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Mantis love, by Lucas Garcete {via Instagram}
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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2024 Yokai Night Parade- TOEI studio park, Kyoto Japan
Orchard 3 is out!
This issue of my annual zine series re-prints the sold out art book "the Book of Augurs", now in softcover.
The Book of Augurs is an art book/ mythological bestiary which gathers my "Augur" series of illustrations, each presented alongside an atmospheric piece of writing.
Grab a copy here - https://zeburnay.bigcartel.com/
Ze Burnay
(US shipping is temporarily suspended due to the tariffs situation)
Screenshots and trailer for my indie comic of 350 pages !! It's a horror story about vampires et destructive faith........... It's currently being funded on a Kickstarter equivalent right there and it's available in english :
Une bande dessinée indépendante de 350 pages !
Hello, here's my cover for the newest folk horror series from @ray_fawkes, BLUE PALO VERDE published by Mad Cave Studios! A: @rimanti_n C: @rifandraw L: @gofrankgo
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Acrylic
Daturaad.bigcartel.com
Just watched The Wailing (2016) for the first time—and I’m still reeling. This might just one of the greatest horror films of all time.
Na Hong-jin’s masterpiece isn’t just scary. It’s a spiritual labyrinth where faith, folklore, and paranoia collide so completely that by the end, you’re not sure what you saw—or if you can trust your own eyes.
It begins with a quiet village, a mysterious stranger, and a sickness that turns neighbors into monsters. But what unfolds is something far more devastating: a film that weaponizes doubt itself. Is it possession? Is it madness? Is it divine punishment—or something older, hungrier, and utterly indifferent to human morality?
The performances are staggering. The atmosphere is suffocating. And that 30-minute shamanic exorcism sequence? One of the most intense things I’ve ever seen on screen.
This isn’t horror as spectacle. It’s horror as theological crisis.
If you’ve been waiting for a truly great horror film—one that lingers like a half-remembered nightmare—this is it.
Thoughts? Have you seen it? Did you really see it—or did it see you? My full 5/5 star analysis , with the trailer, is in the sources below. Please check it out .
