Helen Mirren in Herostratus, 1967
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Helen Mirren in Herostratus, 1967

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July 21st
Herostratus (1967) // dir. Don Levy
"Let them call me what they wish, Brutus or Herostratus, I will not have them forget me."
Herostratus was a Greek man who burned down the second Temple of Artemis in Ephesus, allegedly to seek fame.
Brutus is both Lucius Junius Brutus, one of the founders of the Roman Republic, successfully overthrowing Tarquinius Superbus and Marcus Junius Brutus, the most famous of the assassins of Julius Caesar.
They represent the three possible outcomes after Lorenzo murders Alexander: either he will be accused of only seeking fame, and people won't recognize the political aim behind it, either he will succeed and people will recognize the political aim behind it but he will be deemed an assassin, fail to bring down the tyranny (Alexander will simply be replaced by another tyrant) and be loaded, or he will succeed in creating a movement that will bring back the Republic.
Lorenzo will fail to start a popular movement as he predicted, as Alexander will be replaced by his authoritarian cousin Cosimo de Medici. He is more like Brutus the Younger in the end.
Herostratus
Herostratus is a character from ancient Greece. History indicates that he burnt down the Temple of Artemus in Ephesus in order to become famous as the person who burnt down the Temple of Artemus in Ephesus.
I see parallels between Herostratus and Donald Trump. Trump wants to leave a legacy. All of this talk about invading Greenland or annexing Canada is, according to many reports, because he wants to go down in history as the president that added those territories to the US. His actions to slash regulatory agencies, law enforcement, environmental and other protections for American Citizens, and scientific research are so he can say he was the president that made all of those cuts. He doesn’t care about the damage he is doing to the country. He is not doing these things out of some deep seated philosophical belief. He doesn’t care about the suffering he causes, or the legality of his actions, only that he gets credit for it.
Much like Herostratus, Trump believes that being famous as a vandal is better than not being famous. Being remembered for destroying things is better than not being remembered. Trump knows he is old, not well, and soon to leave the stage. He knows his first term was an ignominious failure. He knows his time is limited and this is his last chance to leave a mark on history. Trump’s actions are not crazy or random, they are thought out and deliberate, deliberately evil. Having his name synonymous for subjecting the US to untold misery, and handing the title of Superpower to China, is better than being forgotten or marked in a footnote as the two bit con man he is. Trump knows what he is doing is harmful, and people will suffer because of it. But he also knows that going out in a blaze of destruction will anchor his name in history. We remember Caligula and Nero. Who other than scholars remember Claudius or Domitian.
Even Quisling is still remembered.

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Herostratus (1967) dir. Don Levy
Herostratus, 1967, Don Levy