Miranda
Artist: Anthony Frederick Augustus Sandys (British, 1829-1904)
Date: 1868
Medium: Oil on panel
Collection: Private Collection

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Miranda
Artist: Anthony Frederick Augustus Sandys (British, 1829-1904)
Date: 1868
Medium: Oil on panel
Collection: Private Collection

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Morgan Le Fay's green red dress & headpiece in Excalibur
mag agent U-1E7
Industry
Artist: Platt Powell Ryder (American, 1821–1896)
Date: c. 1870's
Medium: Oil on canvas
Collection: Saint Louis Art Museum, Saint Louis, MO, United States
Torquato Tasso and the Two Leonores
Artist: Karl Ferdinand Sohn (German, 1805–1867)
Date: 1839
Medium: Oil on canvas
Collection: Museum Kunstpalast, Düsseldorf, Germany
Depicted People:
Torquato Tasso
Eleonora d'Este
Leonora Sanvitale

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Luisa Fernanda de Borbón , Duchess of Montpensier
Artist: Anonymous; After Franz Xaver Winterhalter (German, 1805-1873)
Date: 19th century
Medium: Oil on carboard
Collection: Museo Nacional del Prado, Madrid, Spain
Infanta Luisa Fernanda of Spain
Infanta María Luisa Fernanda of Spain, Duchess of Montpensier (1832 – 1897) was the younger daughter of King Ferdinand VII and Queen Maria Christina of Spain.
During the reign of her elder sister Quen Isabella II, Luisa Fernanda was heir presumptive to the Spanish throne from 1833 until 1851. She became Duchess of Montpensier by her 1846 marriage to her first cousin once removed, Prince Antoine, Duke of Montpensier.
The Nymph Salmacis and Hermaphrodite
Artist: François-Joseph Navez (Belgian, 1787-1869)
Date: 1829
Medium: Oil on canvas
Collection: Museum of Fine Arts, Ghent, Belgium
Description
The story of Salmacis and Hermaphroditus is a chapter in Ovid’s Metamorphoses. The nymph Salmacis fell in love with Hermaphroditus, Hermes and Aphrodite’s son. Hermaphroditus rejected her but Salmacis managed to outwit him in the water. Yet again Hermaphroditus rejected her, so Salmacis prayed to the gods that she would be united with him until the end of time. They fused into a hermaphroditic creature, with male and female characteristics.
François-Joseph Navez depicts the nymph and the object of her affection just before the metamorphosis. Hermaphroditus’s reticent gesture and the passionate embrace by the infatuated nymph constitute an ingenious and elegant ballet in an almost abstract play of lines.