Add some draping and a contrasting (small) train to a fitted sheath dress and you have something that is greater than the sum of its parts.
Dior, 1947 from the Royal Ontario Museum
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Add some draping and a contrasting (small) train to a fitted sheath dress and you have something that is greater than the sum of its parts.
Dior, 1947 from the Royal Ontario Museum

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Over on the bird site, I was collecting photos of mostly historical fashion pieces into what I was calling the IFLW, or Imaginary Fancy Lady Wardrobe. I’m going to start moving them over here, which means this is going to be a lot of pretty, but impractical, clothes for a while.
Pictured is a 1920s evening ensemble iof a dress and fur-collared cloak. Both are of the same sea-green material (it looks like silk chiffon) with gold embroidery at the hem and neckline which resembles stylized peacock feathers.

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This is a gown by Anne Lowe. This gown came to my attention via Dr. Kate Strasdin (@katestrasdin) over on Twitter. Dr. Strasdin is a fashion historian and shares really beautiful and interesting pieces. My first introduction to the work of Ann Lowe, though, was via Piper Huguley’s novel, By Her Own Design. (https://bookshop.org/a/1509/9780063059740)
The gown pictured is a floor-length white gown with a cascade of handmade pink fabric roses from the bodice to the hem.
Photo from the Smithsonian
It’s Magpie Monday, where I share some of my favorite sparkly, shiny things. First, this tiara. Who doesn’t love a tiara, especially one in purple?
The first, but certainly not the last, House of Worth gown I’ll be posting. I love the black-on-white that gives wrought iron vibes. I love the train. (I don’t love the wig in the second photo because it doesn’t have the elegance of the dress itself, but that photo best shows the bodice and poofy, layered chiffon sleves.)
From the MET.