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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Drac from HARD TIMES. Use the hashtag for more photos of this varrio.
ššŹŹšŠ¾š¦š šŠ¾ ššš«į«iš¬, a new country between croatia and Serbia along the Danube river.
40 years ago
Glenn Danzig and Henry Rollins, Hard Times Zine, October 1984
2025-09-03

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i wrote two essays about how preacherās daughter impacted my life for someoneās school study (while i was š) and there was so much oversharing (because itās anonymous & iām unstoppable) so i want to post them here to feel better
To properly describe the way Preacherās Daughter has been imprinted into my heart, I can only begin by explaining the things that Iāve experienced in my lifetime that Haydenās music has immensely helped me grieve and process. To give you the rundown on who I am, Iām a gay, neurodivergent, and ex-Christian teenage boy, who was raised in an Evangelical Christian family in absolutely-nowhere, Florida. The dots connect themselves, but nothing has ever encapsulated this niche of my life like Haydenās work on Preacherās Daughter has. The first time I resonated with her music was just last autumn, when I had left my home to live with my father. I was fighting with my mother, to the point of severe mental dysfunction, and I had listened to Family Tree (Intro) for the first time. Hayden sings, āJesus can always reject his fatherā but he cannot escape his motherās bloodā. I was left in complete awe. I had found an album that would change my life, with songs that would help me to put my experiences into words as haunting as my memories.
Not to mention, the storytelling of Ethelās life is outstanding. The complexity of an album about parent failures and unreliable narratives and religious trauma woven into a twisted story of a young girl groomed into carnage is unmatched. Ethel Cain is brought to life and portrayed so personally that a listener canāt help but relate to her. Of course, not *every* listener is going to relate, as there is still extremely sensitive subject matter, which Hayden worked on with an impressive amount of respect and nuance.
I think one of the most underrated songs on the album is Hard Times. Not only is it a vulnerable look into the troubles of Ethel Cain, but itās a relatable highlight to a core childhood wound of hers. Something about the acoustic strumming and Haydenās strong humming feels like the burning pain of missing the āgoodā version of somebody. While there are multiple people this song has helped me grieve, Iāll talk about how I can relate to Ethel herself. As I previously mentioned, I lived with my father for a couple months. For most of my life, I strongly disliked my father. On my middle school graduation day, years ago, he had told me that he knew I was gay, and that he accepted and supported me. My entire relationship with him changed. Over 2 years later, I moved in with him, he became him again, and it wasnāt meant to be. Iām safe, and Iāve moved, but ever since I left Iāve had this burning sense of infancy that comes and goesāremembering what it felt like to hate my father during my childhood.
As one does, I grieve through music. Hayden sings, āIām tired of you, still tied to meā, in a way that grasps my heart like the unbudging tether between father and child. She disappears into character and the song turns into another teenager my age, singing words we both know by heart.
that was the essay about the album in generalā¦kind of just like a part 1 though.
this next essay is about televangelism but ties off the responses as a pair as well
Televangelism. With 11/13 tracks of an album packed with haunting lyrics like āFreezer bride, your sweet divine / You devour like smoked bovine hide / How funny, I never considered myself toughā (Strangers), & āDonāt worry ābout it too hard or youāll never sleep a wink at night again / Donāt worry ābout me and these green eyes / Mama just know that I love you / Iāll see you when you get hereā (also Strangers), itās shocking to say Iām going with an instrumental track. . There is just something so deeply somatic about Haydenās music. I can recall in my darkest moments in my time living at my fatherās, laying in my bed with my headphones on listening to Televangelism, disassociating to the lights on my ceiling. I remember, it was a lot colder because my bedroom was in the garage and it was the middle of winter. I liked it cold, though. I would put on my headphones and listen to Televangelism on loop, feeling the warmth of Ethelās ascension to Heaven fill my ears and radiate down my spine. It was escapism, survival even. It took my mind off of where I was and reminded me there was better days ahead.
To fully communicate the extent of Televangelismās impact on me, I want to be very vulnerable about some of the things I have went through. If religious trauma is a sensitive subject I apologize in advance.
I grew up having nearly-daily panic attacks because of the things I had been taught about the Christian God. From 9 years old up to around this time last year, I would go in and out of having major panic attacks about going to hell or being left behind in the rapture. After the resolution of a religious psychosis episode in summer of last year, I had discovered information that had broken the hold that the Christian religion had on me, and I began to heal from my religious trauma.
While āPreacherās Daughterā as a whole has played a role in my healing process, Televangelism stands out above all tracks. A song composed so beautifully it mimics the sensation of ascending to Heaven, signifying the end of Ethel Cainās suffering on Earth. It is identical to the feeling of being without extreme fear and anxiety that I discovered for the first time last year. Every time I listen to Televangelism, I get to remember how it felt to discover that my existential worst fear was made up all over again. It was bliss. It was grief. It was heartbreaking, and it was life-changing. This album, while thematically centered around death, symbolizes the magnificence of creation, and how awesome it is to have the ability to bring the story of a character like Ethel Cain to life. I believe that if there is a God out there, āPreacherās Daughterā was the apology for everything Iāve ever had to grow through.
okay thank you i hope nobody sees this
Thank you to some generous donation i was able to pay off the second installment of 244.84 to the vet who helped me ans my kids go through euthanizing my baby girl Blanca so she wouldn't have to suffer anymore..
My 6 year old has been having a tougher time so I got a picture printed and put on his wall with Blanca's collar beside it ā¤ļø
I'm trying the best I can to keep up with the kids and rent and everything on my own.
I have one more installment of $244.84 to pay to the vet and I would really really appreciate any help with this... it would really help take some stress off of me...
I would be so grateful
https://gofund.me/61b76b70
The Mysterious Case of the Disney Mystery Bag and My Current Identity Crisis
So, my mom once told me I ādonāt have anger issues.ā This is a lie. A cruel, misleading, false statement. Let me explain.
I bought three Disney mystery bags (yes, the ones where you never get the character you want, always a tragic twist), one for me and one for each of my little brothers. I was super excited. Like, genuinely hyped. Finally, a little dose of joy in the form of a weird plastic figure I can throw in a drawer until I forget about itāclassic me. Anyway, I open my bag, and I get Goofy. So Iām thinking, alright, fine. Not the dream, but whatever.
Then my younger bro gets Edna Mode. And I'm like, okay, not bad, sheās iconic, I get it. But alsoāNO. Because I wanted Edna. So, I asked my little bro if heād like to trade. He said, āNo.ā And let me tell you, that is when something in me snapped.
I got angry, I threw the toy on the floor (very dramatic, very effective), stormed away, and now I'm currently sitting in my car. Alone. Having just inhaled the donut that was meant for him. Yeah, I said it. A donut. It was blue, with white sprinkles, and it was meant for him... but I ate it. In less than 30 seconds. I don't know what happened. One second it was in my hands, the next, it was gone. And now, heās going to find out there was a donut and I ate it, but he doesnāt even know it existed.
He doesnāt even know who Edna Mode is! But Iām sitting here, full of regret, wondering why I threw my toy on the floor and why I shoved a donut into my mouth with the ferocity of someone who just got betrayed by Goofy.
But hey, Iām self-reflecting, right? This is growth. Paramore is on, I'm listening to āHard Times,ā and Iām thinking, āYeah, lifeās hard. But at least Iām becoming self-aware.āSo to sum up:I wonāt ever touch Goofy again.
Iām not telling my mom because sheāll take away my phone and ground me forever (I know, Iām 21, but Iām still a child in her eyes).Iām going to eat my second brotherās donut later (he also got Goofy, which... makes me wonder if Goofy is just my nemesis at this point).And finally, Hard Times and me? Weāre one now.
Also, I got the "Heroes of Olympus" at the flea market today, and Iām LOVING it. Leo Valdez and Festus on the cover? YES. Leoās basically me, if I didnāt have anger issues and a deep-seated book addiction. But honestly, Leo might have anger issues too, now that I think about it... He just hides it better.