Here is a digitalized page from my second grimoire, The Gold Grimoire. The top section is a depiction of the gestures involved in casting. The middle left quadrant is how to program the energetic field. The bottom left quadrant depicts the sigils used in the casting, which are stated to be drawn energetically. The bottom right quadrant depicts delta;s such as: the incantation, the most important elements of the spell, like the cardinal directions, and a circle that shows how the body’s stance evolves throughout the spell.
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Designing Spells, a how-to guide for every level of experience and discretion: Threshold Theory
Suggested Reading
*-Highly recommended
Threshold Theory*
Path of Least Resistance*
Anchors*
What is Witchcraft?*
Basic Energy Work
Conceptualization Vs. Visualization
Spell Dictation*
Spellcasting Basics*
Basic spell components:
All spells have a few components that are absolutely necessary for potent results. It is going to be assumed that physical and/or energetic work was done to actually prepare and cast the spell.
In order to cast a spell, one needs to be in a space of mind that facilitates the spell working. We often refer to this as ‘Headspace”, this assists one to be more focused. This can be the most difficult aspect of spellworking for some practitioners. The mind needs to be honed in on the spell, the energies, spirits, and intentions involved. This headspace exists to channel the practitioner's focus on the task at hand. This combination of headspace and focus is referred to as a state of gnosis.
Secondly, one would need to have passion, an emotional state that is used to fuel the spell.
Lastly, one needs to have an Intention for a spell. This is the most discussed aspect of spell casting, but is also the most misunderstood. Intention is not to be confused with desire. Intent is a personal truth, something that cannot be lied to. It is possible to cast a spell without one of these three components, however the spell most likely will not be as potent as if one did. You totally can cast spells based on desire and not intent, but validating the spell may be difficult or it may have varied results.
Too read about how to record your spells accurately, check out this post.
Correspondences, Tools, & External resources:
When looking through the internet or other informational resources and/or guides on witchcraft, you’ll probably notice that a few things tend to be regularly occurring:
1. That though a lot of practitioners may say that tools and correspondences aren’t necessary, a vast majority of sources and guides include and/or require correspondences and/or physical tools.
2. The correspondences used in each source are only as common as the dominant source for those correspondences within that specific tradition. For some, those sources are books, and for others they are the first result on a Google search.
When it comes to Tools used to perform magic, there are a few things that must be kept in mind. Some tools are culture/tradition specific and it would be disrespectful for you to use them, which may or may not have spiritual consequences. Many tools are used to accomplish the same ends. For example, wands and athames are used for very similar purposes, the casting and/or projection of energies within a specific space- typically when sanctifying an object or opening/closing a space for a working. If you decide to use a tool for your practice, please be sure that you understand the cultural ramifications of doing so within a spiritual space.
When it comes to Correspondences, there are a plethora of sources that may appear to have contradicting data. This is because they stem from various traditions and sources. This occurs because correspondences are 100% subjective. However, if you practice within a specific tradition or culture, then you are expected to follow the correspondences of that practice. This can be incredibly powerful because people have been building on those ideas and connections for lifetimes.
IF you aren’t a part of a preexisting tradition ask yourself what you feel you should use. Magic can be a very personal and intimate experience. Don’t be afraid to create your own correspondences. Furthermore, don’t be afraid to invent your own tools- but be sure to do so as if it were a sacred act. Magical tools aren’t something that should be thrown together thoughtlessly and then treated like pencils or hair ties, they should be created and treated as what they are: a medium for your magic. They should be planned and made with materials that you deem appropriate. The should be stored as if they were fragile or put on display on an altar. If you’re not open about your practice, this aspect may be challenging to hide.
Types of spells:
In my experience, there are seven types of spells. Please bear in mind that these are by no means finite boundaries for spellwork to exist within, just an acknowledgement of trends.
Altar Spells: Spells that require not only tools and correspondences, but also require a ritual or ceremony in order to cast it. Often, these spells utilize candles and crystals, prayers and symbology, and may even go as far to actually require an altar.
Glamours: These spells more often than not, require only symbols and energy. They are use to altar the perceptions of whatever they’re placed on, whether targeting other or yourself.
Divination: Spells used to heighten your intuition. A lot of practitioners don’t view divinations as being spellwork, but a good diviner uses all three of the basic components of spellwork for their readings.
Psychological Spells: These are spells put on yourself to altar your own mind by manipulating your own subconscious. These spells are performed often through repetitive action and subliminal messaging through turn of phrase of symbology.
Energetic Spells: These spells require only the energies of yourself and/or beings and objects around you. Most energetic spells that are easy to find on the internet are very small spells, typically aimed at small scale manifestation. However, with enough practice and intuition, Energetic Spells can do anything that any other spell type can achieve.
Astral Spells: These are spells that require being in an Astral form or even on the Astral Plane. They are very similar to Energetic spells but they require even less. However, due to the nature of the Astral, maintaining the basic components of spellwork while in this form can be very challenging.
Spirit Spells: These are spells that either use spirits as the medium for the spell to travel through, or employ a spirit to do the spell work for you entirely. Like energetic spells, this type of spell can achieve anything that all the others can if given enough experience and practice.
Spell dictation: Whether it be for recording a spell that you have already cast or recording how to perform a spell you have only just thought of, the way you choose to record your spellwork with have a massive impact on your craft as a whole.
The importance of record keeping:
When performing spells, it is imperative to keep a record of the exact spell process and results. By doing this you’ll be able to keep track of successful spells and those that aren’t. Then it becomes easy to home in on effective spell processes.keeping a record also makes it a lot easier to undo spells that take an undesired turn. I recommend having a dedicated book or Google drive folder to record your spells.
Spell Design Process:
All spells can be thought of as a combination of Thresholds, Nodes, Intent, Focus, and Passion. (And an action)
Without any of these a spell will not function as intended or would not work at all.
Nodes are things like correspondences. They are individual concepts that are connected to form a complete web, or Threshold, for the spell to travel through. Correspondences need not be only for the physical objects involved. They can be as simple as word association or a memory.
Start creating a spell:
1: Decide on a goal, what you wish the spell to accomplish. It is important that your spell takes the path of least resistance in order to have the highest chance at success
2: Create or find correspondences and concepts to create your nodes from and then find how they can be connected. This can be done mentally or by using nodes that are associated with each other.
3: Get all your tools and sympathetic representations together, if you decide to use them. If not, skip to 4.
4: Decide what is the best headspace to be in for casting the spell. It is important to record this as well.
5: Find what is the best emotion to fuel the spell and record that as well.
6: Figure out what energetic programming you wish to use and record that. Do this as best you can, I do realize that the current energetic model definitely leaves a ton to be desired.
7: If you wish to involve spirits, be sure to commune with them beforehand if necessary. And be sure to keep record of the conditions that are reached and which entities you involve.
8: Compile your spell into a single process.
9: Cast and record results.
Be sure to do as much research into your target as possible. Like if you’re casting a spell onto the brain of another person, it would be wise to know their medical history or there could be unwanted side effects.
Discrete Spells and Practices:
The best way to keep your spell work private is to forgo your physical tools and sympathetic representations. This can be achieved by relying on spirit work or energy work.
If you wish to keep the physical aspects of the craft and the way you keep records, I recommend having a small discrete bag to hold your tools and such and coming up with a transcription orthography to write with. This can be either a personal alphabet or a simple encryption like a caesar cipher. A lot of discrete practitioners cannot use candles or burn, in order to get around this you can have ashes as your fire representation and draw things you would burn in water soluble inks. You can also draw Sigils using invisible inks as well.
Networking and How to Talk About Spells:
When discussing witchcraft, it is of the utmost importance to first establish personal semantic meaning. Since witchcraft is a multicultural and multilingual phenomenon, the words used to discuss it vary wildly. This is why I take the time to define my terms.
Once the baseline of semantics has been discussed, it is safe to proceed with discussions about magic. It would be easier to start with practitioners who have a similar practice. But I recommend connecting with anyone who is willing to have fair, free and, open discussions. Remain aware of the nuances of culture as to avoid taking and using what is not meant for you.
Validating Spells:
when recording spells, be sure to note the date and time of casting and have a timeframe in which you would expect a given result. Once the timeline runs its course take any notes of what might be pertinent.
If the spell is continuous, be sure to make note of the situation beforehand so that as time passes you can make notes of relative change.
Sometimes spells don’t work and that’s okay. That just means you need to reassess the working and try again.
Troubleshooting Spells:
If a spell effects more than what was desired, you likely weren’t focused enough or your nodes weren’t connected thoroughly.
If a spell worked but wasn’t to the desired intensity, you likely didn’t fuel it with enough passion during the casting.
If a spell didn’t work at all, it could be that it didn’t take the path of least resistance or you were missing a crucial element. As an example, it is more effective to cast a spell for your employer/client to notice your hard work than it would be to cast one to get a raise.
As you adjust aspects of your working, you’ll be honing it to perfection. Keep track of your changes and overall processes.
If you have any questions, want to know about my blog, commission a Sigil, commission a magical script, suggest content, get a divination reading, or see a list of my planned and published content click here.
In order to use fate strings in magic you have to be able to obtain them. The way I obtain them is by astral projecting a single arm (typically my dominant one) which is then used to reach into the throat of my subtle body and down near my well-source. All strings of fate connected to your person will be attached to your well-source. Upon grabbing the strings you don’t want to pull with a lot of force, but rather gently and slowly so that you don’t damage them in anyway. Once they are outside of you and you have all of them in your hands you can either use all of them for working or you can find the specific one that you’re after; or even a specific set. Whenever I go to cast using fate strings, I have two methods; one method destroys the fate string, entirely consuming it after the spell has been cast. The way this works is to knot the energy within that string and then fill the string with energy so that it pushes that knot down the conduit. Then, after the spell has been sent down the conduit, cut it and that causes the string to consume itself in order to correct the knot.
The other method involves casting a spell like normal, except instead of sending it through a tag lock or through a portal or through anything of that nature or even rather aimlessly into the sky, I use the feet string as the conduit for the spell to travel down the only reason I would use the first method is if I do not want the spell to be returned the second method though is the most common usage for me.
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Greetings, I'm Grey—an autistic, disabled, queer, non-binary (Agender) anarcho-socialist. I also grapple with mental illness. As an autistic person, I often struggle to explain concepts and processes in a casual or non-academic manner. Consequently, my content can come across as insulting or challenging to digest. To assist me in improving, I have started using ChatGPT. I kindly request that you take the time to read my content before forming any conclusions about me. Additionally, I encourage you to engage in conversation with me. This post may expand over time, but let's hope it doesn't become more obnoxious than it already is.
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It is important to note that I do not align with ceremonial magic, chaos magic, Wicca, or any other formal tradition. My practice is entirely my own, rooted in Curanderismo and Mexica tradition. However, I rarely discuss my own craft, and when I do, it will be explicitly evident.
This blog is a compilation of the knowledge and experiences I have gained, including discussions with practitioners from various traditions. I do not reference magical texts as they are often non-secular and lacking in substance. Therefore, I will not recommend any magical texts to anyone for this reason.
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The goal of my content is to foster critical thinking in approaching witchcraft.
With the exception of specified instances, I do not blog about my personal beliefs or practice. Instead, I focus on magical theory.
Remember, just because there is no "One True Way" doesn't mean all practices are effective.
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I do not blog about my personal beliefs or practice (unless stated), but magical theory. Just because there is no “One True Way,” doesn’t mean that all practices work. I include large links and text in my posts for reasons of accessibility.
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Please note that everything contained in this post is based on my own experiences and have been tested and reviewed by peers.
If you think you’re ready to pursue the content of this post, you should be able to do the following:
• Single-Point & Full-Body Astral travel
• Astral Travel without needing to be in a meditative state
• Accurately sense your environment while Astral Traveling
If none of these are true for you, I recommend checking out my Basics of Astral Travel article here.
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Content:
• Energetic Fields
• The Astral Plane
• Dreamwalking
• Crossing Dimensions
• Multi-consciousness Astral Projection
• Energy-Work
• Astral Weapons
• Thoughtforms
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Energetic Fields are the result of mystical and physical phenomena. The human body contains two predominant fields. The first and largest is produced by the human heart because of iron-rich hemoglobin being bumped through ventricles. The complexity of this field is due to the neurological processes that occur in the intracardiac nervous system, or the neurons in the heart; which are responsible for the majority of the heart’s functionality. The second field is produced by the brain. This field is the result of a conglomeration of millions of neurons firing, which individually release minute pulses of electro-magnetic radiation. These fields can be programmed and manipulated through energy work and states of gnosis for use in esoteric and magical practices.
The Astral Plane is infinite, and yet is inherently part of the reality that we occupy. Think of it as a three dimensional film that exists in the space between everything.
This place lays between our cognitive reality and the world of dreams. Which is why you can access both aspects of our dimension via the astral. The natural laws of physics are only partially apparent in this realm. Whereas in the dream world they break down completely- if desired.
In the Astral Plane, the Conscious mind holds all the power of manifestation. Whatever you create becomes a finite aspect of that reality; However, due to the expansive nature of this place it is unlikely to come across or find anyone else or their creations. The astral is desolate in appearance, this is due to its quasi reflection of our reality. Furthermore, this plane, even with thoroughly developed astral senses, has no light, darkness, air/wind, plants/biological-life, or most things we might expect when entering.
Spirits exist in all of three aspects of our dimension simultaneously. In cognitive reality, their forms are not corporeal, rather they are more vibe-like. In the Astral, their forms are more likely to appear tangible. If you come across a spirit in our cognitive reality and wish to see that spirit in a more corporeal form, astral travel to where they are and then enter the Astral Plane in that corresponding location.
Spirits and other entities do not typically show any tendencies towards social organization or community within the Astral Plane. They are commonly seen in isolation or, rather infrequently, with one or two other spirits. Gatherings of many spirits or the forming of townships of any kind never happens. Spirits aren’t always trustworthy and can be hostile and/or violent, both towards us and each other. Thus, we have Astral Weapons. Be sure you create Astral Weapons before exploring too deeply in the Astral Plane. You have to be able to protect your Well-Source. Otherwise you could easily bring something into your body when you return.
Dreamwalking chemical assistance (drugs, alcohol, herbal remedies, etc)
is a common practice in several different cultures and practices. The term comes from the aborigines, but the Mexica, Toltec, and Maya had their own term for it- which translates to mean Sun-kissed in English. The Cherokee also had Dreamwalkers- often, they were considered people with two spirits/souls and are considered with revenance, as they are often healers and medicine people. This practice is not one culturally protected, but is a matter of energetic anatomy.
Dreamwalking is similar to vivid dreaming. On the surface, it’s a practice of sharing a dream with one or more other people. Either entering their dreams or pulling them into your own while remaining completely lucid. Some people Dreamwalk without even much effort, and some have to try very hard and must practice for years before being able to do it. Some may only be able to do it unintentionally. Those who can dreamwalk generally have an easier time with Astral Projection, since one is essentially Astral Traveling when Dreamwalking. The main difference is that Dreamwalkers cross through the Astral Plane into the dream world. This act is not easily accomplished, but for Dreamwalkers an instinct. The other key difference is that when Dreamwalking, the walker’s astral form is non-corporeal unless the dream, and/or the walker, demands it. There is a downside to Dreamwalking, however; If you choose to dreamwalk rather than dream regularly, you will likely awaken feeling as though you didn’t sleep. You may be tired, unrested, irritable. You may even become more susceptible to illness over time if not practiced in moderation.
Dreamwalking is extremely difficult to start doing but, like most things, it becomes easier the more you succeed in doing it. The process of Dreamwalking starts out very similar to that of lucid dreaming.
Before you lie down to sleep, do a meditation on what your dream will be like. Create a sight or a sound of it in your mind. Be sure to choose something that is important to your core-being, something that you’re not likely to forget. The experience of the sight or sounds should be either something to do with your body or something that regularly occurs within your dreams. Then make that idea so powerful that it seeps into your dreaming mind. The idea of this practice is to create an alert to your dreaming mind that signals to itself that it is dreaming, thus causing a lucid dream. There are several ways one can lucid dream- do some research and find one that works for you. If you find one you like- feel free to reblog this and share it in your comment, link or otherwise. Once you can lucid dream, having conscious control over your own dream state, you’re ready to begin trying to move into another person’s dream. There are some social and ethical boundaries to doing so, and you may cross a few lines. Remain weary, you could learn some things about people that you would have never wanted to know.
Dreams take place in a realm that is just past the plane of the astral. There is a slight difference in resonance; though, because of this it is best to try to enter the dreams of someone who you know very well. I’d both recommend asking permission beforehand or not asking permission at all. Both have their benefits and risks. Not asking permission will help get a stronger sense of success. (I.E. having them tell you about their dream to see if they noticed you in their dreams. But they may also feel exposed or violated.) However, telling them may create a false negative when it comes to comparing dreams because of confirmation bias.
To enter another’s dream, you must first be lucid dreaming within your own, or Dreamwalking in the corporeal/astral planes. Then, create a finite barrier that separates this space from the expanse of the astral plane. Approach this barrier and slowly phase yourself through it.
Once in the astral realm, time is far more fluid so take your time. Once you’re ready, begin thinking of the person who’s dream you’d like to enter. Think of their aura, vibe, way of thinking, their favorite things; any and all things that help you create an exact idea of them. Then, imagine the setting that their dream would likely take place in. Try to phase yourself into that place. If the person can also lucid dream, this process would be much easier.
Dreamwalkers are also prone to possessing or easily obtaining certain psychic abilities. Those who are born with Dreamwalking instincts will likely possess more than half of these abilities and realize those before they realize they’re a Dreamwalker. Abilities that Dreamwalkers either have or can easily develop include:
• Clairvoyance
• Clairaudience
• Extreme empathy (Psychic)
• Possession (entering the minds of animals, or other people, even spirits.)
• Day-Dreamwalking (Dreamwalking while daydreaming)
• Telepathy
• Waking astral-travel (being able to astral travel without being in a relaxed state.)
• Divination prowess
• The sight (being able to see spirits and even communicate with them)
• Enhanced energy-work.
Further signs of a Natural Dreamwalker include:
• Existential dread experienced at a very young age (having thoughts of being unable to prove your own existence around the age of 3-5 years old)
• One or multiple extremely heightened psychic abilities.
• Persistent prophetic dreams
• Regularly occurring lucid dreams
• Accidental Dreamwalking.
• An affinity for multi-conscious astral projection (splitting your awareness into several independent bodies simultaneously)
• Powerful manifestation abilities
• Accidental possession.
• Being able to program your aura
Crossing Dimensions is not easy, even for natural born Dreamwalkers. It is also dangerous. When someone crosses into a different dimension, even with astral senses, they’re ability to perceive is severely hindered because the laws of physics are congruent but compounded within each new axis of space compared to what we are accustomed to.
Crossing dimensions is useful for bypassing wards, creating complex energetic structures, complete energetic healing of the subtle body, and time magic. It also requires a pretty thorough understanding of dense topological concepts- which require a decent understanding of mathematics and physics to learn.
Multi-Conscious Astral Projection is the act of creating and maintaining several astral forms simultaneously. This means that you will also perceive what they perceive simultaneously as well. I recommend taking a mild analgesic before trying it your first time. (It may cause a headache)
In order to do this, you have to allocate Well-Source energy into two pieces. Then imagine you’re looking in a mirror, while also perceiving what the reflection sees. With your primary form, step away from the mirror, turn one of your heads to perceive what is around you while the other perceives the observer.
The most difficult aspect of MCAP is sustaining it. Once you lose connection with an astral form’s awareness, the astral form breaks down and desentogrates. You have to maintain consistent perception from all of them for the entire duration.
I recommend practicing within our corporeal reality, rather than the Astral Plane ,as it's safer that way. It helps to have a unifying stimuli to anchor your perceptions on; like that of a consistent rhythm, whether that be musical or physical action. This process takes a lot of practice, but once you’ve solidified that process you’ll never forget it.
Energy-Work while astral projecting is an extremely useful skill. Especially if you’ve master MCAP. While astral projecting, its possible to construct complex energetic structures for a variety of purposes. From large wards to astral weapon and thoughtform creation. If MCAP is employed, then the number of bodies you have to perform a single construction is increased, like doing a group working but that group consists of only you.
Astral Weapons are energetic constructs that are designed to be resilient and dense. They can be used for many things from protection to fate work. To design an astral weapon or shield. Make sure the design is as simple as you can while still making it unique and your own. Sketch it out on paper in order to flesh out the design as much as possible. Its design needs to be ingrained into your memory intimately.
Visualize this weapon in your mind until it becomes vivid. Get to know the design in three dimensions. If you’re capable of visualizing it in other dimensions, do so.
Once the concept of the weapon is corporealized in your mind, begin constructing it through energy work, keeping in mind the properties that you want it to possess. Project the weapon into the Astral Plane and hold it, Interact with it, and swing it around. Give it weight, inertia, and substance.
Lastly, and this is optional, create a way to gradually summon them; rather than just having them appear outright. For example, my favorite weapon is a spear. I summon a needle that glows white and blue that expands into the shape of a spear. This way it is easier to maintain accurate perception of several Spears simultaneously. The more you can reduce and simplify the design, the easier it will be to project and maintain it.
Thoughtforms are prevalent in the Astral Plane as well as our cognitive reality because human beings are naturally quite imaginative. Sometimes they can be hostile, so the best defense against rogue thoughtforms is protective energetic warding.
If you don’t know what a ward is, you aren’t ready for Astral Travel. It is important to use more than one type of ward as well. The more types of wards you use, the more thoroughly protected you are. Just be sure that none of them cancel eachother out.
When creating thoughtforms in the astral plane, they’re not likely to enter into the corporeal plane unless guided to it. They can be incorporated into astral weapons as well as energetic constructs. Their uses are only limited by your ingenuity.
There is another post that is specifically about thoughtforms and how to create them. (To be posted soon)
