#golgotha

On a more serious note, I am well aware that this scene is not actually Aziraphale and Crowley asking people to be kind, but the rather horrible acknowledgement that "Be kind to each other" apparently did get everyone upset enough to crucify Jesus. And yet, this scene, this snippet, this quote has become one of the fundamental principles of a huge part of the Good Omens fandom. It has been a cornerstone to deal with a lot of bullshit inside and outside the fandom. It's one of the most used gifs as a gentle reminder that whatever bullshit we're dealing with, please be kind to each other. And I love that appropriation of this scene. I've got to know so many wonderful people in this fandom who embody this principle to the point that I've stayed through the good and the bad times. I'm clinging to the hope that we'll survive the current rift, too! Again, with patience and kindness.

To Our World! 🥂

❤️🧡💛💚💙💜🖤🤎🩵🩷🤍

Tagging the usual crowd with the customary addendum to please let me know if you want to be added to or removed from the list! 😘

The name change itself was tremendously important -- going from a name that "crawls" to a name that soars. A Crow. A new name that calls to mind independence and intelligence, a being that is social, and represents transformative abilities. Transformation. A bird that also represents a balance between light and shadow. (And is sometimes a trickster!)

The impact Jesus must have had on Crowley reaches even beyond the name, and we see it in Crowley's self-identity and presentation. Not only is Crowley in female form, but for the first time since Eden, Crowley looks beautiful. No more unkempt hair or awkward appearance. Crowley is taking care of herself again.

Most importantly, she is no one's caricature of "a demon"! Crowley is being REAL to who and how she wants to present in the world.

In Mesopotamia and in Uz, Crowley seemed to be role-playing, or immersed in what he thought a demon "should" look like. At the Flood, he was wild-haired and serpentine in his movements, even before Aziraphale told him the horrible news. In the Land of Uz, Crowley's dramatic robes and fuzzy hair created an almost comic character before he asked Sitis to "name" him as our beloved Bildad.

Aziraphale's acceptance anchored Crowley each time, and helped him become more genuinely himself -- but Aziraphale was still afraid, tentative.

Crowley needed someone who fully believed in him. This carpenter from Galilee, that she met in the desert across 40 days, did.

In Job's time, Crowley was already wearing the dark glasses that hid his snakelike eyes. At Jesus' crucifixion, Crowley is watching with golden eyes unshielded. And Heart unshielded.

As long as no one else, even Aziraphale, sees that unshielded heart.

Crowley gives Aziraphale a glib answer about the former name -- it "wasn't doing it" for her. The angel assumes, wrongly, that Crowley chose a grand, more evil-sounding name. It isn't safe for Crowley to be more sincere, Aziraphale isn't a safe person yet. He's getting there -- he likes and accepts the new name -- but he's not there yet.

Crowley is also very casual about her encounter with Jesus, "a very bright young man." That's incredibly little to share about someone who apparently made a major impact on her life. Maybe it felt too meaningful to share, too vulnerable and new and precious.

I wonder how Crowley first presented to Jesus. This itinerant preacher, fasting and praying in the desert, probably looked foolish to Crowley at first. I bet Crowley showed up in full demonic character, with grand gestures and snakey, evil-ish garb. If Crowley did present to Jesus as female, I suspect it was only to provide another temptation, or to challenge what the preacher's gender expectations might be, not because Crowley was authentically being true to herself.

After the encounter with Jesus, Crowley began a journey towards authenticity. From that time onwards, (when he's not in a suit of armor!) his hair is shiny and well cared for, whatever the length, and often elaborately styled. His unique but stylish fashion sense shows taste and poise. He obviously takes pride in his appearance, and his charismatic personality shines through!

It's all external, but still meaningful. Human fashion is entirely role-play, but it can be used to reflect who we see ourselves to be and how we want others to perceive us.

I also believe that the encounter with Jesus in Judea gave Crowley the confidence to embrace their genderfluid identity. In Good Omens, this genderfluidity (canonically confirmed) is unique to Crowley among the other angels and demons. Some present as a specific human gender, some identify with nonbinary pronouns, but only Crowley presents as genderfluid. It's another way in which Crowley is beautifully different and unique.

It would have been lovely to see another female-presenting Crowley scene other than as Nanny Ashtoreth. Nanny Ashtoreth is absolutely magnificent, but there was a specific purpose to Crowley presenting female in that instance. Seeing Crowley presenting female simply because she wanted to would have been a wonderful continuation of that self-affirmation. (Alas, the missing 1960's scene of Crowley (and Aziraphale) clearly female presenting!)

After meeting Jesus, Crowley no longer defines himself as a demon. He IS one, but he is so much more than that.

In Rome, eight years later, Crowley resents that his demonic status is so important to Aziraphale that it's the first thing the angel clumsily tries to make conversation about.

Crowley has changed. This means that the relationship and status quo between them has changed. It's the first time (that we know of) that Aziraphale encounters this. Like most people do when someone familiar has changed, the angel is too aware, too self-conscious, and is awkwardly struggling to adapt.

Somewhere in the 500 years that follow, Aziraphale has managed it much better. He's changed enough that, when Aziraphale misnames Crowley again, Crowley simply corrects the angel and moves on. He lifts the visor of his helm to show his golden eyes, and is comfortable enough to allow a vulnerable moment.

But back in Rome, Crowley just wanted to drink. Whatever jug of alcohol was considered drinkable. And alone.

That's not a Being in good state of mind.

We don't know where Crowley was immediately after the Crucifixion. Biblically (which is part of the GO universe), that preacher-carpenter named Jesus rose from the dead in 3 days. Those out of the loop in heaven and hell would have been rocked by that knowledge...!

Was Crowley in Rome still processing and grieving? Imagine... Cast out of heaven (into burning sulfur) when he had trusted that asking questions would be okay... Thrust into hell, where demons are punished for the smallest deviation from complete obedience... After all this pain and rejection and not being seen or accepted, he finally encounters one Being who finally saw Crowley fully and gave him the courage to find and embrace his own identity. A Being who also trusted God. Crowley, filled with empathy, watched his tortuous execution by human hands. Crowley heard Jesus cry out to God, "Why have you abandoned me?" Only to find out later that Jesus was cruelly murdered AS PART OF THE DIVINE PLAN.

That's a helluva lot to cope with.

It says a lot about Crowley's strength of character that he continued on the trajectory he began in Judea. He insists on his new name. He takes care of himself. He finds ways to keep hell largely satisfied with him while being true to himself.

As Crowley keeps developing a larger and fuller self-concept, he keeps expanding his name. He becomes Anthony Crowley. Eventually he adds the J. Perhaps it really is "just a J", but it makes him feel more like a complete person, not a label or a stereotype.

He sees the torment and anxiety in Aziraphale, and keeps pushing the angel to be true to himself as well. As their bond strengthens, their friendship is a gift that they each give each other. It becomes the anchor they each yearned for and needed.

To be truly seen is an incredible Gift to give someone. It can mean Everything to them. 💛

*****

Inspired from The Intensity of Crowley's Courage, about Crowley's actions to save one innocent family.

Note: Crowley is genderfluid, but in the show mostly presents male with he/him pronouns. I used he/him whenever I wasn't specifically talking about a scene where Crowley presents female, but please let me know if I made any mistakes somewhere -- I'm sorry if I did! Thanks!