Jun 27
πΈ: X-T4
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πΈ: X-T4
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A female ascetic warns Krishna, from a Rasikapriya (Connoisseur's Delights) series. Kangra, India, 1800.
Asian Art Museum, California.
Two shades of high altitude mountains from Triund top, Himachal Pradesh.
Public Outrage Erupts in Jarpal Village Over Lack of Gas Supply; Vehicles Blocked in the Middle of the Road in Protest #GasCrisis
Kangra, April 17, 2026 | Intense resentment was witnessed among the villagers of Jarpalβlocated in the Nagrota Surian Tehsil of Kangra district, Himachal Pradeshβdue to the prolonged absence of gas supply services. Angered by the situation, the villagers blocked vehicles right in the middle of the road. The villagers stated that despite repeated complaints, the gas supply has not yet been restored, thereby disrupting their daily lives. The residents have demanded that gas supply services be made available to them immediately.
https://youtube.com/shorts/-RGIQct5HRk?si=2YiIcRmLOLeCmgQR
Kangra wall murals are poetry painted on plaster β soft colors, lyrical figures, and tender stories of Radha and Krishna. Each mural is a window into devotion and beauty, where nature, love, and the divine meet in harmony.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Kangra painting style
The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series (detail)
Attributed to Ranjha , first generation after Manaku and Nainsukh
ca. 1800β10, India (Kangra, Himachal Pradesh)
In this painting based on the poem of Shrisharsh, the Naishadhacharita, the marital happiness of Nala and Damayanti is described. It is one of a larger group of pictures that remained unfinished but nonetheless are among the most accomplished works of the first generation after Manaku and Nainsukh.
About the Artist:
First Generation after Manaku and Nainsukh: Fattu, Khushala, Kama, Gaudhu, Nikka, and Ranjha
Active at a number of Pahari region courts, mainly in the Kangra Valley, ca. 1740β1830; sons of Manaku (Fattu and Khushala) and Nainsukh (Kama, Gaudhu, Nikka, and Ranjha)
The four sons of Nainsukh and two sons of Manaku are known collectively as the first generation after Nainsukh and Manaku. Building on the artistic legacy of their grandfather Pandit Seu and their fathers, the six younger artists left behind an extensive oeuvre that attests to the familyβs consistent artistic vision and uniformly impressive output.
A relatively small court like Guler, the familyβs home in Himachal Pradesh, could not provide a living for so many talented artists. Nainsukh left the atelier around 1740; he first worked in Jasrota, then in Basohli, and was ultimately joined there by his nephew Fattu and his youngest son, Ranjha. There were numerous small courts in the region, and they offered opportunities for talented painters seeking new opportunities. Surprisingly little is known about the authorship of individual series of paintings, and works cannot be assigned confidently to specific artists.
Saanjh (π¨ππ«π), 2017.
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Grandma, donβt you miss father?
If you liked Laapata Ladies, you might like Saanjh. The simplicity, the struggle and the storytelling. Saanjh is wronged by someone on social media and her father without listening to her explanation, leaves her with her grandmother. Saanjh now has to adapt to the village lifestyle, wondering what sheβd done wrong to be left behind.
The movie is available in Kangri (with English Sub) and Hindi Dub (Rishton Ki Saanjh). The 2017 film is directed by Ajay Saklani. The movie is filmed in Kullu, Himachal Pradesh starring Aditi Charak as the lead actress.