Want a more personal touch to your lettering without spending the time to hand letter?
Join us on July 18th to learn how to design your own font!
Art by Meg Selkey | @NutMargaret on BlueSky and IG

seen from United States

seen from United States
seen from Yemen

seen from Malaysia
seen from United States
seen from Australia
seen from United States

seen from Australia
seen from United States
seen from United States
seen from Japan

seen from Türkiye

seen from Malaysia
seen from Yemen
seen from China

seen from Colombia
seen from United States
seen from Saudi Arabia

seen from United States
seen from Singapore
Want a more personal touch to your lettering without spending the time to hand letter?
Join us on July 18th to learn how to design your own font!
Art by Meg Selkey | @NutMargaret on BlueSky and IG

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Does anyone know how to export otf files onto here?
I wanna share the Scratch and Molly fonts I made!
So I went down a rabbit hole this weekend. I couldn’t find a font I liked, and the one I did like had vague user agreement. So I ended up making 6 fonts for myself xD
They only have capital letters since I prefer to read that due to my dyslexia.
The 6 fonts in their glory! Which is your favorite?
And do you also struggle with fonts for comics?
Anoþer day of having a toxic yuri relationship wiþ FontForge. I swear if it comes home drunk out of its ass again and tries to fight me again I'm uninstalling our marriage.
I'll keep you all updated.
do you have any tips for creating a font for a logographic conscript?
Yes: Create a classification/call up system. I created a logographic font for Kamakawi (in fact, my icon is one of the glyphs), and despite the fact that I feel like I could do a better job now, I think I did a pretty decent job with the design of the glyphs and the system. The one thing I absolutely did NOT do well is design a useable font. Since, at the time, you could only really access the characters you could type using lower case, upper case, alt, and alt + upper case (as well as the numbers), you only had access to ≈100 characters for a font. Furthermore, characters would be in random places. To expand the number of characters I could access, I made italic, bold, and bold+italic versions of the Kamakawi font that didn't actually italicize or bold the font at all: They brought up different character sets.
So, take, for example, the keystroke <l> (that's an ell). By typing it in various combinations, you could get all the following:
Regular (lower case): syllabic glyph for [la]
Regular (upper case): syllabic glyph for [lo]
Regular (alt): the agentive infix [-li-]
Regular (alt + upper case): the causative suffix [-le]
Italic (lower case): glyph for [eli] "to love"
Italic (upper case): glyph for [peka] "land"
Italic (alt): glyph for [poi] "scarcity"
Italic (alt + upper case): glyph for [elu] "long"
Bold (lower case): glyph for [kilika] "lobster"
Bold (upper case): glyph for [kala] "to speak"
Bold (alt): glyph for [tiki] "lava"
Bold (alt + upper case): glyph for [noe] "leaf"
Bold Italic (lower case): glyph for [maʔa] "to learn"
Bold Italic (upper case): glyph for [tama] "leg"
Bold Italic (alt): glyph for [halaʔi] "life"
Bold Italic (alt + upper case): glyph for [ite] "shortness of breath"
And it took me, like, 15 minutes to find all these, because that's how hard it is to manage this "system" which isn't a system at all.
For High Valyrian, I created a much simpler system. It goes like this:
Type #
Type a word in English
Type another #
Then the font automatically returns the glyph you need.
Now, I have to program every word in there as a contextual ligature, but my GOD is it worth it. Plus I have a full list detailing each glyph, what words it's used for, what words can be used to call it up in the font, etc. This is the organization system that Kamakawi desperately needed, but I had no idea how to do it.
So, that's my advice for creating a font that features logographs. If you don't have a way to organize all the glyphs, I promise you, you'll lose some of them. I need to catalog Kamakawi's glyphs at some point (maybe do a new font...). Eh. Someday.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Book 43: Hand Lettering A to Z
The random letter generator eventually came up with "SY" and I found a delightful book by Abbey Sy, Hand Lettering A to Z: a world of creative ideas for drawing and designing alphabets. I happen to have a font making program that hitherto-fore had only been used for making an ocarina tab font, so I thought why not try it for a real font?
I admit the book itself wasn't much help to what I was doing. It was about traditional media like ink pens and watercolor, and if you want to do some lettering on paper it's a brilliant resource. It did have some good universal tips like making sure your size is consistent and thinking about coherent design and all that. It was also very helpful in providing a wide variety of font styles to be inspired by.
SHOULD YOU READ THIS BOOK: If you want to be inspired to make your own font it's great. Again, the meat of the book is traditional paper media, so whether that's helpful to you is something you would know.
ART PROJECT:
Ok, here is what I was most looking forward to. I ended up having so much fun making the first typeface that I made a second, bonus one. The first is all animal shapes with each letter starting with the name of the animal it was shaped like.
and the second font. As you can see I need to work on the S, which was inspired by those diamondy line Ss that were popular with schoolkids.
IT’S A WORKING FONT!
It uses an initial/medial/final/isolated system with delimiters to create syllable blocks.