Old inktober (2021) art.
But I accidentally made myself sad headcanoning a Sotha Sil shortly before the end of his life dearly regretful of his past decisions. And that made me remember this.
Keening has dealt you a mortal wound
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seen from United States
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seen from Russia
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seen from Malaysia

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seen from Canada
Old inktober (2021) art.
But I accidentally made myself sad headcanoning a Sotha Sil shortly before the end of his life dearly regretful of his past decisions. And that made me remember this.
Keening has dealt you a mortal wound

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"It meant your passing was a loss that would be felt even in the Otherworld."
The pop-culture image of the Banshee as a shrieking, malicious killer is a profound misunderstanding of her role. Her name, Bean Sídhe, means "Woman of the Fairy Mound." She is a part of the Otherworld, inextricably linked by ancient pacts to the oldest human families. Her cry isn't a threat; it's a keen, a traditional Irish lament. She is the first mourner. She doesn't cause death; she honors it. To have a Banshee wail for you meant your soul was so significant that its departure caused a tremor in the veil itself. It’s a story not of horror, but of a deep, sorrowful, and ancient respect.
The Keening Tradition
Keening was a vocal ritual artform, performed at the wake or graveside in mourning of the dead. Keens are said to have contained raw unearthly emotion, spontaneous word, repeated motifs, crying and elements of song.
The word keening originates from the Gaelic caoineadh meaning “crying”. The keening women (mnàthan-tuirim), paid respects to the deceased and expressed grief on behalf of the bereaved family.

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I’m planning on doing an Irish keening song for the children Palestine. Here are the lyrics I’m planning on using:
Airiú, airiú, Phalaistín
Agus a leanbh
Tá tú ar shiúl uaim,
Agus airiú, Phalaistín
caoineadh mé tú
Airiú agus a leanbh
Phalaistín.
Any thoughts?
Eibhlín Ní Ghuinníola
There are several stories in the Irish folklore record of a healing woman called Eibhlín Ní Ghuinníola. One of the things said about her was that she had a fairy lover who was seen with her when she was out gathering herbs.
In a commentary on the stories, Gearóid Ó Crualaoich says:
" … that a 'fairy lover' , a leannán sí was often seen with Eibhlín Ní Ghuinníola as she gathered plants. The Saol Sí, the fairy realm, is the ancestral cultural embodiment of that imaginative mythological and spiritual otherworld lying beyond the 'normal' ranges of human perception. It can, on occasion, manifest itself in figures like the leannán sí, as well as the Cailleach-goddess, or in the activities - and in the narrative of the activities - of those women who fulfilled the social roles of wise healer, keening-woman or country midwife. Such women, acting decisively in the face of affliction and life crisis, draw their autonomy and legitimacy from the tradition and the traditional narratives of the Cailleach-goddess and in the narratives of former occupiers of their own roles such as Eibhlín Ní Ghuinníola".
from The Book of the Cailleach