Gullah-Geechee dancer's clothes, United States of America, by St. Johns Cultural Council
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Gullah-Geechee dancer's clothes, United States of America, by St. Johns Cultural Council

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Black Americans aren’t being “selfish” , “exclusive” , or "divisive" when they protect Hoodoo—they are safeguarding something sacred. Hoodoo isn’t just a practice; it’s a survival technology, a cultural inheritance, and often, a final refuge for a people who had nearly everything else stripped from them.
Hoodoo was criminalized for centuries. Practitioners risked beatings, lynchings, prison, or the death of their entire family/friends (due to fear of it's preservation).
White academics, witches, and influencers have profited off of it without honoring the lineage or people.
Arab, European, and sometimes even African religious communities contributed to erasing its legitimacy or labeled it “evil” or “low.”
So now? It’s protected like a last remaining sacred language.
Because it is.
Gatekeeping is necessary.
A NEW TWIST ON THE OLD SLAVE STORY
This time of year, we hear a lot about the Transatlantic Slave Trade, but the "official" history usually leaves out the expertise they were stealing.
🇸🇱 Bunce Island wasn't just a fort; it was a filter for skilled labour. These weren't just "bodies"—they were the experts who built the American rice industry. As the physical ruins decay, 2026 digital preservation projects are finally showing us the terrifying reality of what was hidden 20 miles upriver. It was worse than you think.
Daughters of the Dust (1991)
Sweetgrass Basket Weaving is a tradition and part of the Gullah Geechee Culture. 🖤✊🏾
"Sweetgrass Hand" Cards available at Sunflower's Muse.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So I've made a graphic novel and I'm trying to publish on webtoon. Still learning how all this works but I'd like to get more eyes on it if possible.
It touches on all kinds of themes surrounding the Gullah Geechee culture and folklore, anti-colonization, native land, southern mythology, and a personal journey of learning self authenticity. A young conjurer and clairvoyant must solve a mystery of a vengeful spirit and his wrongful death 400 years ago so they can restore order to their natural world. If you're interested in Black history, American history, supernatural, and fantasy themes, you may enjoy it.
It releases bi weekly but I'm hoping to do it weekly once I graduate with my bachelor's.
And while you're here, consider donating to families in Palestine to help them survive this so-called ceasefire. Times are hard so if you don't have the means, share the vetted link. They still need us.
Dear Esteemed Donors, My name is Ahmad, and I am a 16-year-old from northern Gaza… Ahmad family needs your support for Support Ahmad’s Fami
Here's the webtoon.
Olivia Jones had her life planned down to the minute-- graduate valedictorian, a full ride to Howard University, internships, volunteer serv
Hoodoo is reclamation—
not borrowed, not begged,
but remembered.
It is the quiet return
of names buried in saltwater,
of drumbeats pressed into red clay,
of prayers whispered over washboards
and carried in aprons heavy with roots.
It is hands in the soil
calling back what chains tried to scatter.
It is fire cupped in brown palms,
lighted from ancestor to child,
never extinguished—only hidden.
Hoodoo is the taking back:
of story, of spirit, of sacred ground.
A remembering so deep
the earth itself says,
Welcome home.
Gullah Geechee Miku