at a silt verses relisten kind of point in my life and wanted to make a formal lineup for the cast since the last time I took a crack at it most of season 3 wasn't actually out. behold some of my favorite fictional characters of all time

#batman#dc comics#dc#bruce wayne#dick grayson#batfam#tim drake#batfamily#dc fanart




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at a silt verses relisten kind of point in my life and wanted to make a formal lineup for the cast since the last time I took a crack at it most of season 3 wasn't actually out. behold some of my favorite fictional characters of all time

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You gotta find pleasure in the little things if you’re gonna get through the day.
Dónal Finn as Thomas Hayward
N Evergreen Avenue, Hayward, Wisconsin.
the Big Four S3 designs! In honour of me finally listening to the final Q&A. Lovely apartament cleaning entertainment, 10/10

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she regrets she ressurected him every day
I'm actually deeply obsessed with the tiny little anecdote Hayward tells about the god Henge and it makes me insane again every time I remember it.
You know the best god I ever met - they called him Henge. He haunted a village up north. He didn’t ask much of you. He liked keepsakes. Things that were no longer useful. Maybe you had a ring you didn’t want to wear any more because it hurt too much. Or you had a key that you weren’t going to use for a very long time, but you wanted to be able to find it again when you did. Or maybe your kid would be born with their eyes and throat shut tight and you didn’t know how to move on. You’d wrap your keepsake in green cotton, and you’d bury under a pile of pebbles in a place only you knew. And you’d make the prayer-marks so that Henge would know just what was being offered. And then one day, years later, when you were ready to pick up whatever you’d left behind but perhaps you didn’t even know it yet yourself, you’d turn and look outside your window, and the ring would be hanging from a tree-branch outside. The key would be resting on your sill. There’d be a newborn child, wrapped in green cotton, resting upon your doorstep. I never understood what Henge wanted with that stuff, but I understood the appeal of going through it. How nice it was to feel that someone had stopped to pick up the things you needed to drop.
The image about the stillborn child just stops me cold like. A child you loved and wanted and is born dead and you can't just part with, can't just accept it, can't find the way to put the work into the funeral and have them gone, forever, to nothing.
That you could put the child down and Henge will just... pick them up. Not save them. Not change what happened. Just give you time to step away. To not need to say "goodbye" to the child yet. To not have to deal, just yet. Just that one day, in the future, when you're ready, whenever that may be, the child would be back on your step for you to bury...
Hayward plays down the ring in his example of just hurting too much but, he plays down the kid too. Is that ring of your dead spouse? A dead family member? What kind of key do you need out of your possession until you're ready - or, Hayward, is this honestly just a strategy to keep something where you yourself can't lose it...? Can it be that simple?
I'm insane about Henge. I'm insane about putting a thing down temporarily, and having a god which will hold it while you can't.
Florence + the Machine: Sympathy Magic // The Silt Verses, Chapter 45: Of Love, And Gods' Defeat (Part Two)