âI thought I was gone be happy for the rest of my life.â âNobodyâs happy for the rest of their lives, Queenie.â
Queenie Strickland & James Caskey, in Michael McDowell, "The Levee" (Blackwater #2; ch. "Queenie and James")

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âI thought I was gone be happy for the rest of my life.â âNobodyâs happy for the rest of their lives, Queenie.â
Queenie Strickland & James Caskey, in Michael McDowell, "The Levee" (Blackwater #2; ch. "Queenie and James")

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Made a comic for the next @visionquestcomix illustrating probably my favorite @dinosaurjr song âin a jarâ
5 Low Carb Mason Jar Salads using Cauliflower Rice
For the recipe:Â https://mylifecookbook.com/5-low-carb-cauliflower-salad-jars/
Pins from @dejapins. Shop link in their bio. . . . #dejapins #pin #pins #pingame #patchgame #pingamestrong #pinsofig #pinstagram #hatpin #pinsofinstagram #enamelpin #enamelpins #inajar #hatpins #brandnewrock #trustnoone #elephant #skull #art #hearts #outdoors #pincollection #pincollector #pinsofinstagram #thegreatoutdoors #camping #mothernature #neverforget #đ #đđ¤
âDiffidate sempre della natura. Non è mai semplice. Non è mai naturale.â
DadhyaĂąc, in Roberto Calasso, âKaâ, cap. IX (1996)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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[âŚ] le madri come prime interpreti e traduttrici del mondo, che esplorano e poi esprimono ciò che non è nemmeno lingua, anche i gesti e le smorfie e i diversi significati del pianto, quando il pianto è inarticolato e non equivale alle parole, o le esclude, o le intralcia.
Javier MarĂas, âDomani nella battaglia pensa a meâ (1994; trad. di Glauco Felici, Einaudi)
Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion, âOn Keeping a Notebookâ (1966) (in âSlouching Towards Bethlehemâ)
âStarlo a sentire era un poâ un divertimento per me. Beh, anche una cosa triste però. Un poco triste. Voi guardate il vestito di quellâometto laggiĂš, impiegato al Comune o anche vedovo, e la prima cosa che vien da pensare è che un giorno è stato nuovo anche lui. E anche lâometto, sâintende.â
Silvio DâArzo, âCasa dâaltriâ (cap. II), 1953.