#frozen3

It's no easy feat to convincingly and believably expand the world of Disney's Frozen II in such a way that you're drawn in from the very beginning — just like in the film — and can literally immerse yourself in an epic storyline that keeps you gripped until the very end. But not to the point where you drown in it (pun intended), of course, but that takes a lot of work and ingenuity.Frozen II had many wonderful highlights, but also its flaws, which ultimately divided the fan community — literally! However, one thing fascinated me from the start and that was the introduction of a completely new world in the Frozen universe, which is the main part of my plot in the novel. It's about the Northuldra (inspired by the real Sámi people) who live in an enchanted forest, along with the four nature spirits who are part of a greater whole: the deity Ahtohallan, guardian of all memories and source of Elsa's ice magic.

But this is precisely where the film's weaknesses lie, because unfortunately these remarkable people were given far too little time on the big screen, when they deserved so much more and an incredibly multi-layered potential would have opened up for Disney. As everyone knows, the team had negotiated with the Sámi Parliament in advance and received authorisation — on the condition that the Sámi were portrayed respectfully.

Apparently, however, much of this was too complicated for Disney to realise, especially when it came to customs, beliefs and myths. Ahtohallan in the film, for example, was something that was originally planned quite differently and — as far as I could tell from the concept art book "The Art of Frozen II" and the D+ documentary — was originally linked to Sámi shamanism, specifically their Noaidi.

The deleted scene of the originally planned prologue, for example, showed us a shapeshifter with reindeer antlers. This was presumably an old Sámi myth and the saga of a figure called Myandash. You can read this story online.

(Note: In my novel, Myandash was the model for Kolgrimr's father and I called the human Northuldra wife of the shapeshifter Gyda and made her the evil Noaidi).

What remained

The fact is that the Northuldra and their great role model, the Sámi, were very well received in the Frozen fandom, as can be seen from the countless fanart images, fanfictions, discussions and even the Elsamaren Ship (Elsa + Honeymaren). And not only there, the Sámi themselves also took a liking to Frozen II.

All of this and the actual, ultimately somewhat disappointing realisation in the film was hardly surprising to me, as this is, after all, a Disney film with a target audience that ranges from young children to the age of puberty, but at most to teenagers under the age of 18. What can you expect in terms of an in-depth plot?

This applies not only to the style, with sidekicks such as Olaf, Sven, Bruni and Gale, but above all to the plot and duration of the feature film. Many in fandom later said that Frozen II was told far too hastily and left far too many questions unanswered, especially about the main aspect, Elsa's powers. However, the entire Frozen franchise is all about Elsa's magic — right from the start. At its core, this is what has always fascinated fans about it and, of course, the characters of the royal sisters themselves.

It's a great pity that Disney didn't appreciate the older cinema audience — especially the Frozen fans among them — when producing the second part, but instead behaved as if it were a completely new audience of children. In the meantime, ten years have passed since the first instalment, six of them after the first, so there were already many loyal fans in their twenties who expected more and hoped for answers — something that Disney has unfortunately failed to give us to this day. Admittedly, a completely different approach was originally planned — as you can see from the deleted scenes and from the documentary on Disney Plus — far darker, more serious and actually aimed at older fans, just as Jennifer Lee had once promised to us. But in the end, everything was decided at Disney from the highest level, over the heads of the filmmakers, and thrown overboard. The logic, seriousness and complexity of the plot fell by the wayside in favour of a very young audience, who — as you could hear in the documentary on D+ — were not old enough to understand the movie. No wonder, when you show the test screening to five to twelve-year-old children and expect them to leave the theatre enthusiastic and completely satisfied without any further questions. The original plan was probably just too demanding.

How often has it happened that even adults didn't immediately understand a film and instead pondered it for weeks afterwards? That's what makes a good film. But to reset everything to zero immediately after the first screening test, to completely discard the originally planned plot and to put the entire film team in a difficult position to just make the deadline for an extensive and elaborate production within just a few months? For a film that normally takes three years to produce? No! This makes no sense at all and is only due to the greed to earn as much as possible at the cinema box office. Never mind the plot, the main thing is to make it family-friendly! What a pity!

In addition, the vision of the film makers was ignored. Ultimately, it hurt everyone involved, especially Jennifer Lee, who shortly afterwards was no longer a director and is now only available in an advisory capacity for the planned sequels. Honestly, I would have thrown in the towel myself after such treatment, which, at least judging by her presence on Twitter, she actually did. Presumably mainly because of the hate speech from toxic circles of the fan community that she was constantly confronted with there because of the end of Frozen II. None of us fans know the real reasons though — one day her account there was simply deleted.

But enough with my opinion on the film.

My vision

We have now arrived at the reason why I wrote "The Broken Bridge" primarily for older Frozen fans, the novel is even partly aimed at an adult readership from 18 years upwards. There are scenes with explicit language, violence and sex scenes, simply because the plot required a realistic, logical approach. But each chapter is specially labelled, at least in the chapter overview, and the most violent LBGT scene is even linked to a separate 18+ blog. So no one gets to read that unless the reader specifically follows the link.

Of course you can't please everyone, as one reader in particular showed me with his behaviour, who had commented on every chapter so far, but suddenly stopped from the part with "18+ content" onwards, presumably for reasons of age. I'm really sorry about that! On the other hand, I received statements on various platforms from readers who made it clear to me that I had not only hit the mark, but that their tastes had been fully satisfied and that they were simply delighted (for data protection reasons, I won't mention any names below).

Reader statements

On Discord: "Oh...that Frozen 3, the broken bridge novel right? I've read it all and it was EPIC. Well done." On Twitter/X: "I've been following your Frozen 3 Fanfiction since the beginning, and I love that the story is really believable and totally follows the universe of the two films, and that it could very well work as a 3rd film...I can't wait to read the next part !!" (Note: this was at the end of the third part of the story, after my hiatus in the fandom) On reddit, as a recommendation to other fans: "Greetings, I started reading an amazing story about Queen Anna and her sister Elsa some months ago. It's a long but terrific story. Tbh, This level of work and details in the narration is worth to be considered a sequel to Frozen2." On Tumblr to chapter 81: "This is a beautiful, genuinely remarkable closing for such a novel. ..... I truly enjoyed reading about Anna's wedding. It was like watching a short that Disney Animation should have given it to the fans years ago!" On Tumblr to chapter 66: "Goodness...what a chapter! In my mind I was thrown back and forth between Star Wars vs Robin Hood style fights! Yeahhh Elsa off to the monoliths? Get her power back! Go girl!Brave Anna! And what a loss for the Arendelle side. War is always such an unnecessary way.... but then... they fought for justice! Well done!" On Tumblr to chapter 43: "I love how you connect your stories with few official books, love to see 'A Perfect Night' from Elsa's pov, it looks like an official frozen book"

...and many more great comments from you readers, which have really motivated me immensely and encouraged me to keep writing. Some days I just couldn't stop!

Admittedly, I love the concept of cliffhangers, something that many other fanfic writers avoid in order not to keep their readers in suspense. So: sorry, my dear readers, you couldn't wait for the story to continue next week. But it turned out that I was able to maintain and even increase the suspense from chapter to chapter in this way.

Speaking of plot ... in my novel there are up to ten different storylines that intertwine, making the story very complex and exciting, and there is something for every reader that he/she particularly likes or has looked for in vain elsewhere in the Frozen universe. But ultimately, there's no accounting for taste.

Some people seem to have only picked out specific chapters. Unfortunately, this means that the coherent overall picture of the story falls by the wayside and my vision of a sequel to Frozen II escapes them completely in this way. But it's hard to tell who of the many followers on my fanfic blog has even read all the chapters if I don't get any likes or comments on them. I can only guess.

However, I have to admit that the novel wasn't completely planned out. They say there are two different types of writers, those who meticulously plan every detail from start to finish (plotters) and those who just start writing and only have a rough idea of the plot (pantsers). I count myself among the latter and write from the gut. However, I imagine every scene as if I were watching it in the cinema — with all kinds of details and make lots of notes on new ideas. So there was some rough planning. Sometimes it was the case that my characters themselves dictated the plot, I just had to follow them.You may remember that I write in my native language, German, and only translate everything later. I use DeepL online for this and my English-speaking beta reader HeinrichVSA corrects it afterwards where necessary. But what you probably don't know is that I wrote every single chapter on my smartphone during long train journeys. Until I was completely satisfied, I read through what I'd written again and again in the days that followed, adding scenes, rephrasing phrases and correcting anything I didn't like.

A large part of the story also required a lot of research on the internet, about everything I don't know much or anything about. I wanted to describe everything as realistically as possible and get the facts right.

This was especially true when it came to the Sámi people in the 19th century: their customs and traditions, their shamanism and beliefs, burial rituals and folk beliefs, clothing, crafts and dwellings, everything about reindeer herding, bear hunting and also about skalastet, or stick fighting. Incidentally, the idea of fighting with the Rope-Dart for Honeymaren comes from Asia, so it was added by me, and works exactly as described. I know everything about traditional archery from my own experience and also a little about bow making and crossbows.

I also had to do a lot of research on sailing ships of the 18th and 19th centuries. It's a tricky subject to portray properly and convey a credible feeling for it. For me, the topics were not only ship types and rigging from this era, but also the hierarchy and crew types. Basically everything about sailing itself on board such large ships, changing of watch, typical speeds and distances that could be travelled per day and which terms and commands were usually given on deck and by whom.

Warfare eventually became a topic for me as well, something not mentioned anywhere in the Frozen universe so far. HeinrichVSA was able to help me enormously with his profound historical knowledge and I had to find out what of my ideas worked and what did not. In these chapters I used methods from different eras and settings, including Asia and Ancient Europe. Even topics such as illnesses and healing methods from this period were important for a coherent description and so much more, right up to Norwegian wedding customs and also about signs of pregnancy in the middle of the 19th century, when there were no tests.

So what started out as a small idea has developed over the years into an enormously complex project with huge challenges, and more and more characters have been added.

My OC’s (my own characters)

Various roles had to be filled in the course of the story and since — apart from in comics — hardly any characters are mentioned who fulfil important tasks in the castle or accompany "the gang" on their adventures, I had to invent them. The more relevant a character became, the more important it was to research a suitable name for them ... and there were more and more. Depending on whether it was for someone in the city or among the Northuldra, I drew inspiration from Norse or Sámi names. Often I even researched the deeper meaning of the name, which matched the character's nature as closely as possible.

Of course, I also used almost all the well-known characters from the Frozen books and comics that were more or less relevant for the interaction with the main characters or who enriched the ambience.

The places in the story

Arendelle or the Northuldra camp were not enough, as I quickly realised the deeper I delved into the story. For some areas there was no description in the Frozen universe and the available official maps didn't give much information either. I therefore analysed the movies again and again and also consulted the many comics to get an idea of where the action takes place and what it looks like, feels like or how difficult the terrain was. I made up the rest with the help of logic and real places. Unfortunately, Disney has never told us which real country Weselton, Corona, Vakretta, Snoob and the many others correspond to. But as soon as I was relatively sure of an approximate position on the world map, I was able to research the real conditions of this country.

Small statistics on “The Broken Bridge”

My image edits: 40 plus 5 poster, 2 letters, 2 newspaper articles, 1 self-made map Fanart: 4 (1 unpublished) Storyline: Prologue, 81 chapters in 5 parts, epilogue and acknowledgements totalling almost 437,000 words (excluding acknowledgements) (about 1000 pages)

Very first novel title: "The Only Star", inspired by a sentence Anna sang during "The Next Right Thing": "The only star that guided me was you." Of course, I had her close connection to Elsa in mind. I later discussed final title ideas for my novel with HeinrichVSA, and in the end we had 43 different titles to choose from, with the subtitle "A post Frozen II Novel". As far as I remember, @annaofthenorthernlights confirmed our previous favourite title 'The Broken Bridge', in reference to the 5th Spirit and the bridge that connected Anna in Arendelle and Elsa in the Enchanted Forest. That was the final start for the publication on my fanfic blog.

Commissioned fanart images by HARU (@xlayers): 19 (12 unpublished), all with the maximum image width of 800 pixels. Title ideas for the chapters: mostly HeinrichVSA came up with them while correcting the texts, but of course a few were also my own ideas. It was always difficult to find a good title because the storylines in the chapters often overlapped.

Characters: 16 original characters 15 characters from Frozen books and comics 38 OC's (own characters) 23 locations

Plot period: for the main part (without flashbacks): over a month, followed at the end by 2x three months in chapter 81 and a few more weeks in the epilogue Embedded YouTube music titles: 287 Reboot of the novel with final title (June 25, 2021) as an epic dark AU novel on the fanfic blog: June 19, 2021. originally planned for 1 year with 52+ chapters.

In the last two months since the Acknowledgements were published, I have been working on the preparations for AO3. I had to rewrite the first chapter (prologue) a bit to make it fit the following plot, corrected and formatted everything in detail again, made changes here and there in the chapters and wrote down the links for the pictures — plus prepared comments. I very much hope that in the end everything will be as I imagine and hope it will be!

~~~

Invitation

I would like to invite my most loyal readers, who regularly left me their wonderful comments on every chapter, to discuss with us — my beta reader HeinrichVSA and me — on my newly founded Discord server, ask questions, share ideas and much more. As you know, I wrote a question mark after the words "The End" at the end of the novel. Maybe you would like to participate in a possible sequel? Who knows ...

Just send me a short message as a DM on my fanfic blog and I'll reply with a Discord invite link for you.

Thank you so much again for sticking with me until the end!

Your Bigfrozenfan