On July 20, 1990, Happy Hour and Joysticks were screened as a double-feature on USA Up All Night.
seen from United States
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seen from United States
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seen from Malaysia

seen from United States

seen from United States
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seen from China
seen from China
seen from China

seen from Malaysia

seen from Malaysia
seen from United States

seen from Malaysia
seen from Malaysia
seen from China
seen from China
On July 20, 1990, Happy Hour and Joysticks were screened as a double-feature on USA Up All Night.

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On January 10, 1992, Happy Hour and Joysticks were screened as a double-feature on USA Up All Night.
Joysticks Greydon Clark. 1983
Street 2 941 Lillian Way, Los Angeles, CA 90038, USA See in map
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On November 7, 2023, Joysticks was released on DVD as part of the MVD Rewind Collection.
Here's a new portrait of Joe Don Baker!

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Jon Gries as King Vidiot, Joysticks (1983)
Joysticks (1983)
directed by Greydon Clark
Movie Review | Joysticks (Clark, 1983)
Greydon Clark does not elevate the boner comedy, but he does imbue it with a refreshingly egalitarian vision. The arcade in this movie is the great equalizer, where nerds, slobs, babes, punks, gang members and businessmen are brought to the same level. There is the expected boob quota, but the movie does not have the same contempt for women that some its contemporaries could be accused of. This movie has a warm outlook when it comes to video games, believing that they could bring us together and solve our problems, and optimistic worldview from happier times before we discovered the evil that lurks in the hearts of gamers.
The characters here are defined as the narrowest of stereotypes, played without much appetite for colouring outside the lines. Most memorable is Jim Greenleaf as McDorfus, the John Belushi knockoff whose proud flatulence is repulsive to many but attractive to some. Most will watch this for the participation of Joe Don Baker, who spends his screentime plotting against the heroes or being exasperated by his idiot nephews John Diehl and John Voldstad.
To be honest this is terrible by normal people standards with maybe a handful of gags that actually earn laughs, but when the theme song kicked in during the climax I had to admit I had a big smile on my face.