LOVE shane calling Ilya My Ilya and Ilya calling shane My Shane. i think they would freak out everyone in their lives with it.
Like Hayden brings up nervously one day âhey i noticed that Ilya calls you âmy shaneâ almost every time he talks to/about you and that with him ordering your food and drinks⊠seems kind of possessive and strange.. And shane so hard just thinking about it heâs lightheaded just glares daggers and growls âdonât speak about my Ilya that way.â and Hayden never brings it up again.
Or Rose asks why Shane is always saying âmy ilyaâ even if it doesnât make sense in context and shane just tilts his head like âthatâs MY baby? i pack his luggage? i wash his hair what else is he but mine?â and Rose for the first time is honestly a little freaked out even if she thinks itâs hot. cause this is definitely more then a kink thing for these freaks.
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calling all mean dom ilya likers of the heated rivalry fandom!
welcome to #meandomilyaweek!
we are a fanweek dedicated to dominant ilya rozanov from heated rivalry, providing a scheduled list of prompts designed for portrayals of ilya assuming a meaner, stricter and/or more controlling role in kink.
this event will be hosted from the 6th of april to the 12th of april, late submissions welcome. all types of fanwork are allowed - fanart, fanfiction, edits, meta posts, etc.
you can find the details and prompt list in the images below (alt text for the images are included). the same information is also included in our website linked here
please use the tag #meandomilyaweek to post your works. fics can also be added to our ao3 collection ('Mean Dom Ilya Week', under the slugname mean_dom_ilya_week): linked here
please direct any questions to our tumblr askbox. have fun and enjoy!
actually while we're on that topic. much of tlg pivots around both characters asking "between hockey and me will you choose me" but this question has been asked and responded to over and over in stories. it's an easy generator of conflict, & i get the fantasy of desiring unconditional devotion, but fitting characters into the binary of yes/no erases the joy in asking & deconstructing that question in the first place. do you have to choose one above the other? ilya & shane's identities are closely tied to the sport they play. not disregarding that their perspectives shift as they mature & that shane has still suffered a lot (albeit nonsensically) to arrive at his answer - it's still disappointing for the tension between identity & desire to culminate in a hurried post-plane crash proposal + a simple "yes i choose him"
the struggle of loving fiercely, and rooting your personhood in, a sport whose culture violently rejects you; shanes perception of the self & the body as a tool useless unless controlled & optimized for hockey; ilya finding a way out of his family into a sphere that is no less discriminating; and yet the wanting, & the fantasy of being known wanting....bunch of fuses that dont end up lit. do you really want your story to culminate in the stereotypical 'choose me over your career bc you cant live without me' romance?
hell in real life its also expected of people to hold their partners above all others and it's unending can we discuss something different
I so appreciate the damn growth of these damn #hollanov throughout this damn season of #heatedrivalry.
I love the transition from the hotel scene with the vodka to the scene where they're alone on the beach at Shane's cottage or driving in the car holding hands. the way the colours change from dark and disturbing to calm and bright...
I'm so grateful that we were shown real growth in queer relationships.
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the kink bracket tournament is now here as promised, featuring 32 contenders! access the poll via the link here & vote for the kink that you want to move forward in each pair! round 1 ends 24h from now: 1:00GMT Tuesday.
Alternative title: "I'm not dead and I still apparently remember how to write (badly)".
I'm obsessed with Jacob Tierney's Heated Rivalry like the rest of you are. I haven't read the books (yet?) but Rachel Reid can have all of the money and flowers.
This is a work in progress. When it's finished, it will be one long disjointed narrative in a series of vignettes. Takes place in-universe from summer 2014 to fall 2016 (AKA, roughly one-half of episode 4 in the show). Alternating character POVs in omniscient voice. I've written 10k words of this shit but you can have this excerpt (one of Ilya's). I don't know where this all is going. Send help.
By mid-season, the rhythm has settled.
The days and games begin to stack togetherâone skyline superimposed on another, arenas distinguished only by their swapped-out colors, their swapped-out chants. Like interchangeable settings on a light fixture. Time compresses; the calendar becomes less of a schedule than a condition. Airports repeat. Hotels repeat. Ice is ice is ice.
Travel still does have its pleasures, especially when Ilya orchestrates an upset. He thinks heâll never tire of rousing a crowd. In Boston, though, everything cuts a different pattern. The home ice wears down smooth as butter. Boston shows both its love and its vitriol bluntly, forever boisterous and delighted by spectacle. Ilya draws heat from the crowd the way fire draws air. He likes that, the immediate feedback. They know exactly when to rise, when to boo. What they are here to see, and who theyâre here to hate.
The Montreal colors always cut differently, too, in the kaleidoscope of Ilyaâs head. A singular, salient point of fixation, like a gem-encrusted smear struck clean across the lens.
This is the part of the year where the world narrows to use. Wake. Skate. Eat. Play. Fuck. Recover. Repeat. There is no room for doubt when the body is occupied, no margin for reflection when everything hits and hurts the same way. Goals come easily; assists, easier still. Forward momentum. Motion becomes its own justification.
Ilya doesnât count days. Instead, his skin build up staticâthe body already looped in by the brain. Itâs automatic, and it shows in his play. He skates harder on impulse. Lets hits linger. And when the days ticking back on the clock in his head start to thin down to the single digits, the electrification gets hard to ignore. Sleep wonât touch it. All that energy is left crackling, begging for release.
Ten days left. Five days left. Two days left.
Go.
Boston loves this part best: the old friendly hatred, burnished and handed down generations. Rivalries here are as much nostalgia as appetite. Spectators sway in their seats, tasting blood in the water. Montrealâs banner is a provocation, and Ilya can feel the crowd rise to meet itâa tremendous roar already cresting toward impact. He likes to give them what they come for. The cheers feed him. The jeers only incite him further. There is a real sort of pleasure in playing the villain. If Boston wants blood, heâll happily oblige.
On the ice, every sound carries. Ilya steps onto it keyed high and tuned like a fiddle. The house is full, as expected; Ilya throws up both hands, spurs the hungry fans on, and allows the rush and the waves to break over.
The first crack of the puck off the ice splits the air like a gunshot. The Metros come out heavy, testing bodies early, intent on setting the momentum through force. The neutral zone collapses into chaos. The noise spikes instantly, deafening, and Ilya can feel that long-held static finally discharging, every molecule sparking toward perfect alignment.
Hollander is on fire. Heâs been on a tear lately, and it shows. The economy of his stride is immaculate. Every movement is pared down to purpose, honed into an artform thatâs nearly aesthetic. Passes threaded through traffic, edges caught clean and sure. Each arrival timed barely ahead of the puck. Like heâs found some magic method to move time forward, mere milliseconds ahead of all the other players.
Thereâs something else to him, too. Confidence? Noâsomething darker, more volatile, percolating just underneath the surface. Hunger? A desire to prove? Whatever Hollanderâs game is, itâs dangerous. And itâs working.
They collide near the boards, stick on stick, shoulder knocking shoulder. The impact lands square and clean, a full-body check that rattles Ilyaâs frame and sets his teeth singing. He laughs under his breath as they part; the crowdâs boos choke the noise. His heart kicks his lungs, blood gushing fast in his ears. He loves this. The way Hollanderâs play never fails to complete the circuit. The way it strikes him conductive, sparks him alive.
The game stretches, high-voltage: a thin-fraying wire.
They trade chances, then goalsâMontreal striking, Boston biting back. The crowd surges and ebbs in ferocious crests. Hollander skates like a creature possessed, relentless on the forecheck, cutting angles, beautifully forcing mistakes. In answer, Ilya drives himself harder, faster, quads burning and blood beating and lungs scraping raw. He stays out a second too long, then another. He would not trade this feeling for anything.
By the third, the score reads 4-3.
The Raiders press, desperate and loud, indiscernibly throwing bodies. The zone floods. The Metros bend, but they do not break. When the final horn cuts through the ear-splitting din, it almost feels out of nowhere. The arena erupts in a mass of boos, a wall of sound that imparts its own force.
Ilya throws back his head, mouth wide-open and panting. His chest heaves with effort; salt stings his eyes. The clamor rolls over, thick and furious. He sinks teeth in the inside of one cheek, fighting a grin that threatens to split his face wide open.
Defeat has never felt better.
They line up for the handshake. Hollanderâs grip sears Ilyaâs, when it comes. His palm feels heated even through the glove. When their eyes meet, Hollanderâs are blown wide and scintillating. It holdsâlong enough to have clear meaning. Before Hollander has even fully released him, all of the blood in Ilyaâs system floods south.
The locker room is pandemonium. Gear clatters; tape rends. A kick is swiftly delivered to a stall door, hard enough to rattle the metal. More than a few curses careen off the walls.
âFucking Hollander,â someone scoffs, and the name passes down hand to hand, beaten down by repetition. Cheap chirps, ugly. Ilya hears the words âluckyâ and âsoft bitchâ and âcocksuckerâ. Ilya makes no contribution. Instead he peels his jersey off of his aching shoulders and swallows the beat of his sprinting pulse.
âHeâs been hot all week,â clips the voice of St-Simon. âWonât last, ey, Roz?â
Ilya snorts, automatic. He bends to tend to the laces that heâs delayed tying, for the sole purpose of buying himself one more second.
The teamâs still buzzing when Carmichael suggests going outâhead down to one of those spots in Seaport, where they can throw shots back to drown the loss. A few heads snap Ilyaâs way, expectant. He shakes his head, already halfway into his street clothes.
âNext time,â he grunts, flat. âI am not in the mood.â He lets his shoulders sag, just enough to sell it.
A series of groans, each dogpiling the other. Then Marleauâs voice, rough and goading, cuts in from a few stalls down.
 âMontrealâs good for that, huh, Rozanov? Plenty of ways to find comfort.â
This incites laughter, and couple of whistles. Someone shoves his shoulder. Ilya flips off his assailant without looking, snatches up his phone, and makes for the door.
âTry scoring next time, maybe,â he chides the lot of them, and takes off before anybody can clap back.
In the hush of the hallway, with his ears still ringing, Ilya finally checks his screen. Thereâs an unread message there, already waiting.
Jane: Hell of a game.
Ilya exhales through his nose, thumbs flying.
Nice job, he types.
Lily: Nice job.
Lily: You almost looked happy out there.
The reply comes on the order of seconds, but it feels like minutes.
Jane: We needed it.
Jane: You didnât make it easy.
Despite himself, thereâs a crack of a smile. Much subtler than the one that, a short time earlier, very nearly broke open his face. This version needs no resistance. Involuntarily, he leans back into the wall, the meat of his scapula pressing in deeply. Itâs cold where it makes contact with the concrete. Or maybe itâs more that Ilyaâs skin is burning.
Lily: Boston fans do not appreciate your effort. Very rude.
Lily: Maybe you need someone to appreciate you hm?
The next pause is eternal. Those three dumb little dots drone on for what might as well be forever. Ilya wonders, fleetingly, if Hollander will always be hopeless at sexting. After four years of data, he knows which way heâd bet.
Fuck it, fuck semantics. With a flourish, he types the hotel name and room number. No more commentary needed, just coordinatesâan offering in the form of logistics. He pockets the phone long before the reply arrives, and bolts himself out of the building. True, Hollander might have won the dayâs match; but Ilya can already feel the night tilt in his favor.
The hotel smells like sweet chemicals and stale air, neutral in the way of which all hotels aspire. Anonymous carpet. Anonymous walls. A few paintings that might depict water, or sky, or neither. They could be of anything, anywhere. Thatâs probably the point.
In the entryway, stripped down and starving, Ilya waits.
And waits.
Andâ
The knock, when it finally comes, is perfunctoryâtwo short raps, almost apologetic. Ilya practically wrenches the door open, revealing Hollander standing there, frozen. His hair is still mussed from the cold winds outside. Ilya wants to grab him and haul him in closerâbut Hollanderâs already stepped in, and disrobing.
Fuck, fuck, fuck.
Ilya will not wait a single second longer. If the door closes behind them, he does not hear it.
They fallâright back into that self-same rhythm, in which it seems each of them has become fluent. Months of silence and distance burn down to frictionâfriction, motion, navigation in space. Slowly, leisurely, he works Hollander open, drawing him incrementally toward immolation. He wonât unbrand his gaze from that face for even a fraction. He wants, needs to see itâthe exact point of melting, the very instant Hollander changes state. He coaxes each molecule one at a time, absorbing each and every released ion, until the lattice breaks and all resistance gives way. Until Hollander, once so solid, turns liquid in his hands. Held together no longer by force, but by flow. Â
âThis is for me,â he whispers in Russian, scarcely above the threshold of hearing. Whispers into Hollander when his mouth falls openâbrief, curt explanations that explained nothing at all.
And later, when this dark science has ended, Hollander lets Ilya maneuver him onto his backside, press him open, and fuck him so deeply that neither can speak.
They collapse in tandem, and Ilya, wasted, bores eyes into the ceiling, drifting somewhere decisively out of his body. The white noise of the clock and A/C is a comfort, the all-encroaching silence not yet set in. Beside him, Hollander doesnât stir immediately, and Ilya is thankful. When he finally does, itâs to reluctantly groan about cleaning. Ilya chuckles, and reaches for the side table, where there lies a damp cloth heâs already prepared. He draws the cool fabric along Hollanderâs stomach, gingerly sopping up the pooled liquid. Hollanderâs breath catches oddly just then, as if somethingâs temporarily clogged the machinery. His windpipe seems to be bubbling in his throat.
Thenâabruptlyâhe jerks upright. In the next breath, scrambling for his T-shirt. Hollanderâs movements are harsh and disjointed, like each limb is misfiring mid-sequence. His hands shake violently. With a soft curse, he realizes heâs pulled his pants on backward.
âEarly flight,â he mumbles, eyes downcast, redressing. âCoach saidâanyway, I have to go.â As if this is anything approaching normal. The explanation might be, but for sure not the cadence. Hollander sounds drained, wrung thin. Almost as if he has gone somewhere else.
To watch him is to witness a crash in slow motion. Sentences flood Ilyaâs head: questions, declarations, protests. Some words in Russian, some in English, some mangled. âRight,â he chokes out, because itâs what he can manage.
Hollander dresses quickly, efficient in all things. A familiarly unfamiliar sequence. Ilya can see it happen in real time, the reassembling. Armor, reattached piece by piece: the squared shoulders, the stiffened spine, the gauntlets of neutrality slotting back into place.
Even still, he could not shed the stutter.
âI shouldâyeah. It was great. Thanks, uh, IâllâŠsee you.â
âNext time,â calls Ilya, scrabbling for casual and ending up with crooked.
Hollander nods once to the crude hotel carpet, and shuffles himself haphazardly out of sight.
The door shuts behind him with a complete lack of ceremony. And for a few moments after, Ilya waits in suspension. The room, now reduced in occupancy by half, has already begun to recalibrate around the egress. Heat rises. Air whooshes. The bed once shared again becomes gravityâs claim. And with Hollanderâs absenceâfuckâcomes the silence. Seeping viciously into each of the cold, vacant spaces, like itâs been waiting all this time with a vengeance.
Hollander hadnât looked back upon leaving.
Itâs nothing, probably. One of the usual culprits. Fatigue, or timing. Too many games packed in too close together.
But Ilyaâs stomach is churning.
Itâs a strange new sensation, a gut-punch feeling; an unstable bond forming under poor conditions. Cold chemistryâenergy, wrongly distributed. Whatever is forming doesnât want to hold cleanly; it vibrates and pulsates and strains for rearrangement, hot in anticipation of the next collision.
Ilya, who has lived a whole life by gut-instinct, has no framework for it. This destabilization; this reaction thatâs forming with no clear instruction.
It feels like gravity tripping. It feels like equilibrium slipping. It feels like whatever distance heâd thought heâs been keeping has already been spliced and reformed without his consent.
Thereâs still half a season to go on the docket.
Ilya stares blankly up at the ceiling and pondersâin so many wordsâwhen precisely the particulates started to matter.