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BENGAL DOKRA NOW @ Dilli HaatSTALL NO 139

STARTING @INR500TILL

15 TH SEPT , VISIT TODAY

Dokra or Dhokra is an ancient Indian brass art and craft which has been living through over 4000 years. This art form was started back in the period of one of the oldest societies, Mohenjo- daro.

RECENTY GOT GI TAG FROM GOVT. OF INDIA

Introduction to Shyama Kail

Shyama Kail, also known as Kali, is one of the most revered and feared goddesses in the Hindu pantheon. She is the embodiment of the fierce and destructive aspect of the divine feminine, as well as the source of life and liberation. She is worshipped by millions of devotees across India and beyond, especially in the states of West Bengal, Assam, Odisha, and Tripura, where she is the patron deity. She is also the central figure of the Tantra tradition, which is a branch of Hinduism that deals with esoteric practices and rituals for achieving spiritual power and liberation. Shyama Kail is often depicted as a dark-skinned woman with four arms, holding a sword, a severed head, a bowl of blood, and a gesture of fearlessness. She wears a garland of skulls and a skirt of severed arms, and stands on the chest of her husband, Lord Shiva, who lies prostrate on the ground. She has a wild mane of hair, a protruding tongue, and a fierce expression. Her image evokes a sense of awe, terror, and devotion in the hearts of her followers. History of Shyama Kail The origins and historical background of Shyama Kail are shrouded in mystery and legend. Some scholars trace her roots to the pre-Vedic tribal goddesses of India, who were associated with death, fertility, and magic. Others suggest that she emerged from the Vedic goddess Durga, who is the warrior form of the supreme goddess Parvati, the consort of Shiva. Durga is said to have manifested as Kali to slay the demon Mahishasura, who had terrorized the gods and the world. Kali is also considered to be the first of the ten Mahavidyas, or the great wisdom goddesses, who represent different aspects of the supreme reality. The earliest textual references to Kali are found in the Puranas, the ancient Hindu scriptures that narrate the history and legends of the gods and goddesses. The most famous of these is the Devi Mahatmya, or the Glory of the Goddess, which is a part of the Markandeya Purana. This text describes the various forms and deeds of the goddess, including her manifestation as Kali. It also narrates the story of how Kali emerged from the forehead of Durga during the battle with the demons Shumbha and Nishumbha, and how she killed their army with her sword and teeth. The text also mentions how Kali drank the blood of the demon Raktabija, who had the power to multiply from every drop of his blood that fell on the ground. Another important text that mentions Kali is the Kalika Purana, which is a Tantric scripture that glorifies the goddess in her various forms and aspects. This text describes the origin, appearance, attributes, mantras, yantras, and rituals of Kali, and how she bestows boons and blessings to her devotees. It also narrates the story of how Kali was born from the sweat of Shiva, and how she became his consort and the mother of the universe. Kali is also mentioned in the epics, such as the Mahabharata and the Ramayana, where she is invoked by various characters for protection, victory, or destruction. For instance, in the Mahabharata, Kali is said to have possessed the warrior Arjuna, and helped him kill the demon Alambusha. In the Ramayana, Kali is said to have appeared in the form of Sita, the wife of Rama, and deceived the demon king Ravana, who had abducted her. Over the centuries, Kali has evolved and adapted to the changing times and cultures of her followers. She has been worshipped in various ways, such as through animal sacrifices, blood offerings, meditation, yoga, music, dance, art, and poetry. She has also been associated with various other deities, such as Shiva, Ganesha, Lakshmi, Saraswati, and Durga. She has also inspired various movements and sects, such as the Shaktas, the Tantrikas, the Aghoris, the Thugs, the Ramakrishna Mission, and the Bengali Renaissance. She has also influenced various forms of literature, such as the works of Ramprasad Sen, Kazi Nazrul Islam, Rabindranath Tagore, and Bankim Chandra Chattopadhyay. Significance of Shyama Kail Shyama Kail holds immense importance in the Hindu tradition, as she represents the ultimate reality and the supreme power of the goddess. She is the source of creation, preservation, and destruction, and the embodiment of time, death, and change. She is also the giver of life, wealth, health, happiness, and liberation. She is the mother of all beings, and the protector of the righteous. She is also the destroyer of evil, ignorance, and bondage. She is the supreme teacher, who imparts the highest knowledge and wisdom to her devotees. Shyama Kail plays a vital role in the broader spiritual and cultural context of Hinduism, as she symbolizes the dynamic and paradoxical nature of the divine. She is both terrifying and benevolent, both violent and compassionate, both dark and radiant, both fierce and loving. She transcends the dualities of good and evil, pleasure and pain, life and death, and reveals the unity and harmony of all existence. She challenges the conventional notions of morality, beauty, and order, and invites her devotees to embrace the diversity and complexity of reality. She also empowers her devotees to overcome their fears, limitations, and attachments, and to realize their true potential and identity. The impact of Shyama Kail on her followers is profound and transformative, as she inspires them to cultivate devotion, faith, courage, and surrender. She also grants them various boons and blessings, such as material prosperity, physical health, mental peace, emotional joy, and spiritual liberation. She also protects them from various dangers and difficulties, such as enemies, diseases, accidents, and calamities. She also guides them on the path of righteousness, wisdom, and enlightenment. She also loves them unconditionally, and accepts them as they are, regardless of their caste, creed, gender, or status. Tantra and Rituals at Shyama Kail Tantra is a branch of Hinduism that deals with esoteric practices and rituals for achieving spiritual power and liberation. Tantra is derived from the Sanskrit word tan, which means to expand, and tra, which means to liberate. Tantra aims to expand the consciousness and liberate the soul from the cycle of birth and death. Tantra also means a system, a technique, or a scripture that teaches the methods and secrets of Tantra. Shyama Kail is the central figure of the Tantra tradition, as she is the embodiment of the supreme energy (Shakti) that pervades the universe. She is also the consort of Shiva, who is the embodiment of the supreme consciousness (Shiva) that transcends the universe. Together, they represent the union of the opposites, the dynamic and the static, the manifest and the unmanifest, the active and the passive, the feminine and the masculine. They also represent the ultimate goal of Tantra, which is to realize the identity and harmony of Shakti and Shiva within oneself and in the world. The specific rituals and practices conducted at Shyama Kail are varied and complex, and require the guidance of a guru, or a spiritual master, who initiates and instructs the disciple, or the shishya, in the secrets and techniques of Tantra. Some of the common rituals and practices are: Invoking Shyama Kail in a yantra, or a geometric diagram, or a mandala, or a circular diagram, that represents her form and attributes. The yantra or the mandala is drawn or engraved on a metal plate, a cloth, a paper, or a wall, and is worshipped with various offerings, such as flowers, fruits, grains, incense, lamps, and water. Chanting the mantras, or the sacred syllables, of Shyama Kail, that invoke her presence and power. The mantras are recited in a specific rhythm, tone, and pronunciation, and are accompanied by various gestures, such as mudras, or hand positions, and nyasas, or body placements. The mantras are also written or inscribed on various objects, such as beads, rings, amulets, or talismans, and are worn or carried by the devotees for protection and blessing. Meditating on the form, the name, the qualities, and the actions of Shyama Kail, and visualizing her in the heart, the mind, or the body of the devotee. The meditation is done with the help of the breath, the sound, the light, or the image of the goddess, and is aimed at attaining her grace, her vision, or her union. Performing the pujas, or the worship ceremonies, of Shyama Kail, that involve various steps, such as invocation, adoration, offering, prayer, and dismissal of Shyama Kail, that involve various steps, such as invocation, adoration, offering, prayer, and dismissal of the goddess. The pujas are performed in various ways, such as daily, weekly, monthly, or annually, and on various occasions, such as festivals, birthdays, anniversaries, or auspicious days. The pujas are also performed in various places, such as temples, shrines, homes, or public spaces. The pujas are also performed with various materials, such as flowers, fruits, grains, incense, lamps, water, milk, honey, ghee, wine, meat, or blood. Performing the homas, or the fire sacrifices, of Shyama Kail, that involve offering various substances, such as ghee, grains, herbs, or animal parts, into a sacred fire, while reciting the mantras of the goddess. The homas are done to invoke the presence and power of the goddess, and to seek her blessings for various purposes, such as health, wealth, success, protection, or liberation. The homas are also done to appease the wrath and the hunger of the goddess, and to prevent her from devouring the world. Performing the kavachas, or the armors, of Shyama Kail, that involve reciting or listening to the hymns or the verses that praise and glorify the goddess, and that act as a shield or a protection from various evils and dangers. The kavachas are also done to gain the favor and the grace of the goddess, and to attain various siddhis, or supernatural powers, such as clairvoyance, telepathy, levitation, or invisibility. Performing the sadhanas, or the spiritual practices, of Shyama Kail, that involve various disciplines, such as celibacy, fasting, austerity, charity, or service, that purify and prepare the body, the mind, and the soul of the devotee for the ultimate realization of the goddess. The sadhanas are also done to awaken and activate the kundalini, or the latent energy, that lies at the base of the spine, and to raise it through the chakras, or the energy centers, that are located along the spine, until it reaches the sahasrara, or the crown chakra, where it merges with the goddess. The symbolism and spiritual significance of these rituals are manifold and profound, as they represent the various aspects and stages of the relationship between the devotee and the goddess. They also represent the various levels and dimensions of reality, such as the physical, the mental, the emotional, the psychic, and the transcendental. They also represent the various methods and paths of Tantra, such as the right-hand path (dakshina marga), which is based on purity, morality, and devotion, and the left-hand path (vama marga), which is based on impurity, immorality, and transgression. They also represent the various goals and outcomes of Tantra, such as the worldly (bhukti), the heavenly (sukti), and the ultimate (mukti).