Apr 18
Dongchuan district, 2019
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Dongchuan district, 2019
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Kampot, with mama yak and baby yak, Ritoma, Gannan Tibetan Autonomous Région, 2023
Inner Mongolia, China
A herdsman tames horses on snow-covered grassland in East Ujimqin Banner of Xilin Gol League, north China’s Inner Mongolia Autonomous Region.
Photograph: Xinhua/REX/Shutterstock
Pallas Athena and the Herdsman's Dogs by Briton Rivière
Then drew she nigh, in shape a stately dame,
Graced with all noble gifts of womanhood:
None save Odysseus saw her; for to few
Of mortal birth the gods reveal themselves.
But the dogs knew her coming, and with whine
And whimpering crouched aloof.
Fritz Erler (German, 1868-1940), Viehhirte [Cowherd]. Oil on canvas, 95 x 96 cm.
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Mercury and Argus
Artist: Jacob Jordaens (Flemish, 1593-1678)
Date: c. 1635-1640
Medium: Oil on wood panel
Collection: National Gallery of Victoria, Melbourne, Australia
Description
In 1620 Jordaens first painted Ovid’s mythological story of Mercury and Argus, a tale of the god Jupiter’s transformation of his nymph conquest, Io, into a white heifer. In jealousy Jupiter’s wife Juno sent Argus, disguised as a herdsman, to watch Io, but was foiled when Jupiter dispatched Mercury to lull Argus to sleep and decapitate him. The painting, now in the Musée des Beaux-Arts, Lyon, displayed Jordaen’s flamboyant use of colour, lighting and fluid countour. It was so well-known that Jean-Antoine Watteau reproduced it in his 1721 sign for the Paris picture dealer Gersaint. Fifteen years later Jordaens, by then a leading Flemish painter, produced this smaller replica.
Inner Mongolia, China
A herdsman tames horses on snow-covered grassland in East Ujimqin Banner of Xilin Gol League, north China’s Inner Mongolia Autonomous Region.
Photograph: Xinhua/REX/Shutterstock
The return of the flock, Laren by Anton Mauve