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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Complete swan collection Hilma af Klint// Colección cisnes completa Hilma af Klint
Swedish artist Hilma af Klint (1862 – 1944) was a true pioneer in abstract art, though her work was almost never seen outside her close circle during her lifetime. In her will, af Klint wrote that her works were not to be shown until twenty years after her death. She was convinced that her contemporaries were not ready to understand their meaning.
af Klint’s abstract paintings predate the first abstract works by Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich, male artists who are still regarded as the forerunners of twentieth-century abstract art.
af Klint’s powerful, groundbreaking, and striking oeuvre challenges the history of art as previously written. March is Women’s History Month, and quite fittingly, we’re kicking off with Hilma af Klint!
Image 1: Page spread: Left: Automatic drawing resembling handwritten note or scribble. Right: Black and white photograph of Hilma af Klint sitting on a chair.
Image 2: The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series, 1907
Image 3: Cat. 163. No 4, Series V, 1920.
Hilma af Klint : a pioneer of abstraction Edited by Iris Müller-Westermann, with Jo Widoff ; with contributions by David Lomas, Iris Müller-Westermann, Pascal Rousseau, Helmut Zander. Ostfildern : Hatje Cantz, [2013] 295 pages : illustrations (chiefly color) ; 28 cm. Moderna Museet exhibition catalogue ; no. 375, 0347-9196 English Klint, Hilma af, 1862-1944 [2013] HOLLIS number: 990139574170203941
Swan sequence by Hilma af Klint. I would like to know more. #hilmaafklint #duckcomics https://www.instagram.com/p/ChpRjR8Mlbk/?igshid=NGJjMDIxMWI=
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For Women's History Month, you can't do better than the science and spirit, mind and matter, micro and macro of 'Hilma af Klint: Paintings for the Future,' published by @guggenheim Curator Tracey Bashkoff describes af Klint's most important series, 'The Paintings for the Temple:' "The cycle focuses on the stages of life and humanity's connection to the universe. The mix of floral, geometric, and biomorphic forms with letters and inverted words creates a vocabulary of complex and shifting meanings, with which af Klint herself appears to have grappled. In these works a plant tendril may become a spiral, which in turn unfolds into a coiling line that then scribes a calligraphic letter—codes and words from an unknown language. Two pulsing orbs are, at the same time, microscopic eggs and intersecting solar systems. These forms continue to evade singular or stable interpretations—evolution, continuity, growth and progress all coexist with a return to the beginning of the oneness of the spirit. Science and spirit, mind and matter, the micro and the macro are simultaneously present." Read more about the book via linkinbio. Edited with text by Tracey Bashkoff. Contributions by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. #hilmaafklint #paintingsforthefuture #hilma #womenshistory #womenshistorymonth #abstraction #spiritualism https://www.instagram.com/p/CbNevJzua_N/?utm_medium=tumblr
“Strong Communities Make Police Obsolete, or, The End Of The World As We Know It” latex house paint, oil paint, and wax medium on canvas 4’x3’ 2019 inspired by Hilma af Klint
Hilma af Klint