Jul 3
๐ธ: X-T4
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๐ธ: X-T4
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A female ascetic warns Krishna, from a Rasikapriya (Connoisseur's Delights) series. Kangra, India, 1800.
Asian Art Museum, California.
Two shades of high altitude mountains from Triund top, Himachal Pradesh.
Kangra painting style
Major accident on Binwa Bridge in Baijnath! Canter loaded with bricks breaks railing and falls into ravine, one injured
A major road accident has occurred on Binwa Bridge in the Baijnath area of โโHimachal Pradesh. A canter loaded with bricks went out of control, broke the bridge railing, and fell into a ravine. The driver was injured in the accident and was taken to the hospital for treatment. The cause of the accident is being investigated. Stay connected with SA News Himachal for the latest and reliable news from Himachal.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch โข No registration required โข HD streaming
Kangra wall murals are poetry painted on plaster โ soft colors, lyrical figures, and tender stories of Radha and Krishna. Each mural is a window into devotion and beauty, where nature, love, and the divine meet in harmony.
The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series (detail)
Attributed to Ranjha , first generation after Manaku and Nainsukh
ca. 1800โ10, India (Kangra, Himachal Pradesh)
In this painting based on the poem of Shrisharsh, the Naishadhacharita, the marital happiness of Nala and Damayanti is described. It is one of a larger group of pictures that remained unfinished but nonetheless are among the most accomplished works of the first generation after Manaku and Nainsukh.
About the Artist:
First Generation after Manaku and Nainsukh: Fattu, Khushala, Kama, Gaudhu, Nikka, and Ranjha
Active at a number of Pahari region courts, mainly in the Kangra Valley, ca. 1740โ1830; sons of Manaku (Fattu and Khushala) and Nainsukh (Kama, Gaudhu, Nikka, and Ranjha)
The four sons of Nainsukh and two sons of Manaku are known collectively as the first generation after Nainsukh and Manaku. Building on the artistic legacy of their grandfather Pandit Seu and their fathers, the six younger artists left behind an extensive oeuvre that attests to the familyโs consistent artistic vision and uniformly impressive output.
A relatively small court like Guler, the familyโs home in Himachal Pradesh, could not provide a living for so many talented artists. Nainsukh left the atelier around 1740; he first worked in Jasrota, then in Basohli, and was ultimately joined there by his nephew Fattu and his youngest son, Ranjha. There were numerous small courts in the region, and they offered opportunities for talented painters seeking new opportunities. Surprisingly little is known about the authorship of individual series of paintings, and works cannot be assigned confidently to specific artists.
Saanjh (๐จ๐ญ๐ซ๐), 2017.
โญ๏ธโญ๏ธโญ๏ธโญ๏ธ
โ๐๐ญ๐๐ฏ, ๐๐ฐ๐จ๐ญ๐ซ ๐๐ด ๐ ๐ญ๐๐ฐ๐ ๐๐ฏ ๐ฃ๐ญ๐ ๐๐ฏ ๐๐ซ๐๐ฏ?โ
Grandma, donโt you miss father?
If you liked Laapata Ladies, you might like Saanjh. The simplicity, the struggle and the storytelling. Saanjh is wronged by someone on social media and her father without listening to her explanation, leaves her with her grandmother. Saanjh now has to adapt to the village lifestyle, wondering what sheโd done wrong to be left behind.
The movie is available in Kangri (with English Sub) and Hindi Dub (Rishton Ki Saanjh). The 2017 film is directed by Ajay Saklani. The movie is filmed in Kullu, Himachal Pradesh starring Aditi Charak as the lead actress.