathed in a soft glow from the sun setting. The engineâs rattling a bit, but Steveâs become used to the sound, not a care in the world about it.
Heâs got these soft yellow sunglasses pushed back through his hair and one hand splayed out on your bare thigh, hiking your sundress up a bit. A cigarette hangs neatly between his lips, the puffs of smoke littering the air occasionally. You knew he only had them when he was anxious about something - which explains why heâs been uncharacteristically quiet since dropping Lucas and Max off.
The closer he gets to your place, the more the gnawing feeling that heâs upset with you about something creeps over you - though youâre not sure what the problem is because he left the diner in a good mood.
When he takes a turn on your street and starts to slow down, you blurt out, âShould we just keep driving?â
Youâve asked him this before, a cue that you want to spend more time with him. Steve would never turn down the chance of being with you, so heâd always reply, âShould we?â
But this time, he hums low in this throat - not quite a yes or a no - and the silence becomes deafening.
âSteve?â Youâre nervously seeking his approval now.
âSure, baby,â he throws a small smile your way, and youâre about to crack at his nonchalance, knowing thereâs something off.
He drives past your place, and a hush falls over the two of you once more. Youâre strung tight at this point, ready to beg him to let you know whatâs wrong. The only thing giving you any respite is the fact that his hand hasnât moved from your leg, stroking lazily over your skin. But you notice the little divot forming between his brows, the purse of his lips, the tension behind his eyes.
âSteve?â you ask, inching closer to him as best you can with the arm rest separating you from him.
âHmm?â he muses, barely giving you a second glance.
You lean towards him, moving your hand to trace at the slight stubble on his jaw that heâs been letting grow in lately. He inclines his head, giving in to your touch.
âAre you mad at me?â you inquire, wrapping your free hand around his bicep.
âOf course not, baby,â he replies abruptly, but he wonât look you in the eye.
âYouâre awfully stoic over there for someone whoâs not mad at me,â you murmur, pressing a kiss against his arm, trying to get him to loosen up.
âJust thinking,â he admits, and you let your lips trail the muscle of his arm up to his shoulder, nuzzling your nose into the hollow just below his ear.
âAbout?â you breathe against his skin, longing for him to cave.
He lets out a stuttered laugh, âWe have to pull over for that conversation.â
You swallow hard, worry twisting in your heart but aching to know, âPull over then.â
Steve drives a bit more, just reaching Sattlerâs Quarry. He flips the blinker on, the tires crunching over the gravel that leads into the dirt side of the road by the overhang of the cliffs. The truck rolls to a stop and he sighs heavily before hopping out the front seat.
Concern pricks at you, irrationally thinking he might leave you stranded here when he comes around to the passenger door, opening it up for you. He extends his hand out to you, and you place yours in his warm palm.
He grabs the extra blanket he keeps in the backseat before bringing you to the bed of the truck, flipping the tailgate down.
âOh, this must be serious,â you tease, trying to lighten the mood a bit, knowing some of the best conversations have stemmed from stargazing in the back of the truck with him.
âVery,â Steve finally gives you a look that helps ease the panicky feeling bubbling up inside of you. He presses a swift kiss to your lips, spreading the blanket out and hoists you up.
He settles himself against the rear panel, pulling you to him so you can kick your legs to rest over his lap. The open air smells of dust and stone, distant echoes of the wind ricochet off the rocks around you.
Steveâs quiet again, but this time his arm is draped across your back, keeping you tucked into his side as he stares out at the drop that leads to the still water.
âAre you going to tell me whatâs stirring in that pretty head of yours?â you whisper, letting your fingers thread through his hair, pushing the strands back that are threatening to fall in his eyes.
He swallows harshly, âJust something Max said earlier.â
It clicks then, the comment she made about rethinking kids. While you thought Steve didnât hear it, and you knew it was meant as a joke - he clearly consumed the words seriously, not finding them funny.
Itâs your turn to remain silent, giving him the space to gather his thoughts.
âItâs just,â he sighs, struggling to get the words out.
âYou can tell me anything,â you encourage, hand moving to the back of his neck, twirling through the wisps there.
âItâs just, itâs been awhile, you know. Since we talked about them. Kids, I mean. And I was wondering-,â he trails off once more, and you can tell heâs nervous from the way he picks at the skin around his fingernails.
You place a hand over his own to stop him from hurting himself, finishing his sentence, âYou were wondering if Iâve reconsidered?â
He nods before stumbling out, âItâs totally okay if you havenât. All I need is you, beautiful. Even if you did change your mind, I know they arenât exactly guaranteed.â
You take a deep breath, carefully considering your next words.
âDo you really mean that?â you prompt, restlessly waiting for his reaction to your doubtfulness.
âWhy wouldnât I mean that?â he responds, eyebrows bunching together as he frowns.
âBecause Iâm not sure itâs realistic. That you would be okay if I couldnât give you something that you want,â your voice is hoarse, unsure of the direction this is heading.
âI want you,â he replies with a flare of agitation at the fact that you donât believe him.
âBut, youâve wanted kids longer than youâve had me,â your words catch him off guard, hanging densely in the air.
He shakes his head, closing his eyes, before finally admitting defeat, âFine. It scares me, okay? It scares me that you may never want that life with me.â
Your stomach drops, eyes flicking away from him, stunned at the raw honesty dripping from his tone.
He sees the look of apprehension on your face, âIâm sorry, I shouldnât have brought it up.â
âWhy are you apologizing?" You donât like that heâs decided that heâs in the wrong for wanting something.
âI canât lose you over this. Iâd rather never have them if it meant losing you,â he chokes out, tears brimming at his waterline.
The shine in his eyes reminds you of the first time you saw him crying back in high school - you'd nearly face planted when you tripped over him as you walked out of Tinaâs house.
Youâd been invited to her Halloween party by someone in your senior lit class, but after watching half of Hawkins High fall for Billy, you decided it wasnât worth your time trying to make friends with those who were easily fooled by your deceitful brother.
When you were leaving, Steve was sitting on the bottom stairs of the porch. In the dark and in your haste, your legs had knocked into him.
Your hands had flown wildly, one clamping down hard on his shoulder. His own hand had shot out instinctively, firmly grasping onto the curve of your knee. Once you were steady, Steve respectfully removed his hand from you and glanced up.
âIâm sorry,â he apologized quietly, and you saw that his eyes were glossy.
He looked angelic, even with tears on his face and your heart squeezed in concern for him - instantly wanting to make him feel better.
âHonestly, itâs my fault. I was born with two left feet I think,â you tried to joke, and it worked for a second, Steveâs lips pulling into a brief smile.
Seeing the same look in his eyes now, you realize youâd do anything for him - and you refuse to let him shrink his own desires down as if they donât mean anything to him.
âSteve, youâre not going to lose me,â you reach up to wipe at a tear thatâs spilled over, âI never said that I didnât want them.â
âBut, you said," he drifts off, confusion flooding his expression.
âThat Iâm terrified?â you sigh raggedly, âI am. That doesnât mean I donât want them. And I think, I think youâre the right person to show me it doesnât have to be scary.â
His hands come up to cup your jaw, leaning his forehead against yours, âI refuse to force you into anything. I donât want you changing your mind just because of me.â
You nudge your nose against his, silently requesting that he kisses you. His lips press vulnerably against yours, tentatively testing the waters that youâre still here with him despite the difficulty of the topic. He pulls back, affectionately swiping his thumb against your lips.
Flashbacks from the diner wash over you, coaxing you to settle in his lap with your knees on either side of his thighs - deciding you need to be closer to him to convince him that youâre not giving in to his stance, but instead shifting your mindset because Steve makes you feel safe enough to do so.
You press your hands against his chest, feeling the rapid beat of his heart trilling in his ribcage. His own hands move to your waist, wrapping around the base of your back.
And there, pressed against the man you love, you admit to him what youâve always known, âYouâre going to be the best dad, Steve Harrington.â
He bites his lip hard, getting emotional, âYou think so?â
âSteve, you put your life on the line for a bunch of teenagers who arenât even related to you. I can only imagine how much more love you would show to your own kids,â you tell him resolutely.
He tugs you closer, bringing you in to rest against him, hand tangling adoringly through your hair.
âWhen Neil was still around, I never let myself consider kids without thinking about everything that could go wrong,â you mumble into the dip of his shoulder.
âAnd now with him gone?â Steve questions meekly.
âItâs given me time to realize what I want. I do want them, but itâs only because I want them with you,â you utter a bit shyly.
His breath hitches, âGod, Iâm the luckiest man alive.â
Your hold on him tightens, because you know he says that when heâs absolutely dazed at the fact that he gets to call you his.
As the sun inches down the horizon, wrapped up in his arms, you come to the beautiful conclusion that Steve Harrington was always meant to be your future.
still together, still going strong (despite the closet)
âźď¸ this is just my opinion; everyone interprets music however they want. you donât have to agree
today i reblogged a post about the waiting game being about being in the closet and i wanna talk more about it!
im not trying to affirm this, but for a while now, specifically since the walls-fine line era, i think harry wants to come out of the closet, but louis doesnât (technically, i think he has much more mixed feelings about it than harry). that doesnât mean at all that louis isnât proud (he is, in fact, he shows it all the time) or that he doesnât want us to know theyâre still together (he shows that all the time too lol), but i think he âdoesnâtâ want to publicly come out and harry does.
thereâs absolutely nothing wrong with either stance, i think both are totally understandable and none of us can say for sure what we would do or how we would feel in that situation. i think louis has more than valid reasons for believing itâs a bad idea, and his situation is more complex than harryâs. letâs be honest, he has a babygate, a history of long-term âgirlfriendsâ and not just pure stunts and the general public isnât as convinced that he's LGBTQ as they are with harry (yes, itâs true that there are a lot of people in denial about harry ik, but come on, we all know a lot of them believe heâs at least bi).
it began with the contrast between golden and lights up with walls and defenceless for me (i think those four songs are about themselves, their fame and their relationship).
âheâs goldenâ âim hoping someday im open. i know that youâre scared because im still hopingâ âi know youâre scared because im so openâ âim hoping someday youâll openâ and everything lights up (and the context in which it was released) it really contrasts with:
âand im too tired to be tough, just wanna be loved by youâ i donât care about being open with everyone anymore, i donât want to be strong and put up with what that involves, i just want to love you and be loved by you. nothing else.
time passes, and we get to the harryâs house-fitf era. we met keep driving, satellite, face the music and ooms. (this is when i think louis starts to have more mixed feelings, when he really starts to wonder âwhat if..â)
âwe share the last line then we drink the wall till you wanna talkâ âspinning out waiting for ya to pull me inâ
âa small concern with how the engine soundsâ âi would ask, should we just keep driving?â weâre moving forward, yes, but im concerned about how weâre going. i hear the problem. should we just keep going as if nothing is wrong, or do we stop and look at the problem? how long are we going to pretend we donât hear it?
then, on the one hand, we have face the music, which, like defenceless, emphasises âi want to be with you, but i donât want to face this situationâ.
parallels between golden and face the music
but out of my system, aliveâs older sister, recognises that weight in him. i decide not to do anything, but it weighs on me. i know i have to resolve it one way or another. the situation is complex. i donât want to do anything, i donât even want to think about it. but im not blind, i see it affects me and my relationship.
we continue moving forward in time and arrive at hdigh-kissco era.
we are now at a point where louis recognises that the situation is more about him feigning insanity than the problem itself. itâs something inside his mind, fear, uncertainty. iâs not a question of âhow do i face it?â, but rather âdo i really want to face it?â that is why i think itâs a mixed feeling: at times i would like to, should i? if i donât want to face it, why go through it? and i really think thatâs totally valid.
i donât want to hear anyone say that itâs wrong for louis not to want to come out or that heâs âbad for not making that effort for harryâ.
no LGBTQ person should have to come out to anyone, and itâs a reality that consumes a lot of you, brings a lot of changes. and changes require time and energy (*cough habit cough*). sometimes youâre so tired of everything thatâs happening to you (im speaking for myself here) that you say, âdo i have to go through this right now? i know itâs a problem, but canât it wait?â fighting it is exhausting.
harry insists, let the light in. lights up. itâs better to find out if itâs going to be as bad as you think. itâs uncertain, but weâll be able to see the positive side. we like to dance, donât we? letâs dance like itâs a dance floor even if everything goes wrong.
(and donât get me started on face the music vs dance no more).
this seems like a quote. its something louis says in his songs. harry always continues with âwe belong togetherâ after this. can we say that heâs quoting him?
all those things you said to me when you had âlost your tasteâ and now you apologise. you played tough (âlonely in parisâ = separated from love) but you need love. my love. you know you call me âbabyâ and I already tell you i forgive you, but... this didnât happen before, we used to fight more. youâre settling down, handling it more.
and while weâre at it, i think that the âphoneâ in both of their discographies is the allegory they use to refer to arguments about issues that make them feel distant (thatâs why the telephone, because itâs talking from a distance, not that they are literally separated and calling each other).
like this. morning calls = morning fights (i ainât even woken up yet not nearly verticalđś)
now, finally, back to the waiting game.
i think heâs talking about closeting. over the last few years, harry has been doing stunts that are too obvious, he doesnât mention them or interact with them like he did when he was in 1D (theyâre literally more pap walks than anything else, he hardly even mentions them in interviews). and itâs always during the periods when he writes albums and releases them. and although holivia was a shit show etc etc we canât deny that if youâre not actively in the fandom, the stunts donât really have much impact other than in promotion and narrative for the general public. i think harry does it because heâs tired of it, heâs tired of being the âladiesâ manâ and he has every right to be exhausted (american girls? hellooooo)
louis is in a different situation. he does stunts for promotional purposes, yes, but his stunts are still much more of a beards than harryâs ever were. he always had beards until he broke up with eleanor for the second time. thatâs when his *proper* stunts began (yeah the party boy era, yeah, but if you ask me, that era and the babygate worked more as a beard than as a stunt if we look at it from a distance). basically, he puts more effort into pretending to be heterosexual, at least more than harry. and again, this is not about âwho is right or wrongâ, itâs an observation.
in this âmeanwhileâ, in this seemingly endless wait, you play the âwaiting gameâ. you keep pretending, you keep doing everything we do to wait. but it all adds up to nothing. emotionally dry years go by. you try to redo your âdesignâ but it all adds up to nothing.
we move forward in the album and we come across her, yes, coming up roses đšâ¨
harry recognizes that he is putting pressure on something that he knows doesnât need it. i was judging the whole journey, im sorry. i love you, i donât need you to do this for me. you donât have to decide between being with me and coming out or not being with me. i donât want to see you cry about it anymore.
i always say they arenât in a queer relationship like we would be/are, they are in a queer relationship in the public eye, under scrutiny. and i honestly believe that many people donât give fame the weight it has in their songs. in a context where they are not A+ celebrities, we could perhaps interpret this as them having a thousand relationship problems and coming and going all the time. but knowing it? i think itâs clear that theyâre still together and always have been. every album since midnight memories has songs about being in a long-term relationship. âone proper relationshipâ
fame brings a thousand things that none of us will ever be able to fully understand. i donât believe that all the supposedly acclaimed âbreak-up songsâ are about break-ups.
âsomebodyâs got your trainers on the ones that you wore when you walked out the doorâ i have your fucking trainers. i wear your clothes all the time. âyou walked out the doorâ you disconnected from the situation, you ignore me, âyouâre giving me the silent treatment, donât know what it's achievingâ, but at the end of the day, i put myself in your shoes because we share them weâre both in the same boat.
âi saw your friend that you know from work he said you feel just fine i see you gave him my old t-shirt more of what was once mine i see itâs written, itâs all over his faceâ its me speaking in the third person about myself because i make a distinction between myself and the voices in my mind. âoh can you hear the voice? the one inside your headâ im that friend you met at work. you gave me back my t-shirt, which reminds me of what we used to share: first album post-1D, the âwe have learn how to go though this publicly separatedâ time. (space to clarify that i think they use clothes as a material symbol representing shared history and the passage of time). i know you can tell what im thinking even though im giving you the silent treatment because i feel like i donât recognise you lately. i wake up and see your face and youâre becoming a stranger. âmy phone misses your calls btwâ at least fight with me so we can talk. we canât keep ignoring the problem. comfortable silence is so overrated. eventually, we have to discuss this.
itâs a circle, or at least thatâs how it seems for now. at Manchester ONO, harry played ftdt, which is the beginning of how they ended up on coming up roses, the only song with harry being the only writer in his entire discography.
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