#glennligon

Glenn Ligon, Warm Broad Glow, 2005, neon

Sanford Biggers : sweet funk-- an introspective / Eugenie Tsai ; with an essay by Gregory Volk. 2011. HOLLIS number: 990133106710203941

http://www.moma.org/collection/works/73009

@GlennLigon, Aftermath, 2020. Neon, 9 1/2 x 60 1/2 x 2 3/8''. Photo: Ron Amstutz; Courtesy of the artist, Hauser & Wirth, New York, Regen Projects, Los Angeles, Thomas Dane Gallery, London and Chantal Crousel, Paris. “Aftermath was lit before November 4, 2020, and will remain lit after the date the neon illustrates. Although the title implies that November 4, 2020, is the date on which we will see how the United States will react to the election results, the neon being lit before that date signals that we are already in the aftermath, that the emergency started generations ago for Indigenous people who resided here before the colonizers arrived and for the enslaved Africans brought to these shores over four hundred years ago.” — Glenn Ligon #SupportBlackArt #GlennLigon #Aftermath https://www.instagram.com/p/CHMBrprhcuZ/?igshid=jksjxbi217q6

Mr Glenn Ligon is in the house. HIGH AND RAW May.6-Jun.4, 2016 This installation is composed of objects from the new school of Japanese antiques. Coming from Japan, we at  t a t a m i  brought high objects and wonders to “the world’s smallest gallery” in NY in order to display a raw sensitivity to things that arises from the aesthetic sense and pathos of the Japanese concept and an art form known as “Mono no aware”. GALLERY KOGURE / NEW YORK (hpgrp GALLERY NEWYORK) 434 Greenwich Street, New York, NY 10013 (at the corner of Vestry Street) t. +1-646-838-8979 #tatami #high #raw #inspiration #newyork #hpgrp #newschool #antique #japan #glennligon

Glenn Ligon - Rückenfigur, Neon and paint,24 × 145 ½ × 5 in. / 61 × 369.6 × 12.7 cm, 2009

PUBLIC SERVICE ANNOUNCEMENT: I am not tragically colored, female, or any other mutable or transcending point of my intersectionality. #FeastOnYourLife #ChampionYourWorth I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it. Even in the helter-skelter skirmish that is my life, I have seen that the world is to the strong regardless of a little pigmentation more or less. No, I do not weep at the world—I am too busy sharpening my oyster knife. Zora Neale Hurston, "How It Feels to Be Colored Me," 1928 Image: @glennligon, "Untitled (I Am Not Tragically Colored)," 1990, Oil stick and gesso on wood 80 × 30 in. (203.2 × 76.2 cm) #NOTtragicallycolored #ZoraNealeHurston #GlennLigon #VissidArte

http://www.moma.org/collection/works/96514