Hans Breder. Old Man's Creek, series, circa 1971.

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Hans Breder. Old Man's Creek, series, circa 1971.

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casa gilardi (luis barragán, 1976) mexico city, july 2025
By Nikos Tsitsel https://flic.kr/p/2rABXLo
Poems construct the worlds. The worlds of poems can contradict each other, and the worlds will coinhabit their common universe without any conflict. Each poem can have its own rules and laws, not like the other poem. The many worlds can come together and coexist without contradiction.
The poems could be more different than the planets. The poems exist in different universes, not merely in the same universe with the consistent laws throughout and many various applications of the laws. The legacy of the poet could be many different worlds coexisting within one realm--loosely connected by a single authorship--but having various laws of physics, various geometries.
The public likes consistency; consistency and repetition is how we recognize the phenomenon exists. They now teach almost templates of self expression that you have to repeat to send the same signal over and over again, and it's not rare that you check someone years later, and they still record the same videos on the same topic, which is maybe what should be done but is also somewhat sad.
Luckily, there's no obligation to be consistent for a poet that would stem from the inner demand of the poet. If you can sacrifice being recognized, you can be as inconsistent and free as you want. You can experiment, fall silent, or write in a variety of dissimilar manners. Think about how much joy such a freedom can bring.

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“Chromatic”. oil on thick paper, 21 x 15 cm, 2022.
Geometries