Necklace and earrings, 1806. Victoria & Albert Museum.
Continuing this Magpie Monday focus on COLOR. If you want to feel like royalty, you can’t go wrong with this stunning set of diamond and emerald sparkle.

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Necklace and earrings, 1806. Victoria & Albert Museum.
Continuing this Magpie Monday focus on COLOR. If you want to feel like royalty, you can’t go wrong with this stunning set of diamond and emerald sparkle.

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Tiara by Georges Fouquet, 1908.
This Magpie Monday is all about COLOR. Because it’s still early, we’ll start with the soft color of the gems (aquamarines? blue topaz? something else?) set in to this simple but stunning tiara.
Corset, 1890-95. Victoria & Albert Museum.
This color makes me so happy. I imagine this being worn by a widow whose marriage was less-than-happy; who feels constrained and, frankly hypocritical, wearing mourning. Under her black crape, she celebrates her new freedom with this hot pink corset--the daring little secret she keeps to herself.
It’s Magpie Monday, where I share some of my favorite sparkly, shiny things. First, this tiara. Who doesn’t love a tiara, especially one in purple?
Reception dress by House of Worth, 1877-78. Cincinnati Art Museum.
One last Tuesday Blues-day because House of Worth.

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It’s Friday, so let’s get ready for the weekend with a little sparkle and shine for the weekend, starting with this ensemble. I am absolutely ready to sell a vital organ for that fan. And the shoes.
Evening ensemble, 1926. FIDM Museum.
Say what you will about the current incarnation of Balenciaga, it’s hard to dispute that their work in the 20th Century was stunning. This evening dress from the 1960s has a simple cut and fairly subdued color palette, deriving its drama from the embroidered and beaded pattern which, from a distance, can appear to simply be printed fabric. @metmuseum
Evening dress by Henriette Favre, 1902. The MET.
The last of today’s purple extravaganza. The color on this is more subtle, used more as an accent than the primary palette. I’d be tripping all over that train, though, so mad props to the original owner for not ripping it all to shreds.