Technically the calendar in what is known as "Nepal" is already ahead--it's the year 2081 there. Artist/Director Subash Thebe Limbu brings us into his world of Adivasi Futurism with a Yakthung (Limbu) vision of sci-fi and worlds to come.

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Technically the calendar in what is known as "Nepal" is already ahead--it's the year 2081 there. Artist/Director Subash Thebe Limbu brings us into his world of Adivasi Futurism with a Yakthung (Limbu) vision of sci-fi and worlds to come.

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So honored to be featured on the 24th issue of @thefunambulistmagazine âFUTURISMSâ thank you Leopold Lambert. https://thefunambulist.net/magazine/futurisms #art #collage #funambulist #magazine #paris #syria #futurisms #indie #artwork #memoir (at Paris, France) https://www.instagram.com/p/BzfajJsAIaF/?igshid=ozybotagn6qt
Deep in the Cantabrian Mountains, some 150 kilometres away from his hometown Oviedo in northern Spain, a young JoaquĂn Vaquero Palacios (1900-1998) used to travel around on horseback with his father, one of the founders of the HidroelĂŠctrica del CantĂĄbrico company (now part of the EDP group). Here, immersed in resplendent scenery, they scouted for a location for what would become the second largest hydroelectric dam in Europe at the time.
But this was to be no ordinary dam. In the 1950s, Vaquero Palacios â now a trained architect, painter and sculptor â was entrusted by the companyâs management to use his creative mind to enhance the environment and condition of its facilities. Over the coming decades, he created some of the finest examples of 20th-century modernist Spanish industrial buildings, integrating technology, architecture, design and art.
Fast forward to 2018 and JoaquĂn Vaquero IbĂĄĂąez, the architect grandson of Vaquero Palacios, who some 18 months ago decided to bring this project to light. âThis body of work represents the futuristic vision from a very complicated period of Spanish history (the time after the Second World War and the end of the Civil War in Spain). People were able to break local barriers to impose intelligence, sensibility, modernity and an advanced vision of things,â he says.
Madrid photographer Luis AsĂn was commissioned to create a new series of visuals to document the damsâ pharaonic dimensions. These images, alongside a selection of unseen old models, original sketches, period photographs and industrial objects, are now part of the exhibition (and accompanying book), âJoaquĂn Vaquero Palacios â The Beauty of the Colossal, Asturias, 1954-1980â, on view at the Museo ICO in Madrid.
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Take a look at parts 1 and 2 of the new MENASA FUTURISMS issue!Â

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XLE.LIFE: New Terms 2024 continues with #IndigenousFuturism or #IndigenousFuturisms
Next on XLE.LIFE's New Terms 2024 list is the very broad arena of Futurisms. I've posted this in two sections so far:
XLE.LIFE: New Terms 2024: Futurisms--Part I: Intro >>
A very brief and loose introduction to futurisms with a similarly loose timeline, in case you've never heard this term in your life!
XLE.LIFE: New Terms 2024: Futurisms--Part II: A List of Emergent Futurisms >>
The more exciting part of the futurisms research--a sprawling, wild list of 235 (and counting) genres of futurisms, including several I've named or predicted. Looking at this list, especially in an array, really makes me feel some type of way. I hope it makes you feel a way also. What a time to be alive.