#horror sequel

Right now, I can only think of two, The Boy and The Black Phone, but my point still stands the sequels are right there, but they always go too damn far.

And yes, technically, TBP is a supernatural horror, with Gwen being psychic and the spirits. However, the Grabber is not. He's just a man. A sick perverted man. Making him an entity does nothing. Putting him on iceskates, however, is hilarious.

Here's an idea, Finn is trying to move on from the trauma, but Gwen is still having visions and tells him about another kid. He's checking out and becoming a burnout. Realizing that this is happening to another child and he's the one who has to help him is what helps him bounce back.

It could be a Grabber copycat or perverts move in circles, make it an accomplice.

There is no need to turn the Grabber into an evil spirit. An evil spirit is not scarier than a p***phile.

Just like a grown ass man living in the walls of your home is 100 times scarier than a possessed doll.

Ready or Not 2: Here I Come

Beware! The Blob (1972)

Directed by TV’s Larry Hagman (aka J.R. On “Dallas”) and scored by electronic music pioneer Mort Garson, this 14-year-delayed sequel is the forgotten middle child of the Blob trilogy.