âShould you be drinking that much?â - jimmy x crockett
Thereâs an empty bottle of bourbon next to Crockett on the table, a half drained one in his hand. He hasnât bothered at all with a glass, something that becomes even more apparent when he takes a heavy drink straight from the second bottle.Â
âShould you be drinking that much?â
Crockett just makes a noncommittal noise and drinks some more. He had confessed last week that the anniversary of his daughterâs death is coming up. It must be here. Thereâs a box next to the couch, one Jimmy recognizes as something his ex wife dropped off. Sitting on top, open, is a photo album of a baby with two teeth to boast about in her smile and a hospital bracelet on her wrist. Crockett follows his gaze to the photo and quickly slams the album shut. He drinks some more.Â
âCome on, baby, letâs get you to bed.â
He takes the bottle away because Crockett is too drunk to really do much about it. It takes considerably more effort to get him up on his own two feet and half-carry him to bed.
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Summary: Crockettâs really trying to keep going, but itâs hard. (The backstory fic).Â
WC: ~8k
Warnings: Death, Grief, Graphic Attempted Suicide
As far as Crockett has run, it simply hasnât been far enough. Thereâs no amount of distance he can put between himself and his past, himself and his family, himself and a grave, that will free him from this ache in his chest that simply refuses to fade. How many months has it been, he wonders as he stares at the calendar on his fridge. Itâs not quite a year. He was in the hospital himself for a long time before he packed up and left, but the days and weeks blurred with so few visitors and the majority of his time spent working up the strength to walk as far as down the hall to the bathroom himself.
Some part of him knew, when he kept working as a trauma surgeon, that it wouldnât help the pain go away. Most, if not every single case, will bring the same memories back to him, but he canât stop doing it. That would be giving up, and he owes it to himself and to the two people he loved with his whole heart not to give up on those who need better help than they received.
He kicks his fridge and it rattles ominously, a bottle inside falling over and rolling around to be picked up much later down the line, when he has the ability to concentrate and heâs not dangerously close to falling and hitting his head on the tile floor. Logically, he knows he should go to bed. Sleep it off. Pop an aspirin and some orange juice in the morning, maybe get some fluids in before his shift starts, and carry on with his life like the pain heâs been trying so hard to suppress hasnât suddenly taken him over in a tidal wave.
His phone shows three missed calls when he fumbles to plug it in. He didnât even hear it go off. Two from Dr. Manning. One from Dr. Choi. Thereâs tons of texts. All of them can be dealt with in the morning, and not as he curls up alone in his queen sized bed, still dreaming of what it felt like to have his husband holding him through the night.
When he left New Orleans, he didnât bring his wedding ring with him. He buried it with its match in the casket. The only real memories he brought with him, he canât bear to look at, so they stay boxed up in his closet for the hypothetical day in the future that heâs able to handle it. Deep down, he doubts that day will ever come.
Luckily, the amount of booze in his system and the exhaustion of the day catch up to him once thereâs a pillow beneath his head, and heâll be able to sleep without dreaming, if what he experiences can even be called that. Theyâre closer to hell than to anything that could be compared to the softness evoked by the thought of a dream. Nonetheless, he gets nothing of the sort when he closes his eyes for the night. Sleep brings no rest.Â
His hangover is best described as hellish when he crawls out of bed to the shrill alarm. His head throbs, almost as bad as the sensation of his chest being torn apart by grief that has never even begun to fade. As he makes his way slowly to the bathroom, fighting the urge to vomit, he seriously debates the merits of staying home as opposed to going to work. Dr. Manning will ask him questions, and the patients who need his attention will only bring more hurt to his attempts at recovery.Â
They wouldnât want him to stay home.
With a grimace, he takes two aspirin and brushes his teeth to rid himself of the taste of stale liquor and sleep. Cold shower running down his back. No more sweat left on his sticky skin, only bags under his eyes and a faint tremor in his palms that heâll have to eliminate before he gets back to work. Surgeons need steady hands. He forces himself to breathe deep until they stop shaking.
Going about his morning routine is like walking through molasses, ever so slow in the mire when he chokes down coffee and double knots his shoelaces. Traffic isnât significantly better or worse than usual. He parks, goes inside. The flask in his locker offers him a small sip to numb him just a little more. Thereâs no real, physical evidence of the day before left in the hospital. That one little girl who Dr. Choi treated has been transferred to the ICU, and the other patients have been sent home or to recovery. Part of Crockett wants to go check on the kids from yesterday, but he can already tell that heâll break if he does. They survived this.
He shoves his backpack into the locker with slightly more force than necessary. No one knowing provides a certain loneliness, but if he told them- the pity, the pushes to go home or to therapy or both- he just canât handle it. Maybe his grieving process isnât normal, but itâs working well enough for him. Heâs still upright on his own two feet with a job and an apartment, which has to be worth something.
âGood morning, Dr. Marcel,â Noah says brightly, tablet in hand with the charts of the morning. âI was going to do a consult in six, did you wanna join?â
Normally, he would say yes. Noah needs his guidance to learn, and Crockett wants to teach him- thereâs something so innocent and child-like in him that reminds him of someone he used to tuck into bed at night. Today, he canât.Â
âWhy donât you do that one yourself, Iâm not on the clock for a few more minutes and Iâve got something to do first.â
âOh- okay. Everything alright?â
Crockett waves him off and goes into a treatment room, drawing the curtains and sitting on the bed with his legs crossed, arm out. He can insert his own IV, has done it plenty of times before and put a decent share of other things into his blood for less medicinal reasons. That part is no oneâs business but his own. With the IV kit in the cart and an improvised rubber glove tourniquet, he starts himself on a bag of fluids and closes his eyes, willing it to give him some energy.
A darker part of himself, one that rears its ugly head on the worst of days, reminds him that he has access to things like morphine and oxy and xanax, any number of ways to calm him, but he canât bring himself to do it. Theyâd be disappointed in him for that, too.Â
Eyes shut, breathing slow,w, he lets the fluids drain into his body to replace some of what heâs lost before spending a long moment going through the motions of removing the IV, applying pressure, disposing of the used equipment, and pasting a neutral look on his face. No one needs to know about why heâs here in Chicago or the way he wants to collapse to the floor and shatter into a million pieces.Â
Noahâs still with the patient, talking them through whatever procedure is on the table, so Crockett has a moment longer to take a deep breath and put himself together. At least, he had hoped so, but then Dr. Lanik is beside him, watching him with that almost-concerned expression usually turned toward Dr. Halsteadâs latest bullshit.
âDr. Manning is worried about you.â
He dutifully pretends not to have heard, and studies his nails. Short and clean, like always. Much more put together than the rest of him, he thinks. His scars are hidden beneath the crisp fabric of his scrubs, torso and legs. Plastics did a good job with his face. They told him his nose broke in the crash, but by the time he woke up, it had almost fully healed. He never noticed a difference.
âCrockett.â He slowly raises his eyes, meeting Lanikâs. âWeâre all worried about you. Clearly, yesterday hit close to home, and-â
âIt didnât-â
âYou have bourbon breath and your hands are shaking.â
When he looks back down at his hands, they are, even though he swears they werenât seconds ago. Lanikâs hand cups his shoulder as he walks him to the doctorâs lounge, nudging him to sit down on the squeaky couch while he himself remains standing over him, imposing.
âI had a sip this morning, not even a shot. Iâm not drunk, if thatâs your concern.â
They spend a long moment staring at each other before Lanik sits beside him and picks up Crockettâs left hand. Itâs not a clinical touch, but one strangely gentle, as though Lanik feels heâs holding something delicate. Up close, thereâs still a faint tan line on his ring finger, where a symbol of a union used to sit. A gentle touch brushes over it, blue-green eyes soften.
âItâs okay to talk about it, âKett.â
At the shortening of his name, Crockett rips his hand away and stands up. Too familiar, too painful, too much. He canât deal with it. He adjusts his shirt and walks away in hopes Lanik wonât follow, just in time to see Noah approaching with another chart. The patient needs surgery and itâs one Noah isnât too familiar with yet, so Crockett has to be there to help him, guide him, assist him. Heâd rather be at home, but thereâs no choice. Scrub in. Steady his hands. Donât think about them, donât think about the children from yesterday, donât think about Lanik, and heâll be alright, he tells himself. He has to be.
By the time the surgery is over, he just wants to go home, crawl under the covers and sleep. Dr. Charles might be able to give him something to put him at peace enough to avoid nightmares without giving himself alcohol poisoning, if he asks. It would be awkward, though, and he knows that will come with questions and urging toward counseling.Â
Even now, though, when he shuts his eyes, he remembers too well. The music playing, Crockettâs hand on his husbandâs leg while their daughter chittered away in the backseat about her ballet class that day. A recital was coming up. Crockett even had the day off so he could be there to see her.Â
He desperately opens his eyes, but he still remembers the sound before itâs replaced by the ding of paramedics bringing in a patient. Stab wound to the abdomen, not too severe but not great either. Crockett can focus on that, does focus on that for as long as heâs able because he refuses to lose a patient today.
By the time that one is stitched up, thereâs a car accident victim in her mid thirties, free fluid in the belly. Itâs worse. But he does his job and he saves her too, the way doctors in New Orleans didnât, with a promise to her waiting family that sheâll make a full recovery before they know it.
âCrockett,â he hears at the end of his shift, his flask already halfway to his mouth in the doctorâs lounge. Lanik is leaving for the day as well, hanging up his coat and cracking his neck while he watches out of the corner of his eye. âAre you sure youâre okay?â
âNever better.â
âWhy donât I- I-â
He turns to look at Lanik, waiting for him to just spit it out already so he can go home and drink himself into a stupor. Crockett is tired of being here today. Heâs extra tired of the way everyone stares at him and tip-toes around him all of a sudden.
âLet me buy you dinner, at least.â
He doesnât mean to laugh, but it comes out of his mouth anyway. âIâm flattered, but Iâm not looking for something like that right now.â
âNot as a date,â Lanik immediately corrects. âJust to talk. You look like you need it.â
Despite his first instinct being to refuse, Crockett does need to eat at some point, and this is a good way to make sure he remembers to before he gets drunk or otherwise incpacitated. Then thereâs the puppy eyes Lanik is giving him, the outstretched hand, and itâs so difficult to say no to him. It was hard to say no to them, too.Â
âI guess I can make the time.â
Lanik smiles and offers him a ride, to the restaurant and then back to the hospital for his car, provided heâs sober enough for it. They wind up at a family owned greasy spoon diner, with bitter coffee and sweet pancakes, a homely air as the radio plays on the overheads. They donât serve alcohol. Crockett pours a decent amount from his flask into his coffee mug, despite the disapproving look it earns.Â
âShould I be worried?â he asks idly as Crockett puts his flask away again.
All he can do in response is laugh dryly. No one worries about him anymore, not seriously. If they do, itâs only in the context of his capabilities as a surgeon, not his personal life or emotions. While alcohol hasnât improved the taste of the terrible coffee, it makes him feel at least somewhat better to know that heâs on his way to a decent nightâs sleep.
âTell me about New Orleans,â Lanik says finally. âWhat was it like? Working there, living there?â
To find a memory that doesnât hurt wonât be easy, but just brushing him off would be rude, and Crockett was raised better than that- he was raising his child better than that. His shoulders rise in a half-shrug, grasping in his mind for something to say.
âHush puppies,â he blurts out.
âHush puppies?â
Crockett puts his index finger and thumb together to make a little ball. âTheyâre this big, kind of like little savory pancakes. We deep fry them. Sure, theyâre not super healthy, but I had those for breakfast all the time, and after long days at work. My-â his voice catches. âMy family and I would make them on Sunday mornings.â
âWhatâre they made out of?â
âI use cornmeal, some flour. And milk and eggs. You gotta add onions and garlic and seasoning, though, give it something to- to cling to so it isnât bland.â
He hasnât made them since he came to Chicago. Not since before the accident, really. Every time heâs tried, itâs turned into tears over a hot stove and a distinct sense of loss that runs deeper than anything else manages to get. Just talking about them again is more than heâs done.Â
There are tears clinging to his eyelashes, just reaching his cheeks, that he doesnât notice until Lanik reaches across the table to wipe them away for him. Slow. Careful. âItâs okay.â He doesnât pull his hand back, instead cupping Crockettâs face. Some piece of him that craves being loved again leans into the touch.
âSorry.â
âNothing to be sorry for.â
He ducks his head and takes a few long pulls of his spiked coffee. His heart is beating fast. Too fast. It tells him to think about the contact and to lean forward and to ask for a night where the bed isnât as cold, but thatâs too much of a betrayal to seriously consider. Crockett forces himself to pull away.Â
The pancakes are cold by now, but he eats them just for the sake of getting something into his system. Passing out at work because he hasnât been eating would only add to the humiliation of how heâs visibly falling apart in front of them after a tough day that everyone else handled in stride. They werenât as affected by the outbreak either. Heâs willing to bet heâs seen worse than them, living in the deep alleys of New Orleans and helping those who so often died on the table from another stab wound, another bullet into soft flesh, but since coming here, itâs like heâs become a child again. Fresh out of med school, not used to the horror yet. He needs to get a grip, although thatâs much easier said than done.
Even though dinner was offered by Lanik, Crockett still pays his fair share and tips generously before they leave. Home. Drink. Bed. Try not to cry. He has a routine that itâs easy to stick to if he wants to survive in this post-love haze that has sunk into his very bones.
âCome home with me,â Lanik says. âAgain, itâs not- not a flirting thing. Iâm just worried about you, and- and I get the feeling you could use the company.â
Refusal would be easy and simple. Crockett is better off dealing with his pain in solitude, and he has bourbon at home, and sometimes if he shuts his eyes he can still remember the way it felt to be held through the night. But he doesnât want to be alone, at the same time, and this offer is the most intimacy heâll have felt in ages, so he accepts with his head down and his jacket pulled tightly around his body.Â
Lanik lives nearby, with a cozy apartment and a pull-out couch he offers. Itâs not as comfortable as his own bed, but the covers are warm and he forgets how to breathe for a moment when Lanik fluffs the pillow beneath his head and brushes an errant strand of hair out of his eyes.
âIâll be in my room at the end of the hall,â he says gently. âBathroom is on the left.â
âThanks.â
âGoodnight, Crockett.â
He burrows deeper into the blankets. âGoodnight, Dr. Lanik.â
âJimmy.â
âJimmy,â Crockett amends, and shuts his eyes.Â
Sleep comes surprisingly easy, but it is not restful. Without an aid to empty his thoughts, heâs given memories that start off so sweet and perfect. Cradling his little girl in his arms, singing her a lullaby while his husband sets up the changing table. Her first night home from the hospital, oh-so-small, face shiny pink and hand so small that it could barely close around Crockettâs thumb. Heâs happy, theyâre happy. A first day back at work and crying because he misses her, getting worried the first time she got the flu, driving her to ballet class, buying her new shoes.Â
He remembers hearing her scream, in the instant between the crash and the silence.
Going fast, not fast enough. Someone else ran the light. Passenger side, going fifty miles per hour into the crumpling metal door where there was a father playing with the radio and a rambling little girl, catching the brunt of it while the driverâs airbag exploded into his face. She had time to scream in pain. The body beside Crockett was silent. His daughter cried.Â
âDaddy, it hurts,â he heard.
âDaddy, Iâm scared,â he heard.
âDaddy, wake up,â he heard.
His ears were ringing. Blood on the side of his face, nose throbbing, a deep ache in his chest where debris decided to pierce the skin. One of his legs was numb. He drifted in and out a couple of times, listening to crying and sirens. The last thing he heard was the silence. Dead silence around him. Nothing in the air. Nothing.
The room is dark when he wakes up, painfully so, and the sound that claws out of his throat. Raw, animal, feral and loud to the point that it hurts as he dissolves into sobs that shake his entire body and sound like dying things trying to break through his skin and swallow him whole. He cries like heâs never cried. While he canât breathe and his world crumbles, thereâs a presence that comes beside him.
The lights turn on, he can feel the yellow against his eyelids. A dip in the mattress marks a new weight, an arm around his shoulder and a hand on his damp cheek. Speaking, but nothing that Crockett is able to hear. Or process, is a better word. Thereâs too much and not enough around him to survive upon when heâs just absolutely overcome with the pain of whatâs happening to him and has happened. Itâs the past, the present, the future. His life and death. Every cell of his body is screaming while he just cries against a bare chest and his hair is stroked by a disembodied hand.
âBreathe, Kett. Youâre okay. Just breathe for me.â
He falls asleep again, somehow, still crying but held.
When the morning truly comes, his face feels slightly sticky with whatâs left of last nightâs tears, and thereâs a steady heartbeat against his cheek. For a moment, itâs peaceful, until he inevitably remembers that the heart does not belong to the love of his life and heâs not familiar with the scratchy sheets beneath him. Panic takes over for a moment, that he found his way to a drunken one night stand even though he swore to himself he would never betray the love he once felt. But then, the memories of the night before hazily filter into his mind. A diner meal and the briefest mention of hush puppies. Coming to Jimmyâs and sleeping on the pullout couch. The nightmare.
He leans away from Jimmy and buries his face in his hands. This was a mistake, and all he wants to do is go home and lay in bed, never get out of it again because he simply doesnât have it in him. The opening up thing, he tried it last night. Just enough to be certain that it doesnât work.
Beside him, his host stirs to life. One sharp inhale, a heavy exhale. âKett?â
âStop calling me Kett.â
When he swings his legs over the edge of the fold-out, he knows heâll call out of work tomorrow. He has today off. Tomorrow, heâll say heâs sick. And maybe by then, heâll either be feeling better or have figured out a way to push the grief down to a tolerable level again. If he was a praying man, heâd already be on his knees.Â
âAre you okay?â
It isnât even worth it to answer. He hails an Uber on his phone, trying to remember if he still has something to drink at home or if he should take the ride to the hospital to get his car for grocery shopping. Pints of ice cream and cheap whiskey to fill in the cracks where heâs splitting apart.Â
âPlease, talk to me.â
Crockett doesnât remember taking off his shoes, but theyâre next to the door and fight him a little when he tries to slip them on. Eventually he gets them onto his feet, though, and throws open Jimmyâs door with the sole intent of isolating himself from whatever excuse for an outreach stole the night before.
âI know how you feel, I-â
âYou have no idea,â Crockett growls, hand so tight on the knob he thinks his fingers will break, âhow I feel. You cannot even begin to understand how I feel. And if God is merciful, you never will.â
He slams the door hard enough on his way out to splinter it slightly. Itâs a strength he didnât know he had. But he pretends not to notice as he goes to the curb to wait for his ride. Only a few minutes, according to his phone.
When he first got out of the hospital, having built up the strength to do basic tasks like bathe and dress himself again, he had almost given up. In a single instant, he lost the only two people who mattered to him in an accident where he sat at the wheel. Survivorâs guilt is more potent when the survivor was in the driverâs seat physically, not just metaphorically. That first night when he got home, he looked at the painkillers prescribed for the still healing incision. The whole bottle in his palm seemed so easy. He very nearly did it, too, because there was nothing left to live for.
The only thing that stopped him was the picture of his daughter on the mantle, and he couldnât do it when he didnât even know where she was buried.
Once he was eventually cleared for return to work, he went for a day. Everyone knew, and they treated him like a child, and wouldnât even let him do his job. Thatâs why he came to Chicago, to get away from it and from everyone who knew, but itâs somehow made everything both better and worse.Â
Thereâs a hanging ceiling fan, unbelievably sturdy, in Crockettâs living room. He knows how to tie a noose. It would be simple, and put an end to all his suffering for good, and by the time anyone comes looking for him, they would simply be too late to do anything. No more nightmares. And, if the churches are to be believed, heâll be reunited with his family, which heâs wanted more than anything. What he wouldnât do to hold them again.
His Uber driver honks, apparently having arrived already, and Crockett forces himself to get up and into the backseat. Home will solve everything. Heâll figure out what to do next, and whatever happens, happens. If his life ends, if he drinks away the nightmares, if he lays in bed until his body turns to dust- he doesnât care anymore. Any attempt at conversation on the driverâs behalf falls flat.
Like itâs waiting for him, thereâs a half-empty bottle on the counter with a smooth glass neck practically made for Crockettâs hands. Bitter, painful taste in his mouth. He doesnât mind it, welcomes it even as he goes to his own soft bed. Theyâd be disappointed. Not that it matters, because he canât feel anything except pain right now, and heâd rather they be disappointed than out of his reach entirely. All of his memories of them have been tainted by the accident.Â
It would be easiest to just die already, he thinks, as he crawls under the covers. Finally, his suffering would come to an end. It would be over. At long last, itâll be over. Heâs almost calmed by the idea as he drinks and drifts off to sleep. Through the day, through the night, through the rest of his life, if he can.
He doesnât know exactly when he starts to drift off, just that he does and his phoneâs shrill alarm wakes him up, telling him heâs needed at the hospital. The ED needs him to come be a surgeon, and people will ask questions if he doesnât go, but the mere idea of facing the world again makes him want to die. Even a phonecall seems too much. His hands shake far more than they should when he emails Mrs. Goodwin of his absence, and promptly shuts his phone off.
His chest aches as he chugs whatâs left of his liquor and lets the bottle fall to the floor. Everything just⊠hurts. Thereâs not a single blood vessel, a single cell in the entirety of his body that doesnât feel like itâs falling to pieces like ashes in the wind. He should have died, all those months ago, with his daughter and his husband and the driver of the other car, as opposed to this survival thatâs a poor excuse for life. The time spent learning to walk again, stumbling over his words because his brain was rattled around, staring at graves whose funerals he never attended- itâs a waste.
Face buried in the pillow, missing the scent of his loveâs cologne, he wishes to just die. Even if he doesnât kill himself, which would take a courage and energy he lacks, he would rather be dead than live like this anymore.Â
Then it comes to him- he could walk into traffic. No one ever stops for jaywalkers in Chicago, and it would be nearly poetic to die the way he should have so long ago. Crockett forces his legs over the edge of the bed and wonders if heâs about to do this. If this is what heâs been reduced to. A once brilliant, confident, borderline arrogant surgeon who was also a father, now a drunkard going to make someone else take the poor excuse for his life.Â
Before this moment, he never really understood psych holds; he trusted patients to make their own decisions, and he would normally trust his own, but he understands how heâs a danger to himself. Heâs aware of it. He knows heâs going to die. But he doesnât care, craves it even, and if he was anywhere near Med, theyâd have him committed before he could even blink or explain why itâs imperative that he leave this all behind.Â
Barefoot. Hair mussed. Still in scrubs from two days before. He walks out of his little condo complex where a busy street is racing with cars on either side, surpassing the forty speed limit by as much as they feel necessary to get where theyâre going. He usually hates having such a busy road so close to home, but now, heâs grateful.Â
He takes a deep breath and waits for the traffic to have no stops, no gaps, nothing but rushing vehicles. And he jumps into the fray.
It doesnât hurt, is the thing.
Thereâs the impact. The sound of bones breaking, brakes screeching, people screaming. He hits his head fairly hard on the asphalt, or at least he thinks so, because everything is wet. He canât move. The sky overhead, grey with clouds that seem ready to spill, reminds him of clean sheets and an arm over his face, of making hot chocolate for three when it snowed. His eyes seem stuck open, hard to shut.
Hands on his face, on his chest, and heâs excited to see finally see them again.
At peace with the world, with himself, with his death, the world goes fuzzy around him and disappears.Â
When he wakes up again, the first sound he makes is a croaky âNo,â difficult to say with how raw his throat is. No. No, he doesnât want to fucking be here. They should have let him die. His eyes seem stuck together, not that he particularly cares, as he starts trying to take stock of his body. Moving it. Struggling. He can wiggle his toes, so he isnât paralyzed. His fingers move fine on one arm, but on the other, theyâre stiff, and the limb is heavy from the elbow down. His head is pounding, and his chest aches, and he should have written a DNR or something before he did this so that he wouldnât have had to continue to live, let alone like this. He canât do months of recovery and pity again, and he has nowhere else to go.Â
Thereâs a palm against his cheek, and for a moment he pretends itâs that of his husband, but he canât when the voice accompanies it. âCan you hear me?â Itâs Jimmy again, at his bedside, overstepping boundaries and refusing to let him just put an end to all of this already.
âGo away.â
At least heâs not being touched anymore, but he can tell that heâs not alone. They likely wonât be releasing him any time soon, not when whoever called 911 undoubtedly reported that he just threw himself in front of a car that obviously wouldnât have had time to stop. Itâs blatant, and it should have worked, but heâs here and his monitors remind him of the heart still stubbornly beating in his chest. If he could, heâd reach in and remove the thing himself. Bloody and raw, like he feels, and then as he dies, heâll be free to rejoin his family at last.Â
By some miracle, he pries his eyes open, and spends a few long seconds adjusting to the bright fluorescent lights attacking him. The sheets are clean, and the room heâs in suggests he wasnât in a coma for weeks, like after the accident. His stiff arm is wrapped in a heavy dark blue cast, from his wrist to his elbow, securing itself over his thumb and showing off a little bit of cotton placed to protect his skin from the harsh plaster.Â
Jimmy still sits at the bedside, watching him as though waiting for a complete meltdown, which doesnât exactly feel too far off. Crockett reaches for the water bottle at the bedside with his good arm, fumbling with the cap with his teeth to get it open. His broken arm is like dead weight. Once again, he tries to move his fingers. They slightly obey. Not to the extent he thinks they should.
âDo you want me to bring your doctor in, to explain your injuries?â
Crockett grabs the cannula off his face and discards it, even if he notices the change in his ease of breathing almost immediately. He weakly bats Jimmyâs hand away when he reaches to replace it, and ignores the words of protest. All he wants is to get out of this place. He unclips himself from the monitors, and fumbles in the drawer beside his bed for a cotton ball to place against his arm when he carefully removes the IV of God knows what. The rational doctor in him figures fluids, painkillers, and antibiotics, but the father and husband in his mind doesnât care.Â
âWait, you need to lay down-â
âIâm going home.â
Jimmy is in front of him, hands out, as Crockett struggles to put his weight on his legs. Theyâre weak. He remembers this feeling, and he hates it. But itâs fine, heâll be able to walk before he knows it, he tells himself. Just keep moving.Â
âCrockett, stop. Donât make me do this.â
âIâm leaving.â
âYouâre on an involuntary hold.â
That doesnât surprise him, but he doesnât really care, either. All that matters is getting the fuck out of here, so he pushes Jimmy out of the way with as much force as he can muster to continue his not-so-daring escape, holding a cottonball against his inner elbow and stumbling more than walking. He must look like a mess. It doesnât matter. As soon as heâs out of this hospital, heâll do it again, and maybe this time, the cars will actually kill him like they should have so long ago.Â
But of course, halfway down the hall, thereâs security latching onto him and picking him up off the ground, in spite of his kicking feet and arguing with them. Heâs in full presence of mind, and he doesnât want to live. He wants his family back.
âJust let me die!â he screams at them, struggling to get out of their iron grips. âI donât wanna be here! Let me go!â
Everyone stares at him. Each nurse and doctor on the floor, Jimmy included, as heâs returned to his bed and secured with the soft restraints so that he becomes a prisoner in this sterile little hospital room. As a nurse gives him a fresh IV, and Jimmy resupplies the oxygen, he wonders if maybe he did in fact die, all those months ago, and this is the hell he must endure.
âI want a DNR,â he says stiffly, tugging with little conviction against his restraints. âAnd a DNI.â
âYouâve been deemed non-decisional, by Dr. Charles when you came in.â
He makes a frustrated sound from deep in his chest. âI wasnât even conscious.â
âMultiple people saw you try and kill yourself, and that stunt you just pulled didnât exactly help.â
Crockett squeezes his eyes shut and clenches the fist heâs able to. When will it end? He needs it to end, finally, and yet heâs buried in their forced care and he wonders if theyâve tried to call his family. His emergency contact used to be his husband, and he doesnât think he updated it. That number would have received no answer. If they even tried. He wouldnât be surprised if they didnât, because no one who has someone to call would have done what he just tried.Â
âAs soon as Iâm released,â he says slowly, âIâm just going to do it again. Canât we get it over with already?â
Jimmyâs face is soft and small, a childâs innocence and worry written into every wrinkle, when he leans forward and places a hand on Crockettâs cast. âWeâre not going to let you kill yourself. You have a future. People care about you, and-â
âAnd Iâm done living.â
With that, Jimmy presses his lips together and seems to consider it for a moment, before he stands up and tosses a comment over his shoulder that Crockettâs doctors will be in momentarily to talk about his recovery. Doctors, plural. If he had to guess, heâll be seeing one for his main care, and one to try and convince him that dying wonât make the pain stop, even if Crockettâs pretty damn certain it will. One cannot grieve when they are gone and reunited with their family.
Dr. Charles and one of the GPs in the hospital join him, Dr. Charles hovering near the door while the doctor approaches to test his body, see if itâs working. She makes Crockett wiggle his toes and squeeze her hand, shines a light into his eyes and makes him follow it without moving his head, until sheâs satisfied that he hasnât sustained much brian damage. Then she reviews his injuries with him.
âYou did sustain three rib fractures, but theyâre minor and should heal on their own, so long as you donât do anything too strenuous. The oxygen is to help keep your sats up even though youâre breathing shallower than normal. We also treated a half-inch depressed skull fracture, and a subdural hematoma, but weâve got the bleeding under control and you should heal fine from that. In the accident, you also suffered a traumatic dislocation of your left knee with ACL damage, which weâve repaired surgically, and we expect you to make a full recovery.â
Crockett raises his eyebrows and looks at his cast covered arm. Now, the doctor wonât meet his eyes.Â
âYour arm was an open fracture with a lot of debris from the asphalt and road surface. We were able to reset it with an internal fixation and grafted skin from your right thigh. Dr. Lanik told me youâve already shown some movement in your left arm, and thatâs a good thing-â
âWhat arenât you telling me?â he interrupts.Â
She clears her throat. âThere was significant damage to the muscle tissue and nerves in your forearm and wrist. Now that youâre awake and lucid, weâll be able to make a better determination of what that will look like for you long-term.â
What she doesnât say is the most important thing. They donât expect him to be able to use his arm the same way again, which means losing the one thing he still has left. Had left. Trying to save people the way the doctors in New Orleans couldnât save his daughter. Another reason he should have just died, if not in the first accident, then the second.Â
âDo you have any questions?â She asks.
âCan you bring me the paperwork to sign a DNR?â
She hesitates, and thatâs when Dr. Charles pulls up a chair and asks for the chance to speak to him alone. No paperwork, then, just a conversation to try and convince him that this isnât the answer. As if he deserves to live, especially with even his career taken from him too.Â
Crockett stares at him, almost daring him to speak. For a moment, he thinks heâs managed to silence the doctor with nothing but a glare, but then Dr. Charles asks him how heâs doing today, like heâs just a child. He just wants to sleep and never wake up.
âDr. Marcel, can I um, can I ask you how long youâve been feeling this way?â
He looks at his broken arm. A drink would be stellar, to cut off some of the pain threatening to tear him apart. The question isnât so simple, and even if it was, he definitely wouldnât be answering. He doesnât want help.Â
âI took a look at your file, and it shows that you were in a car accident in New Orleans a while ago, before you came to Chicago, was that an accident, or-?â
âShut up.â
âI also uh, was able to get ahold of your sister, Elodie? Sheâs coming up from Louisiana, said her flight should be landing at OâHare within the hour. You know, sheâs really worried about you.â
The last time he talked to his sister was before he got out of the hospital after the accident. She came to check on him, and he had been awful to her. It was the grief and the pain, but he hasnât had the chance to apologize. Perhaps he should, since heâs here for now. Heâll have the chance to do so when she arrives and cries at his bedside, asks him why he did this, holds his hand and prays for him. Just like when they were kids and he got punched for mouthing off to the school bully. They were close, when they were young. Even when they were older, before Crockett lost everything.
âYou know, I canât help you if you donât talk to me.â
âI donât want your help, and I donât want to talk to you.â
Dr. Charles sighs. âYou know youâre on a psych hold. We canât let you leave until weâre sure youâre not going to hurt yourself, and I just donât see that happening if you donât talk to anyone.â
âI want to talk to my husband and daughter,â he says simply.
Then he watches confusion and concern flit over Dr. Charlesâ face, trying to figure out how to make that happen because he didnât know Crockett had a family. The key word is had. Crockett misses them more than anything in the world, and if they were still here, he certainly wouldnât have done what he did today, and he would still be at home in New Orleans, in their little house, cooking dinner each night with leftovers packed for lunch. He misses helping their daughter pull on her tights for church on Sunday mornings and tying his husbandâs tie. He wants to have all of it again.Â
âCan you tell me why you tried to kill yourself?â
âI want to talk to my husband and daughter.â
At that, he ignores everything else that Dr. Charles attempts to say to him, shutting his eyes and turning away until the man finally leaves and heâs left to cry in peace, unable to do something so simple as wipe his own eyes. This isnât a life worth living. His husband would have understood, and would have signed a DNR for him.
He doesnât know how long it takes for visitors to return, but he feels even worse when they do. Jimmy comes in first, checking that Crockett is awake, followed by Elodie, who looks a mess. Her makeup is smeared remnants of mascara beneath her eyes, and her usually put-together outfit has been replaced with rumpled sweatpants and a tee shirt. She looks the way his heart feels when she lunges forward to wrap her arms carefully around him.Â
âYou canât do that,â she says, the tears too evident in her shaking voice. âWhen they called- Kett, you canât- what if you had died?â
And he doesnât have the heart to say thatâs what he wanted, but Jimmy meets his eyes and looks just as broken in a different way. He nods at Crockett and cocks his head toward the door before leaving, mouthing that heâll come back later. Not that it really matters. If he tries really hard, he can probably convince Elodie to sign a DNR and get him released AMA, and then he can peacefully die in his home without the hospitalâs intervention. So simple, it seems.
Elodie cups the back of his neck and presses their foreheads together, just like when they were kids under a blanket fort, hiding from the rest of the world. She doesnât cry loudly, but it makes his heart jerk in his chest until she sits beside him and rests a hand over his cast.
âMom and Dad couldnât make it, but theyâre worried too. And I- the doctor said your arm was in bad shape.â
âIt doesnât matter,â Crockett says.
He means to keep his voice the same as always, but she hears the pain in it. Sheâs too good at it, when she considers the way he doesnât even twitch at her gentle prodding of his fingers. The sensation of touch is there, but like itâs through plastic and not really on his skin.
It seems like Dr. Charles didnât tell her the intention he had when he walked into the street, the smallest of miracles he can breathe deep into his chest in response to the emptiness inside of him. Elodie is the sort of sister who will stay here, not run away now that sheâs seen that heâs alive, which means sheâll have to know that he died when he was within her reach, a grief he wouldnât wish upon her, but is a necessary part of the process if he is to rejoin his family.
She tells him to rest, which he does only because there is nothing else for him in this hospital room. Heâs biding his time until they let him go, at which point heâll happily repeat the process as many times as it takes for him to finally ascend from his broken body.
When he wakes up again, sheâs gone, and Jimmy is beside him again, typing on his laptop as though heâs relaxing in the cafeteria as opposed to keeping sentryâs watch over Crockett. Itâs both sweet and irritating at once. He bites his tongue.Â
âYou do have to talk to someone,â Jimmy says without looking up. âYou tried to kill yourself.â
âEveryone keeps saying that to me like I donât know.â
His sigh can only be described as irritation, which is fair. Crockett looks at the soft restraints on his wrists and flexes them, as though itâll set him free. âDid Elodie go home?â
âSheâs staying at a motel, I told her to get some rest and Iâd stay with you.â
âDo you have a thing for my sister, James Lanik?â
Jimmy just stares at him. He looks tired. âFirst of all, Iâm gay. Second, you have to stop deflecting. Everyoneâs really worried about you. You donât need- thereâs reasons for you to live.â
Itâs a fair statement that Crockett has said to patients, to Elodie before. But even if thereâs some reason, maybe a handful, to stick around, they donât outweigh how badly he misses his family. His family, who he suddenly remembers, wouldnât have wanted this for him. The dam breaks. The tears start, and the shaking that comes with each gasping breath when his body is struggling around sobs, and he just hates that he knows theyâd want him to live but he simply canât stand to continue on without them.Â
âHey, itâs okay. Itâs gonna be okay, Kett.â
Jimmy holds his good hand, like he really does believe in the future, and kisses his knuckles.
âI know you have a long road to go, but I believe in you. Itâll be okay.â
"I don't need jack shit from you" + dealers choice
Didnât include the dialogue but that inspired this //
About two hours into the expo, Jimmy comes to check on Crockett. Thatâs early. Usually itâs between hours four and six that the artist or their assistant checks on him, if at all, unless heâs visibly distressed or asks someone for help. But itâs only been a couple hours, based on the clock just within Crockettâs vision, when Jimmy comes to hold a straw to his lips and offer him some fruit from the catering table. His voice is so soft when he asks how Crockett is feeling.Â
âOkay,â he says, and is surprised to find his voice slightly hoarse. âItâs only been a couple hours, whyâre you checking on me?â
Jimmyâs face pinches the way it usually does when his practices donât line up with the industry standards Crockett is used to. âYouâve been in suspension bondage in public for two hours. Of course Iâm going to check on you. This isnât easy and if youâre hungry or thirsty, or youâre hurt, or you need out, I need to know that.â
The tears come without Crockettâs permission. He gets emotional, he knows, especially at expos when he feels most vulnerable- many artists had hated it, some had loved to watch him cry- and itâs hard to resist letting the feelings take over him when heâs so on display.Â
But then Jimmy wipes his tears away with a calloused thumb and smiles a little. âItâs okay. Do you need out?â
âThe expo is still going on for six more hours.â
âDoesnât matter. Do you feel safe? Are you comfortable? Is anything sore or numb?â
The tears turn into full blown sobs, and the next thing Crockett knows, Jimmy has his pocket knife up and slowly cutting through the ropes that hold the suspension, one by one with his arms around Crockett so that he supports his weight when it falls. They go down to the floor and Jimmy calls over his assistant.Â
âFind us somewhere quiet? The gallery show can continue, have them turn on the screens to repeat the photos and videos, and tell Connor Iâll make another appearance soon.â
She directs Jimmy to somewhere, Crockett canât really tell because his face is buried in the warmth of his shoulder as he cries and cries and cries. It isnât that he was hurt. It was that he was safe, he was loved, and Jimmy still made sure everything was okay and got him out when Crockett needed it but couldnât put it into words for fear of the consequences.
When Jimmy goes to hook up Crockettâs evening meal to the feeding tube, he notices. His first thought is that one of the nurses ought to be fired, or at least suspended for not paying enough attention. His second thought is that this could have been another abduction. His third and final thought is that they need to search. He hits the call button for security and tries to formulate something to say, some sort of response to losing the most important patient in the hospital.Â
âThe last rounds were half an hour ago,â he tells the security guard. âIf he wasnât abducted, heâd be on foot. Heâs weak. Heâs still injured. He wouldnât get far. Itâs possible heâs still in the hospital. I want Dr. Marcel found.â
Security as a whole begins their search, and Jimmy canât shake the anger and fear at the idea that Crockett is gone again, especially as vulnerable as his last disappearance has made him. He canât speak. He canât eat or drink. The NG tube would have had to be pulled out of his body, which is uncomfortable to say the least. His large bore IV had to be removed too. The one reassurance Jimmy has is that thereâs no blood, which suggests that Crockett got up of his own power and put pressure and a bandage on his arm. That means heâs still nearby. And heâs likely not in much, if any danger.Â
âWho was his nurse?â
A young woman with dark brown hair and bright eyes, lip curled in irritation, steps forward. âIâve been his lead nurse. Heâs been a difficult patient, to say the last.â
Jimmy reads her name tag and gets his notepad from his pocket to copy it down for the report. âOf course heâs been difficult. He just experienced a major emotional and physical trauma and had his tongue cut out of his mouth. That is no excuse to be so neglectful that he could remove himself from the monitors and his lines without you noticing.â
âI canât be expected to monitor every patient all the time.â
âThatâs literally your job. Youâre getting paid to monitor- I-â
Heâs too angry to speak. He knows sheâll likely be fired for not just her mistake, but her callousness in its regard, and the way she clearly doesnât know what her job is. But that will be an issue he will deal with when Crockett is safe once more, and taken care of the way he should be. Theyâll move his ward when heâs back. Get him a new nurse.Â
Jimmy realizes that the meal bag is still in his hand and lays it on the empty bed. Theyâll find Crockett. They have to. He thinks of the frightened, pained look that has seemed glued onto Crockettâs face nowadays, and the obscure silence that doesnât match the Crockett they had all grown to know and love in the emergency room.Â
It occurs to him then that he has to tell the ED about this. He can only pray that they find Crockett first.Â
"You should come to the expo," he says, his voice little more than a breath against the shell of Crockett's ear as he constructs a knot in the valley between his pecs. "I want you to hear what they say about you."
"My James, an exhibitionist? Who would have guessed?"
"I could gag you too."
Crockett rolls his shoulders before they're tied too much to shift. "Don't threaten me with a good time."
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Summary:Â Crockett is a model, Jimmy is a shibari artist, and they work together for the first time.
WC: 1.9k
Todayâs session is with a new artist, one he hasnât worked with before- James Lanik. Crockett spent the night before looking through his work, which was every bit as complex and beautiful as his agent promised, and it leaves him with the distinct impression that at least seven of the eight hours he was booked for are going to be spent weaving those intricate designs around his body. Heâll probably have to ask his agent to send Ava to pick him up because heâll be so relaxed by the end of it he canât tell up from down.Â
Heâs almost excited when he enters the studio, ready to see what will become of him today. Itâs clear that Lanik doesnât take his work lightly, and puts so much time and detail into it that every photo seems to have new parts to it when Crockett reexamines them. He takes a sip of water just in case Lanik turns out to be the sort who forgets Crockett is a person who needs it. Some artists are like that. Itâs not malicious, but in the process of art, itâs easy for him to become as much of an object as the rope around his body, and the bindings often mean heâs unable to lift the bottle to his mouth without help.
New Orleans did not live in snow. That far south in the country never got cold enough, though rain came down in punishing sheets every winter to slick the roads and soak through sweaters to combat the light chill that did choose to settle over them. Chicago, on the other hand, greets him one morning with white up to his ankles outside when he walks Sarge. He blinks and stares at it.Â
He knows what snow is, but itâs fucking cold against the bare skin of his ankles where his slippers and pajama pants donât quite meet. He canât stay out here long. Luckily, Sarge doesnât seem inclined to the weather either, and does his business quickly before bounding back to Crockett and nuzzling his legs with a snow coated nose. Itâs freezing. But he doesnât mind, especially when they go back inside to find Jimmy brewing coffee, sleepily bundled in Crockettâs stolen clothes to fight against the cold seeping in through the cracks of the windows.Â
âItâs snowing out,â Crockett says as he lets Sarge off the leash, causing the dog to immediately put his cold nose in the palm of Jimmyâs hand, begging for attention. Of course Jimmy gives in. He always does, even though he winces at the temperature of Sargeâs wet nose and the snow still clinging to his fur. âItâs my first snow.â
âWhat a coincidence, itâs my first snow with the love of my life.â
Thatâs enough to bring a warm flush to Crockettâs cheeks, one that Jimmy adores and covers in soft kisses as the coffee drools into the pot. Itâs not great, it never is, but itâs better than hospital coffee and it helps them both begin to truly approach the day. He feels as though he doesnât even need it this time. He has Jimmy to bring light to his morning.
âYouâre a hopeless romantic.â
âAnd youâre the one dating me,â Jimmy counters, immediately punctuating his words by kissing Crockett properly, with the sort of affection that makes him think of the warmth of Jimmyâs body against his own under the covers last night. This is truly what it means to win the lottery. âI love you.â
Crockett wraps his arms around Jimmyâs waist and smiles when Jimmy immediately tucks his face against the warmth of his neck. It feels right to hold someone close. To love someone. To be loved in return. Itâs a beautiful thing, one he doesnât entirely know what to do with, but takes full appreciation of while itâs here if for no other reason than he ought to before itâs gone.Â
So he accepts it, and lives with it, and enjoys it all. The coffee kisses and Sarge splayed across their laps and blankets in front of the fireplace and old movies on TV and lazy afternoon sex while it snows some more. Everything is perfect.