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Throwback Thursday: Goatsnake "Flower Of Disease"
Goatsnake: Goatsnake Vol. 1 (1999)
I was ALL IN on '90s stoner rock -- Kyuss, Monster Magnet, Fu Manchu, you name it! -- and, before that, classic doom -- Trouble, Candlemass, Black Fucking Sabbath, etc. -- but Goatsnake barely registered on my radar because, well, how can I put this?
I just didn't think they were very good.
Goatsnake formed in 1996, when the recently disbanded The Obsessed rhythm section of bassist Guy Pinhas and drummer Greg Rogers began jamming with guitarist Greg Anderson, previously of Thorr's Hammer, Burning Witch, and countless other bands.
For their frontman, the trio chose a rather unconventional, certainly unexpected, approach in former Scream and Wool frontman Pete Stahl, then got to work on a couple of 7-inches, the Sabbath-referencing IV and Man of Light -- both issued in 1998.
Now, don't forget that, at the time, Anderson and his frequent partner Stephen O'Malley were only just launching their own influential label, Southern Lord, and their iconic drone project Sunn O))), so Goatsnake was very much Anderson's priority.
But, as I said at the top of this blog, '99's Goatsnake Vol. 1 didn't impress me all that much, and I had no plans to revisit, nor to possibly revise my original opinion, until I found this vinyl reissue at a bargain price.
And, yes, it helped that the album's embarrassing original artwork, featuring a Viking ship sailing under a Confederate Flag (already in bad taste years before these were justifiably canceled), had been replaced by the classy, silver-on-black design seen here.
Note how that the font treatment echoes Sunn O)))'s sound waves ...
Anyway, sorry to keep you in suspense, but I'm afraid that a quarter-century has done little to ameliorate my original assessment of mediocre doom grinds like "IV," "Lord of Los Feliz," "Trower" (the string section was a nice touch, I suppose), and the frankly ridiculous "Dog Catcher."
Along with comparative "highlights" like the moderately galloping "Slippin' the Stealth," the harmonica-enhanced "Innocent," and the all-around very solid "Mower," these tracks ultimately offer nothing beyond serviceable, formulaic, derivative stoner metal.
OK, fine, I'll add a few points to "What Love Remains" because Anderson's sluggish, leviathan riffs point to his way forward with Sunn O))), but I simply don't rate Stahl's brassy, inexpressive vocals very highly -- sorry!
So I better shut the hell up before I piss off some of my stoner rock/doom brethren with this most likely unpopular evaluation; but I'll stand by it and will always recommend dozens of other bands and albums over Goatsnake and their largely disappointing discography.
More Stoner Rock: Acrimony’s Tumuli Shroomaroom, The Atomic Bitchwax’s The Atomic Bitchwax, Belzebong’s Sonic Scapes & Weedy Grooves, Bigelf’s Cheat the Gallows, Black Rainbows’ Hawkdope, Blue Heron's Ephemeral, Bongripper’s Satan Worshipping Doom, Bongzilla’s Stash, Cavity’s Supercollider, Ché’s Sounds of Liberation, Clutch’s Earth Rocker, Dead Meadow’s Dead Meadow, Dozer's Drifting in the Endless Void, Earthride’s Earthride EP, Eternal Elysium’s Spiritualized D, Fu Manchu’s No One Rides for Free, The Glasspack’s Powderkeg, Hashtronaut's No Return, The Heads’ Mao Tinitus EP, The Hidden Hand’s Mother Teacher Destroyer, House of Broken Promises’ Using the Useless ...
Even More Stoner Rock: Kyuss’ Blues for the Red Sun, Lowrider’s Ode to Io, Monster Magnet’s Spine of God, The Mystick Krewe of Clearlight’s The Mystick Krewe of Clearlight, Los Natas’ Ciudad de Braham, Nebula’s Let it Burn, Novadriver’s Void, The Obsessed’s Lunar Womb, Orange Goblin’s Frequencies from Planet Ten, Sasquatch’s II, Sigiriya’s Return to Earth, Sleep’s Holy Mountain, Slo Burn’s Amusing the Amazing, Solarized’s Driven, Sons of Otis’ SpaceJumboFudge, Spirit Caravan’s Dreamwheel EP, Spiritu’s Spiritu, Terra Firma’s “Spiral Guru,” Thulsa Doom’s The Seats are Soft but the Helmet’s Way too Tight, Toner Low’s Toner Low, UFOmammut’s Snailking, Unida’s Coping with the Urban Coyote, The Wandering Midget’s From the Meadows of Opium Dreams, Witch’s Witch, Wo Fat’s The Black Code.
Goatsnake
Goatsnake - "Slippin' the Stealth" (Vol 1, 1999)

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Fugazi and Goatsnake at The Palace, LA, March 10, 1999
Kerrang! magazine / March 27, 1999 Â
playlist 06.30.21
Red Fang Arrows (Relapse) Meriadec Gouriou Meriadec Gouriou Trio (Bandcamp) Alessandro Cortini Scuro Chiaro (Mute) Sana Nagano Smashing Humans (577) Bell Orchestre House Music (Erased Tapes) TEKE::TEKE Shirushi (Kill Rock Stars) Floating Points & Pharoah Sanders Promises (Luaka Bop) Colleen The Tunnel and the Clearing (Thrill Jockey) ESKMO Billions OST (Milan) Danny Elfman Big Mess (ANTI) Black Midi Cavalcade (Rough Trade) Goatsnake 1 + Dog Days (Southern Lord) Damon Locks Black Monument Ensemble NOW (International Anthem) Isildurs Bane Mind Vol 1 (YouTube) Jeremy Bible Music For Black Holes (Bandcamp) Sarah Neufeld Detritus (One Little Indian) Clint Mansell Into The Earth OST (Lakeshore) Adam Janota Bzowski Saint Maud OST (Milan) MurmuĂĽre MurmuĂĽre (Bandcamp)
DOOM AROUND THE WORLD
~Season 1, Episode 3~
Commemorating Doomed & Stoned's seventh anniversary, founder and editor in chief Billy Goate assembles some of his choice cuts from five decades of doom metal, including music by Black Sabbath, Saint Vitus, Trouble, and more. These are bands (and in some cases songs) that mark significant moments in the history of Doomed & Stoned.
PLAYLIST
Introduction: The Last Trumpet (00:00) Â 1. Black Sabbath - "Sabbath Bloody Sabbath" (00:59) Â 2. Early Man - "Death Is The Answer" (06:44) Â 3. Iron Main - "Hail To The Haze" (12:19) Â 4. Goatsnake - "Flower of Disease" (17:09) Â 5. Down - "Beautifully Depressed" (23:51) Â 6. Eyehategod - "Parish Motel Sickness" (28:44)
Interlude: Hear Ye (32:25) Â 7. Age of Taurus - "Always in the Eye" (33:50) Â 8. Forming The Void - "On We Sail" (38:59) Â 9. High on Fire - "De Vermis Mysteriis" (44:34) 10. Dopelord - "Preacher Electrick" (48:26) 11. Electric Wizard - "Time To Die" (57:18) 12. Undersmile - "Cutters Choice" (1:05:05) 13. Saint Vitus - "Born Too Late" (1:12:41)
Interlude: Shoot Me (1:19:39) 14. HeavyDeath - "As We Foretold" (1:20:47) 15. Noctum - "Resurrected in Evil" (1:28:46) 16. Soundgarden - "Black Rain" (1:32:49) 17. Windhand - "Black Candles" (1:38:15) 18. Snailking - "Premonitions" (1:44:23) 19. Cough - The Wounding Hours" (1:55:20) 20. Seven Seconds of Silence (2:01:58)
 (thumbnail: Saint Antony. engraving by P. Picault after J. Callot)