Where the morgue and Mollyâs lab will one day be, we enter the old chemical laboratory. This is a lofty chamber, lined and littered with countless bottles. Broad, low tables are scattered about, bristling with retorts, test-tubes, and little Bunsen lamps, with their blue flickering flames.Â
âA bit different from my day.â My words echo in the high chamber.
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âHey, before we give out the award, can I get a selfie?â Rozanov asks, in a strangely stilted tone.
âWhat?â Shane immediately responds, not needing to read the teleprompter for that one.
âThis isnât going to happen again, is it?â The tail-end of Rozanovâs question falls quiet, uncertain, instead of lifting in a joking lilt as the scriptwriter no doubt intended.
Shane would love to throttle whoever wrote these fucking lines. He grits his teeth, ignoring how his heart is twisting in an ugly knot.
âSure, why not? This is probably the last time you will see old Rozanov and new Hollander together.â
(Shane Hollander, freshly retired, flounders amidst the dawning realisation that he might be a little in love with Ilya Rozanov. They reunite in Las Vegas, 2014.)
Chapters: 6/6
Fandom: Star Wars: The Clone Wars (2008) - All Media Types
Rating: Mature
Warnings: Graphic Depictions Of Violence
Relationships: CT-27-5555 | ARC-5555 | Fives & CT-7567 | Rex, CT-27-5555 | ARC-5555 | Fives & Original Clone Trooper Character(s), CT-7567 | Rex & Original Clone Trooper Character(s), CC-2224 | Cody & CT-7567 | Rex, CT-27-5555 | ARC-5555 | Fives & CT-6116 | Kix, CT-27-5555 | ARC-5555 | Fives & CT-5597 | Jesse, CT-27-5555 | ARC-5555 | Fives & CC-1010 | Fox, CC-2224 | Cody & CC-1010 | Fox, CC-1010 | Fox & CT-7567 | Rex, CT-5597 | Jesse & CT-6116 | Kix, CT-6922 | Dogma & CT-27-5555 | ARC-5555 | Fives, Clone Force 99 | Bad Batch & CC-2224 | Cody, CT-27-5555 | ARC-5555 | Fives & Ahsoka Tano, CT-7567 | Rex & Ahsoka Tano, CT-21-0408 | CT-1409 | Echo & CT-27-5555 | ARC-5555 | Fives, CT-21-0408 | CT-1409 | Echo & CT-7567 | Rex
Characters: CT-27-5555 | ARC-5555 | Fives, CT-7567 | Rex, Alpha-17 (Star Wars), Original Clone Trooper Character(s) (Star Wars), Plo Koon, CC-2224 | Cody, CT-6116 | Kix, CT-5597 | Jesse, CC-1010 | Fox, Bail Organa, CC-4477 | Thire, Bant Eerin, CT-6922 | Dogma, Clone Force 99 | Bad Batch, Twitch (Gaeasun's OC), Ahsoka Tano, CT-1409 | Echo
Additional Tags: Post-Traumatic Stress Disorder - PTSD, CT-27-5555 | ARC-5555 | Fives Has PTSD, CT-7567 | Rex is a Good Bro, Clone Trooper-centric (Star Wars), Alternate Universe - Canon Divergence, Child Death, Grief/Mourning, Hurt/Comfort, Angst, Found Family, Minor Character Death, Kaminoans Being Assholes (Star Wars), CT-27-5555 | ARC-5555 | Fives is a Badass, Psychological Trauma, Clone Troopers Speak Mando'a (Star Wars), Clone Trooper Culture & Customs (Star Wars), No Cloneshipping | Clone Trooper/Clone Trooper Relationships (Star Wars), Nightmares, reverse adoption, Unreliable Narrator, CC-1010 | Fox is So Done, Good Medic CT-6116 | Kix, CC-1010 | Fox is a Little Shit, Brain Surgery, Surgery, Meltdown, Flashbacks, Brain Damage, Somebody Lives/Not Everyone Dies, Hallucinations, Panic Attacks, Tooka Cats (Star Wars), Massiff Species (Star Wars), Blood, Service Animals, CT-21-0408 | CT-1409 | Echo and CT-27-5555 | ARC-5555 | Fives Reunion, Ahsoka Tano is a Sibling to the Clones, Survivor Guilt, Mandalorian Adoption (Star Wars), Adoption, Medical Trauma
Summary:
Fives has done it. Palpatine is dead, the chips are coming out, and the war will probably be over soon.
But that doesn't mean Fives' problems are over.
After a mission to Kamino takes a turn no one expected, Fives finds himself looking after a traumatized cadet after his batch is killed. But how can Fives look after another brother when he's lost so many? As Fives' own past starts catching up to him, he must make two decisions; how to help the cadet, and how to help himself.
Marge squints against the early autumn sun until she twists enough to put it at her back and finds a man standing on the front porch, such as it is, of the house next door. Heâs white as a sheet and staring right past her, and when she twists again to follow his gaze she reaches out to tug gently on the back of Galeâs shirt, still far looser on him than sheâd like.
âGale, honey, I think heâs talkinâ to you.â
Gale turns, frowning, to look down at her and then, at a gesture with her chin, past her to the man next door.
âCan I help you?â Gale asks, wary but still polite, as he always is until someone gives him a reason not to be.
The guy stares hard for a few seconds in silence, petrified, before he visibly shakes himself and pastes on the biggest, fakest smile Marge has ever seen on anyone not trying to sell her something.
âMaybe, maybe not. Donât happen to be from Wisconsin, do ya? Around Manitowoc?â
Gale glances down at her but Marge just shrugs; she doesnât know this guy or why heâs asking any better than Gale does, and theyâve got a lot they need to move into the house before it gets too dark out to work.
âNo. Casper. Wyoming.â
âOh. Wyoming, huh? Used to know a fella from Colorado, and another from Montana. I hear itâs beautiful country out that way.â
âYeah.â
Gale leaves it at that, short and quiet like heâs always been (shorter and quieter now, but thatâs fine), and turns back to lugging a box of his books up into his arms to carry on into the house without a glance back to see the way the guyâs face falls even as he stares after Gale until he disappears inside.Â
The next closest box is one neatly labelled âKitchenâ in Galeâs steady block print. When Marge picks it up it rattles softly with pantry goods, and sheâs pretty sure as she heads inside with it that the guy doesnât even notice when heâs left alone there on his front stoop.
By the time she and Gale re-emerge for the next round of boxes, heâs gone.
â//â
Saturday, Early August, 1946
The edge of the sink is cool and firm against Margeâs stomach, the window behind it roughly four inches from the tip of her nose. Johnâs garage door is still shut tight, his kitchen door is still hanging wide open, and every moment those things remain true drives Marge closer and closer to picking up her childhood habit of biting her nails ragged again.
âOh for chrissakes,â she huffs and turns on her heel, their kitchen door banging open behind her. She stands at the fence between their yards with one hand on her hips and the other shielding her eyes from the midday sun, ears strained for something â shouting or arguing or anything at all â but only hears the chittering of summer insects in the grass and the trees, the gentle hum of fat little bees bobbing around in her rose bushes.
She waits there until a drop of sweat beads up where the sun is striking between her shoulders, until it rolls all the way down the length of her spine and under the waist of her panties, before she huffs again, wordlessly this time, and marches up the side yard, down the sidewalk across the front of Johnâs house, up Johnâs driveway on the other side, and plants herself right smack in the middle of the garage door where Gale had.
She strains her ears again but can hear nothing until she leans in close, against the wall beside the garage door, and presses her ear to the gap between the wood and its metal track.
âJesus Buck, go easy on me-â John pleads and Marge feels heat flood her face in the same moment her gut clenches. She exhales and forces herself to relax with a roll of her eyes, leans a little more against the wall to settle in.
âSay it again.â
Someone spits, and someone whines a half-beat later. Sheâs pretty sure she knows who did what.
âCome on, Johnny,â Gale coaxes, and this time Marge hears how his murmuring is punctuated with a sharp thrust, skin on skin and John moaning without any muffling. He murmurs something incomprehensible on the trailing end of it, raggedly strained. âCouldnât hear you, sweetheart, gotta speak up. I know you can do better than that.â Another thrust, another whimper. Itâs mean of him, to demand what he wants while making it increasingly difficult for John to give it to him. Marge bites her lip at the risk of smudging her lipstick on her teeth, presses a flat palm to her stomach just below her bra to feel her ribs expanding with a sharp inhale that does nothing to brace her, and the other to her burning cheek. Galeâs never like this with her and itâs mildly surprising to discover he is with John, even after that first flush of desperate excitement from when theyâd started should have started to fade; perhaps the two of them are more alike than Galeâs really prepared to admit, and perhaps thatâs why heâs so upset about it all. No wonder he canât bring himself to find the words to explain why Johnâs rough handling bothers him so much.
John murmurs something again, rasping too low for Marge to hear but Gale must be able to because his voice is so soft when he praises, âThere you go, not so hard, âsâit? Thatâs good, Bucky. Tell me again.â
John does, whatever it is, and that seems to satisfy Gale at least for the moment as he stops demanding John repeat himself in favor of fucking him, kissing him, telling him heâs good and itâs going to be alright and heâs got him and how this is exactly what he wants. Marge has to make a conscious effort to control her breathing, has to ignore the tight ache between her legs and the way sheâs definitely getting wet just from listening to them like this. She supposes she should probably be more irritated that sheâd been over there worrying when they were over here doing this, but mostly sheâs relieved.
Surely Gale wouldnât be treating John like this if he were about to run out on them? If he were truly gearing up to leave them sheâs sure Gale would be shouting, or begging, or cold and angry and betrayed by yet another man disappointing him and leaving him to fend for himself. He wouldnât be fucking him or kissing him or praising him so sweetly. Johnâs staying. He must be.
He has to be, they need him.
I donât wanna do this without him, Gale had told her after John left this morning to go think about what he wants. I gotta have both of you. Iâm sorry, sweetheart, but I do, heâd told her and Marge had held him close, her standing between his spread knees and him sitting on the edge of the bed to hide his face in her chest and tremble through admitting what heâs still ashamed to need.
I donât know why I canât just do this the right way, heâd whispered, feathersoft agony. I donât know what broke in me but itâs all wrong now, Iâm all twisted up-
Marge had kissed his hair and rubbed his shoulders and forced herself to admit, We gotta just be wrong together then, âcause I donât wanna do this without him either. I love you Gale, but we canât do this on our own anymore, huh?
Technically they could, and if they have to they will, neither of them are built to quit on each other. She knows that down to her bones. Thereâs no force on earth that could make her leave Gale now that sheâs got him and Gale wonât leave her either, he wouldnât. Theyâd even be happy together, the two of them, just like they have been so far. Theyâd make it good, theyâd keep building the love theyâve been working on for so long and she has to believe it would be enough to see them through the years. Theyâd be content and comfortable and the love would last long enough to give them a good life together.
But they need John. Gale needs him for reasons both known and unknown, and eventually she knows heâll find the right string of words to explain it all in a way thatâll make John accept it, too. For Marge, she knows itâs a little different, the way she needs him, but for all that Galeâs fallen desperately in love with him Marge knows that she loves him like a friend, like family, like someone she gets to choose for herself without any weight of expectations driving her along without giving her the final say.
With Gale, there was never a doubt in anyoneâs mind that they would go all the way. They were friends and sweethearts and lovers and so that was just the done thing, and lucky for them itâs what they actually wanted anyway. With John, sheâs not supposed to want him at all, in fact no one would think twice about it if she refused to even give him the time of day. No one expects her to pick him for anything, no one wants her to pick him for anything, not even for a friend, but she likes him and she wants him and thatâs hers to decide, nobody elseâs. Sheâs picking John Egan for herself, and for Gale, and the worldâs just going to have to get the hell over it and quit trying to make up her mind for her.
So there.
âPlease, Buck,â John gasps, groans, and when Gale tells him to keep being good as he changes absolutely nothing about the pace he must be setting for the both of them Marge sucks in another deep breath, feels her own ribs expanding as far as the tight bodice of her dress will allow. The ache between her legs demands to be acknowledged, stroked and fucked and coaxed into sweet overwhelming pleasure. Their clearly orchestrated evening together taking care of her had been fun but they hadnât done much with each other, all their attention focused solely on her as they took turns â not that sheâs complaining! But itâs like a tease now, all the times sheâs heard them moaning and laughing and fucking and kissing without getting to see it, and so with a steely-eyed determination she decides she finally gets to see whatâs so important that theyâre keeping her waiting for Johnâs answer like this, alone and afraid of what heâll say.
Johnâs garage is modest, just barely big enough for his car, his mower tucked neatly away in the corner, and the workbench along the opposite wall that holds all his woodworking tools â chisels and knives and a couple little saws, a roll or two of sandpaper and a rubber mallet, nothing bigger than a hand tool. When heâs in there working he leaves the big rolling door open for light, but Marge knows itâs not the only source; she steps into the grass and trails her fingertips along the wall of the garage as she goes, all the way down the length of it and around the back corner. She darts a quick glance around but honestly at this point she canât find it in herself to care if she gets caught peeping. Let them see. They watch John and they think they know him, they âknowâ that he must be pursuing Marge, dragging her into debauchery with him, tempting a good woman away from her husband for his own quick pleasure. Well let them see her where she ought not to be. Let them figure out that if anyoneâs been doing the tempting itâs been her, if anyoneâs responsible for her âruinationâ then itâs her and her alone, and sheâs had her eyes wide open the whole way down. She doesnât care anymore.
The window over Johnâs workbench is a tiny thing, a single square foot of dusty glass cut up into even smaller, perfect quarter panes by a pair of perpendicular white-painted wood trims. Marge has to go up on her toes to peek through it and when she does sheâs glad for the side of the garage under her hands and the way sheâs pressed her whole front against it to avoid toppling forward; if it werenât for the support sheâs pretty sure her knees would give out.
In the abstract, she knows what they must be getting up to without her. Sodomy is a sin sheâs heard plenty about whether she wants to or not: the corruption of it, the unnatural urge of sick men that goes against Godâs will, the flagrant disregard for whatâs right and proper and expected of a family man. Sheâd worried, of course sheâd worried, when Gale came home and couldnât get it up for her anymore, couldnât do it like a married man should. But then heâd felt so guilty about it, so miserable, been so attentive and so eager to do literally anything else to make her feel good â without even getting anything for himself besides pride in a job well done â that sheâd decided very quickly that it doesnât matter if heâs a little different than how everyone says a married man should be with his woman. Heâs still her Gale, still the love of her life, still deserves to get what he wants just as much as he gives the same to her, so long as itâs in his power to give it. It was in her power to love him for exactly who and what he is, and to give him the freedom to let John get close, so sheâd given it to him gladly.
Even before John became a part of their most private and intimate conversations, sheâd thought more than once about the logistics of it, what they might be looking for with each other â or, more generally, what any two sodomizing men might want from one another. Galeâs so good with his hands and his mouth, and sheâs wondered in idle passing how he might still use them on her if sheâd been born the other way, in a different kind of body. Sheâs even tried a few things on him herself to try to get his body as interested in her as his heart is, all to no avail. Then, after that first night Gale and John spent in the guest room together making such a ruckus, sheâd wondered how it worked in much more specific detail, now knowing for certain the what of it just not the how, and with everything else going on since then she hasnât found the right time or way to ask.
Sheâs finally gotten her answer, or at least one of them.
It looks like it should hurt, is the first thought that springs to mind. And maybe it does, Johnâs got his brows furrowed hard where heâs got his head laid down on his arms crossed on top of the workbench, bent over at the waist to get his shoulders low enough to lean on it like that. His mouth is hanging loosely open like he doesnât know it, brow puckered and eyes squeezed shut, and through the thin panes of the window Marge can hear him even more clearly than she could at the door, ragged groaning that could be pain just as easily as pleasure. She flushes but forces herself to look, the light from the window catching on pale bare skin mottled with dark boot-shaped bruises where heâs got his trousers down around his thighs and his shirt shoved halfway up his back and belly to give Galeâs hands the space they need to hold him white-knuckle tight, bruises be damned.
Gale spits, hips still and hands holding John steady as the long, glinting strand of it stretches, stretches, breaks finally to land as a thick, shining, wet smear right where his cock disappears into a space she would certainly never expect it to fit. Itâs been a long time since she was on the receiving end of it but she still remembers how big Gale felt inside her when theyâd gone all the way before heâd shipped out, and that had even been in a place nature intended it to go. Gale rubs the spit in around his cock with his thumb and John doesnât even twitch, in fact he relaxes with a sigh she canât hear but can see in the rise and fall of his back.
âWetter, or are you alright to go on?â Gale asks, sweeping his dry hand up from Johnâs hip and up his back to bury his fingers in soft loose curls, gently stroking. âBucky?â
âAnything,â John slurs, mouth smushed against his own wrist growing sticky and wet with drool he doesnât seem bothered by. âCâmon baby, gimme anything.â
Gale draws his hips back long and slow and Marge canât help but stare at him, at the hard length of him emerging inch by inch as John moans - definitely pleasure this time, his face slack with bliss. He spits again when the flared head of him is holding Johnâ hole open wide and as he massages the slick into stretched taut muscle and fine dark fuzz she has to swallow a wet mouthful of her own, like her bodyâs gearing up to help him get John wet enough to thrust back into. Galeâs got a hand on Johnâs naked hip and the other brushing soft as a feather through his hair; Marge watches his face as he thrusts forward and has to swallow again at the look of careful concentration tightening every feature, his lips pursed around a slow exhale and his eyes half-lidded even as he focuses unerringly on John spread out for the taking beneath him.
Marge leans in to press her knuckles to her mouth, fist still resting on the wall of the garage, as she ignores the burning in her calves to stay up on her toes and keep watching.
Her gaze wanders eventually as they settle into the rhythm of it, though it doesnât get very far before she goes still again, staring underneath John at his cock hanging free, slacks and shorts pulled taut where theyâre shoved down around his thighs. Gale pauses, spits again, fucks in long and deep when Johnâs wet enough to take it. Lit rather dramatically by the glow from the window, Marge watches Johnâs cock drip slowly, the fine wet string of clear fluid glinting in the light for just a moment before it stretches far enough to break and drop somewhere on the floor, an involuntary mirror of the stretch and snap of Galeâs spit keeping him wet.
Gale leans in eventually, lays himself out over John, weight braced on his hand taken out of Johnâs hair to press it to the bench instead. He says something quietly enough that Marge canât hear him through the window, and though she canât hear Johnâs answer either she can at least read the, âPlease,â that tumbles from his slack lips, watches him nod a few times, uncoordinated. Gale takes some sort of pity on him, kisses his cheek and his ear and nuzzles into his hair with his eyes squeezed shut and a pinch around his generous mouth in the moment before he turns his head away just to lay it down on Johnâs shoulder. His hips are still working, a shallow in and out, as he runs his hand on Johnâs hip down, down, to, she assumes, wrap around his neglected cock.
She canât see for sure, the view obscured by Galeâs elbow and the way he and John are close enough now that itâs hard to tell where one of them starts and the other ends. But she can see the rhythmic motion of his shoulder, and the way Johnâs expression twists with pained relief, and she can hear Gale groaning, and telling John, just loudly enough to be heard through the window, âSo good for me, Bucky, Jesus. Love you.â
Margeâs breath catches, half for the ragged emotion in Galeâs voice and half for the same on Johnâs face, his eyes fluttering open and his chin tucking towards his shoulder as he tries to look back at Gale sprawled out over him. Heâs twisted the wrong direction, Galeâs head turned to face the garage door while Johnâs still facing the window, but he doesnât seem to mind. He shifts his shoulders a bit, uncrossing one arm from under the other, and when his hand creeps into sight over his head heâs got his elbow bent and fingers tangled up with Galeâs to pull his arm at an odd angle, up and around his head, just to get his mouth on Galeâs knuckles.
And his eyes flash right to Margeâs, so quickly all she can do is freeze and feel her face burn bright pink.
âYour missus know you love me?â John teases, breathless and still staring right at her where heâs still laid out flat for the taking.
âKnows it betterân you do,â Gale snorts, which isâŚaccurate. Marge wets her lips, tugs on the bottom one with her teeth, and Johnâs smirk only widens as he winks at her and then turns his head the other way to pull Gale in for a kiss so slick and open she can hear it crystal clear through the glass even with them both now turned away.
Thatâs her cue. Marge drops back down flat and turns to go, much though sheâd like to stay and watch until theyâre finished. Thereâll be plenty of time for that later; she has to believe that, that John will stay with them and thereâll be more of this, as much of it as any of them could want, wherever they are.
She and Gale had kept talking after Johnâs escape to gather his thoughts, of course, but much to her frustration theyâd gotten no farther than before. Galeâs still adamant he doesnât want to move, and she adamantly refuses to stay. Theyâre too stubborn for each other, and just stubborn enough to make it work. A decision will have to made and Galeâs going to have to be the one to give ground, thereâs no other way around it, but sheâs going to have to grit her teeth and bite her tongue through the whole drawn-out process heâll inevitably take to get around to the same way of thinking.
Marge marches back around Johnâs garage, gives them their privacy, lets herself into Johnâs empty mausoleum of a house to start gathering up any bits heâd missed in his mad dash, whatever that had been. Despite his sudden whiplash support of Galeâs insistence that they see this through, she knows he wants to leave. She knows he does, and if heâs going then she and Gale are going with him and heâs just going to have to deal with it. Sheâs brought them this far, after all, and sheâll keep it up for as long as she has to, reminding them (sometimes gently and sometimes not) that life can be better than the prisons they make in their own heads to keep themselves in line. Used to be the uniforms and ranks and the U.S. governmentâs expectations that did it, and then it was guns and razor wire and guards and dogs. She canât imagine what it was like for them, doesnât help that they wonât tell her in any kind of detail beyond what they mumble when theyâre still fresh off their nightmares, but sheâs seen the newsreels of some of the aftermath and gleaned a few bits from other returned soldiers more talkative than either of her boys. She at least knows that theyâve spent far too long being hemmed in to remember on their own that the freedom they fought so hard for applies to them as much as to anyone else.
Theyâll come around.
Johnâs house is as chilling as ever, empty of just about everything that could soften it into something comforting. Marge starts upstairs, digs an old khaki green duffel out of the dusty depths of Johnâs closet to load it up with his dress uniform and a few spare shirts still hanging above it, and then with haphazard handfuls of his incidentals; toothbrush and toothpaste from the bathroom counter, the bar of Ivory out of the bathtub. She snags his towel off the back of the door and lays the duffel on the bed to free up her hands to fold it into a neat square and shove it in the bag too. She checks his dresser to find heâs already cleared it out, bends to look under the bed to make sure there was nothing under there but his locker, which sheâd of course already seen him huffing and puffing to lug into the garage.
Downstairs, she finds a couple of novels on the mantle andâŚnothing else. No photos, no objects either of sentimental value or otherwise, not even a throw blanket for the sofa to soften it. She tucks the books into the bag with more care than sheâd shown his toiletries and, just to be sure, does a final sweep of the rooms on the bottom floor. In the kitchen she finds a couple packs of cigarettes stashed around and some sloshing bottles of liquor, which she dutifully adds to the bag despite knowing itâs still bound to be a sore spot. His flask makes it in last, and with that Marge leaves behind the empty shell of Johnâs home with a resounding slam of the front door behind her, and she marches next door with clear purpose in each step.
Upstairs, she drops the bag off in the guest room despite having no intention of letting John sleep in there for at least a few nights, if not more. Thereâs not much need to unpack it so she doesnât, she just tidies away their abandoned mugs of coffee from this morning to dump them in the kitchen sink, and then sets about tidying up the rest of the downstairs as well despite it not really needing it, just to have something to do while she waits.
Sheâd thought for sure that John and Gale were nearly done with each other by the time sheâd left them to it, but she finishes tidying up without a hint of them and then finds herself at something of a loss. She sits on the couch, but feels too restless to be still. She heads for the kitchen but they still need to go to the grocer so thereâs not much she can use to prepare something for lunch. She paces the length of the hallway between and thatâs a little better, hands drifting to straighten up or trail along the photo frames scattered on the walls: wide photos of the land around Casper, stilted portraits of her parents, softly blurred candid photos of her and Gale over the years, snapshots of their courtship caught by happenstance more than by any intention to sit for photos of them. Marge had a friend growing up, Dee Rivers, whoâd gotten a brand new Kodak Retina for her birthday, and thereâs no telling how many rolls of film she went through in high school trying to capture every little moment with aggressive fervor. Marge hadnât known then how much sheâd appreciate it, but when Deeâs gift to her and Gale at their graduation had been an album of every single photo she ever got of them, sheâd given Dee a big hug and a teary kiss on the cheek.
Marge stops her pacing to rest both hands carefully on the bottom corners of a little frame, a picture of her and Gale sitting too close together sharing an ice cream thatâs melting all over both of them, laughing together at the mess theyâre making, and she loves and misses him so fiercely the ache of it startles her just as much as the front door opening does a moment later.
Gale steps in first in the middle of hitching his trousers further up his waist. John slinks in after him with a hardtop suitcase held in front of him with both hands like itâs a shield, ducking his head and curling his shoulders like he always does as if heâs used to having a much bigger body to fit through the frame (or heâs used to much smaller doors to fit those wide shoulders through).
âHey sweetheart,â Gale swoops in to kiss her cheek and Marge tips her head to allow it, eyes fixed on Johnâs over Galeâs shoulder. âBuckyâs got somethinâ to say to you.â
âGot your answer, then?â Marge asks, eyes still fixed on John as Gale steps back to take the suitcase off him and lean in, his back to Marge, to rest a hand on Johnâs shoulder and murmur something in his ear too quiet for her to pick up. He disappears upstairs and Marge puts her hands on her hips, eyebrow raised. âWell?â
John wets his lips and drags a long, burning look down the length of her, possessive and sure of his welcome. When he steps forward Marge has to fight the urge to take a step back, but sheâs startled again by the way he only drops to his knees in front of her and lifts his hands to take both of hers, fingers half-curled under the drape of hers to bring her hands together in between them so he can kiss her knuckles softly enough his mustache barely tickles.
âThis thing weâve got goingâŚIâm gonna stick it out,â he tells the back of her left hand, mouth pressed to it once and then once more for good measure before he trails up to kiss the same wrist. âAnd you and me are gonna find a way to talk our Buck into going somewhere we can do that without looking over our shoulders every hour of the day. That work alright for you, Mrs Cleven?â
Oh heâs devastating. He flicks a glance up at her through his lashes, the very picture of contrition if not for the glint of mischief in his eyes and the smirk heâs not quite managing to hide behind kissing the highest knuckle of her right hand.
âYes, it does,â Marge agrees simply; Johnâs nice enough not to tease her for the breathless hitch of it. She clears her throat and adds, more strongly, âAnd just how close were you to running off instead?â
âToo close,â he admits with ease, with a shrug, with a kiss to the tender inside of her forearm. He stops again though to grin up at her properly, unashamed and leering with his head tipped back, throat bared. âYou know I already got my punishment for that, though, so donât worry about a repeat-â
âOh is that what punishment looks like?â she drawls just to hear John laugh, and she loves the sound of it even when it rasps into a cough that makes him wince and shift his weight further to one side to favor the weak spot in his ribs.
âCouldnât you tell? Heâs cruel, Margie, wouldnât let me use my hands or anything. Made me wait and beg for it and wouldnât even give it how I asked-â
âDidnât look like you minded all that much.â
John snorts and tugs gently on Margeâs hands in a request for help standing, which of course she offers with no fanfare. As soon as heâs on his feet again he wraps his arms around her shoulders to pull her in close and Marge goes, fitting herself into the broad curves of him with a sigh and running her hands slowly up and down from waist to shoulders and back. His heart beats steadily under the press of her ear, his mouth is firm and lingering when he presses it to the top of her head. Her linked hands fit snugly in the curve at the small of his back and Marge holds him close like that as she closes her eyes on the sight of her parents staring at them from the nearest picture frame, frozen forever in a staged tableau outside their home with her, an infant in her motherâs arms.
âIâm sorry for worrying you, Marge. But Iâve got a plan for gettinâ us outta here,â John mumbles. He sways her gently back and forth, weight tipping on and off the balls of his feet like he doesnât quite realize heâs doing it. Itâs soothing, and Marge sinks into the slow rocking of it with a sigh.
She takes a deep breath in just to tell him, âWe can talk about it later. Letâs get ourselves sorted out like this first and then weâll talk about what we can do elsewhere.â
âNeighborsâll talk,â John warns, one big hand skimming down the length of her spine and back up, soothing.
âWhen donât they?â
John sighs, âI suppose.â He thinks on that for a long moment before he snorts and shakes his head and Marge tries very hard not to think of him like a horse shaking off the flies buzzing around its ears. âWell in that case, if weâve got nothing better to doâŚyou feel like being sweet on me after your husband was so rough?â
Marge pulls away at that, laughing and smacking at Johnâs chest to keep him from reeling her back in. âNo, we need groceries and to get you settled in and Gale needs to mow the lawn-â
âOh câmon Marge,â John whines, all theatrics. The stairs creak with Galeâs return and Marge catches him rolling his eyes on his way past to head into the sitting room. âJust a quick-â
âGet in here, John,â Gale interrupts from around the corner, decidedly less short with him than he was yesterday, and much more fond. âYou promised.â
âWhat did you promise?â Marge asks; John tucks her under his arm and walks with her down the hall with another longsuffering sigh.
âThat Iâd let him fuss over-â he gestures broadly to himself and she understands when they round the corner to find Galeâs dug out their battered first aid kit from the bathroom cupboard while he was upstairs and is now waiting expectantly on his knees beside the coffee table with a determined set to his jaw and a pad of gauze already soaked in mercurochrome carefully cupped in one hand, a rivulet of reddish orange antiseptic racing down the pale inside of his wrist. Sheâs not so sure any of Johnâs cuts are still open enough to need cleaning like that but sheâs hardly about to point that out, not if itâll mean John will finally sit down and let himself be taken care of like he needs.
âIâll leave you boys to it,â she decides; the look in Galeâs eyes promises some strong emotion brewing and, unlikely though it seems, he may actually have no choice but to find the words to express it if she makes herself scarce rather than giving him the option of a translator for the things he keeps locked away. She hadnât been lying to John after all, they need groceries and he needs to get settled in, and the lawn may be able to wait for another week for Gale to cut it if need be but whatever this is between the two of them needs to be hashed out and made permanent as soon as possible.
She ducks out gracefully and canât keep from smiling for the rest of the day, even out in public. She doesnât care who sees.
â//â
Wednesday, Late August
John settles in, and with him so does something loose rattling around in Galeâs chest thatâs been knocking against his ribs for much longer than heâs wanted John to be the one to soothe it. He stays. He still drinks, still smokes, but he hardly ever still tastes like whiskey when Gale kisses him at night, he keeps his wits about him and he makes a show out of being sweet on Marge sometimes even more than he is on Gale, and the shivery fear in the pit of Galeâs stomach starts to ease.
Heâs still John, of course. Heâs still mercurial, still gets locked up in his own head a little too often, still has his rough days. But on the other hand his smiles also last a little longer, he laughs more often, and though he clearly doesnât like the process heâs still been eating everything Marge puts in front of him and itâs starting to show. Thereâs a softness to him that wasnât there before, in every way, and Gale would be worried about how much he wants him were Marge not right there pushing them both to indulge in it.
He and Marge didnât get much of a honeymoon. There was so much to be done to get their lives in order, Gale had work that he couldnât leave for long and Marge was too eager to get them settled down and established to want to spend any real amount of time away from their home. Not that Gale had wanted to go anywhere to begin with, so thatâd suited him just fine, and that was even before theyâd realized the full extent of his inability to please her like he should. Their honeymoon period was a little too fraught to enjoy like they were supposed to, there was nothing theyâd done that had justified the knowing glances and raised eyebrows the folks who knew them sent their way when they went into town for anything.
This honeymoon period isnât at all like that one, but Gale thinks it canât be called much of anything else. Theyâre figuring it out, how to make it all work when theyâre together, and the process isâŚfun. In a strange kind of way.
Marge likes watching almost as much as she likes participating. John likes giving it to her as much as he likes getting it from Gale. Gale likes giving it to John while Marge tells him how good heâs doing and teases John about how badly he wants it. Marge likes it when either of them use their hands or mouth on her, and she especially likes it when they both do, together. John grins and laughs and teases and pulls Gale into his teasing so often it almost doesnât feel right anymore to be together without smiling, without laughing even just a little, and every time John makes him laugh Marge looks at him all shiny-eyed and gorgeously happy like she had done almost constantly before he left for Europe, and it all feels right. John makes him feel more like the man she fell in love with all those years ago, and Gale has decided itâs no use being ashamed of that. They need him, plain and simple, and John likes more than anything to be needed. Wanted. To be good.
He seems quite happy to be told that so often theyâve given him no choice but to finally start to believe itâs the truth.
With things at home going so well, it stands to reason that a cost must be incurred elsewhere. Since the incident that night at the bar, things at the plant have been..tense. Nothing he canât handle, of course â these guys have nothing on the Germans â but it does mean that the relatively benign friends heâd made now do their best to avoid being seen fraternizing with him now. It doesnât matter, really, itâs not as if heâs really looking for friends amongst these men or anywhere else, but the glares and muttering just out of ear shot are enough like his days in the stalag to put him on edge.
Heâs not going to be the first to break though. With Johnâs settling in thereâs also come an unspoken truce, temporary and unhappy but there, on the issue of their getting out of town. At first thereâd been too much to do with getting John moved in and doing enough making up in every direction to soothe all their ruffled feathers; by the time they were all calm and happy again it had been too long, and theyâd slipped back into old patterns without the topic coming up again. Galeâs perfectly happy to let it stay that way, which means he just has to stick to his own advice and get on with things, head down, teeth clenched around the toothpicks he gnaws and snaps to nothing, eyes and ears wide open for any sign of escalation that thankfully doesnât seem to be coming for him anytime soon, but heâs not so foolish to think thatâll hold forever.
Heâs handling it â and besides, it just makes coming home to Marge and John that much sweeter at the end of the day.
Tonight Gale pulls into the driveway with the rear view mirror tipped up towards the ceiling to cut off the blinding glare of the sunset at his back, and when he puts on the brake and cuts the engine he sits there for long moments in the quiet, just breathing. Heâs got his window rolled down to keep the car from getting too stuffy in the late August evening and he sits there in the light breeze â head tipped back and eyes shut and bent elbow half-hanging out over the door â and he sighs through a few deep breaths to work the worst of the tension out of his shoulders before he goes inside. He nearly dozes off like that even, each breath slower than the last until the sound of footsteps scuffing by on the sidewalk at the end of the driveway behind him pulls him back out of it.
He rolls the window up, gets out with a stretch of his sore back, and freezes when he turns on his heel to cross the drive to the back porch. He watches for a long moment, tries and fails not to frown, not to worry.
âWhat happened?â he asks in lieu of his usual softer greeting when he shoulders into the kitchen. Marge is standing at the sink, one arm around her middle and the other elbow braced on it so she can chew on her thumbnail the way her mother always hated to see her doing.
âHe got a letter.â She doesnât take her eyes off the sight through the window where Johnâs pacing around the empty yard next door playing another game of baseball all by himself, but she at least tilts her head towards the jut of the breakfast bar. Gale snatches up the letter laying on it where itâs clearly been tossed without a care for how it landed and he steps up behind Marge to hook his chin over her shoulder as he reads.
It isnât long, but by the time heâs skimmed it his teeth are clenched hard enough Marge stops chewing on her nail long enough to tap his jaw to remind him to loosen up.
Major Egan,
In light of recent events, which Iâm sure need no explanation, I have no choice but to inform you that your position at the school has been terminated, effective immediately. We appreciate your service and your dedication to your work, but I have a duty to consider the safety of my students as well as the comfort of their parents, and so this is where we must part ways. Iâm sure you can appreciate the difficult position weâve been placed in to have come to this decision.
Best of luck with any future endeavors, kindest regards, etc etc.
Principal Hugh Perry
âHow long has he been out there?â
Marge sighs and her hair tickles softly against the side of his neck when she leans back to settle herself more firmly against his chest.Â
âA while. Takinâ it pretty hard, I think.â
Of course he is, Gale doesnât say, heâs already hanging on by a goddamn thread as it is. He hums, and he kisses Marge for a belated proper hello with a hand on her hip to turn her far enough towards him to manage it, and together they turn back to the window to watch John ruffle aggressive hands through his hair as he walks a lopsided diamond with his eyes fixed firmly on his feet.
âReckon I oughta go get him.â
âHe might feel worse in here, all cooped up.â
âMaybe, but I donât like him out there alone.â
Marge nods and stands up straight again to let him go, gaze still fixed on John and his pacing, thumbnail back between her teeth.
Itâs the first time Johnâs gone back to his house since they finished getting his affairs in order to prepare to sell it. Gale has no idea if thereâs some significance to that or not but that hardly seems important beyond the logistics of getting him back where he belongs. A waist-high chainlink fence is hardly a wall of barbed wire, though, so Galeâs relatively confident in his chances.
âBucky,â he calls, and it seems to fall on deaf ears as John keeps kicking his miniature baseball diamond into the grass, and from here, leaning on the fence, Gale can hear heâs muttering to himself, though heâs still too far away to pick out any words. âJohn Egan!â he barks when itâs clear John didnât hear him, âYour two oâclock!â
When John twists his head to look at him his whole body follows like a marionette and Gale would be a liar if he ever claimed to be immune to the pleasure of seeing the way recognition and relief chase each other across Johnâs so-expressive face any time Galeâs the one to pull him out of one of his tailspins.
âGot a big game goinâ on out here, Buck,â he rasps but heâs drifting closer anyway already like he canât help it.
âI can see that. Marge and I wanna know the score.â
That gets him a smile, maybe a little dead-eyed but the amusement is genuine enough for all of the half second that it lasts. John keeps drifting, feet dragging him closer until Gale can reach out over the top of the fence and pull John in the rest of the way with an index finger tucked between two of the buttons of his shirt, knuckles crooked to hold on and tug.
âCâmere sweetheart,â he murmurs. They canât kiss out here, thatâs too much more than the shade too far that is John having clearly moved in with them, but John still gets close enough that they would if they could, and itâd be easy as anything to do it. âWhy donât you come back inside? Startinâ to worry Marge.â
âIf I come in now Iâm gonna start a fight you donât wanna have.â He says it so plainly that for a moment Gale can only blink, just once.
âWhat fightâs that?â
âNew York.â
Gale takes a deep breath in and nods, not necessarily agreement but just to show heâs heard. Of course, Johnâs plan. His grand plan to run away to the biggest, nastiest, most crowded, dangerous city east of the Mississippi, for the three of them to start some kind of life there as if thereâs anything for them in New York City but living too much on top of one another and grueling factory work thatâll grind them all to miserable dust. He knows Johnâs got some romantic ideal vision of the city in his head and maybe Galeâs got too much of the opposite but still â Johnâs right, itâs most likely going to be an argument.
âWell weâre gonna have it sooner or later anyway, may as well be now. Get inside and letâs at least have it before supper, air it out a little so you can breathe. Come on, get moving.â This time heâs clearly not asking and when Gale turns back to the house John follows so blindly he walks straight into the fence, kicking it with a shivering rattle of the links against the support posts. John curses the thing with some feeling even as he vaults over it with a clumsy thud.
Marge is waiting for them in the kitchen, of course, but before she can say anything Gale takes her hand and tugs her towards the hallway. He tells her, âJohnâs gotta talk to us about somethinâ,â and it only takes her a momentâs glance at Johnâs miserable glower to nod and follow along as Gale pulls her into the living room. She sits down onto the couch beside him to give John the room to pace and lays her hands neatly in her lap, the picture of patient expectation.
John, of course, gets back to his pacing immediately, not a big lopsided baseball diamond drawn with his feet but a barely-contained back and forth, big strides that eat up the space in the living room too quickly. He turns smartly on his heel at each end of the room and Gale settles into the couch with his hands clasped tight between his knees to hide their trembling as John starts to lay his thoughts out for them.
New York City
Moving so close to winter isnât exactly ideal. The cityâs cold and blustery and people arenât so nice in the snow and the ice as they are when the sunâs shining, but itâs not so bad. They arrive just at the end of the warm days of autumn, frost nipping but not yet lasting even as the sun weakens. Logistically, itâs not the worst.
They find an apartment in a decent neighborhood thatâs got two bedrooms, both to keep up appearances and simply because the arrangement works for them on the rare nights someone doesnât want to share a bed with the other two. Thereâs a sitting room with room for a television and a radio, no fireplace but the radiators can keep up with the cold well enough if they wear some extra layers in the evenings, and they donât need a mantel when they can just hang all of Galeâs service photos and the shadowbox of his things right on the walls instead. Galeâs books all fit in the room between a tall shelf in the corner and a long, low shelf under the television set, and itâs not as if he doesnât also usually have a pile of them somewhere else too just waiting to be read should the shelves overflow. Itâs a bit of a tight fit, but it works. Itâs enough.
The kitchenâs small, too, of course, but with some careful planning and some extra shelves put up on the walls thereâs room for all of Margeâs cookbooks and utensils and all to have their own spots. They can even squeeze a little dining table just big enough for the three of them into one corner, so long as they donât mind having a chair sticking out a bit into the walkway. Thereâs an Automagic in the other corner near the sink, and a pulley clothesline for drying right outside the window above it, and an electric refrigerator instead of an icebox. All the modern conveniences with only a small sacrifice of space, thatâs all.
More important than their apartment, though, is that now, in the middle of so much growth and progress going on around them, theyâre completely unremarkable. No one watches them closely, no one cares what theyâre doing, everyoneâs so wrapped up in their own lives and the bustle of the city that three new people moving into some unremarkable apartment isnât even noteworthy, let alone something to be curious about. Theyâre left alone save for cordial greetings from the neighbors when they cross paths and, when invited, visits from Margeâs friends, and Johnâs.
Heâs got work that Rosie helped him land, an office job related just enough to aviation to be interesting without touching too close to things heâd like to forget. Marge finds a job operating telephones, always necessary in a busy place like the city. Sheâs good at it, so quick and clever and friendly, and she likes it, the social aspect of it as well as the satisfaction of getting to put that brilliant mind of hers to good use every day. Galeâs got his heart set on a college degree like heâd been too busy to get when heâd been stationed in Florida before the war, where Marge had gotten hers. Heâd studied as much as possible while he was in training but hadnât managed to actually get his paper before heâd been sent overseas and he still wants it, he can go to NYU and get it, or anywhere he wants â thereâs plenty of choice in a city that big. Between John and Margeâs wages thereâs more than enough to cover their living expenses and Galeâs GI benefits will cover the degree and theyâve got a whole life they can build up just the way they like-
âIâm not living in New York.â
John stumbles to a full stop, feet and tongue giving up on him in the same moment with his hands still spread with his gesturing as he tries to paint them a picture of this oh-so-perfect life â like it isnât filtered through about ten layers of delusional romanticizing, not a single bit of it realistic.
âJesus Buck, give it a chance,â John snaps. âNever even seen the place, how can you be so goddamn sure you wonât like it just fine?â
âDonât need to see it, I know it. The hellâm I supposed to do in a city like that? Everyoneâs all crowded on top of each other fighting and stinking and living with the noise of everyone else around them through the walls and the windows â you didnât get enough of that over there?â
That stops John short, his cheeks pale with the shock of it. Margeâs hand slips onto his knee, the gentlest censure imaginable, but Gale doesnât look at her. He stares John down, tries to urge him to really think about what heâs suggesting.
He does at least find it in himself to dig up some guilt for the hurt in Johnâs eyes when he rasps, âItâs not gonna be like a damn combine, Buck. ItâsâŚwe can make it nice, just like here. Canât we, Marge?â
âJohnâŚâ Margeâs voice is low, purposefully pitched that way no doubt to soothe, but Gale can still hear the apology building in it. âIâm so sorry baby but I agree with Gale. I donât wanna live in New York either.â
I donât wanna leave. Gale remembers whining it as a boy, still too young to understand just how much he was expected to be seen and not heard.
(âBut youâve been there, Marge, and you had a nice time right? You know itâs not so bad as heâs thinking-â)
His ears wouldnât quit ringing for a week after his father was done cuffing his fists against them, and by the end of that week theyâd left anyway, had run from one rickety house to another to avoid the man in the pressed trousers who always came every month to ask for money, each time meaner than the last.
(âI know, and I had a great timeâŚbut I also saw what those apartments youâre talkinâ about are really like and heâs got a point, John, everyoneâs packed in all together like a tin of sardines and thatâs no way I want us to live-â)
The next time they picked up and ran Gale had figured out he needed to keep his mouth shut about what he wanted, or didnât. His father had said they needed to go so they did, Galeâs things shoved haphazardly in a dented old suitcase alongside his fatherâs equally meager wardrobe, and as they drove away heâd caught the glint of a set of brass knuckles on his fatherâs hand curled too tight around the steering wheel â a precaution for the landlord or a threat for Gale, heâs never been sure.
(âSo we find somewhere thatâs not so crowded! We can look around, get Rosie, and Croz ân Jean, and maybe even your friend Marty to help us look â we wonât be flying blind or anything, we can find somewhere thatâs right!â)
The next time, Galeâs clothes got their own suitcase, his fatherâs shoved into a motheaten duffle alongside his shotgun. That time the landlord surprised them and he wasnât asking nicely, heâd come with a dog and a pistol that heâd smacked Galeâs cheek with for lying and saying that they could pay if he just gave them until the real due date.
The time after that he only had one spare set of clothes and he was wearing them on top of the rest to keep warm under a coat that was more patch than wool.
(âMaybe not the city but a suburb-â
âNo! No more suburbs, Marge. Please. Iâve had enough of nice lawns and white picket fences to last me a lifetime, I think.â)
The time after that theyâd had nowhere to go for weeks. Gale had come to despise the inside of that truck almost as much as heâd long since come to loathe the man driving it.
The time after that-
And the next-
And then-
âHoney?â
Gale blinks back to himself and finds John watching him from much closer than heâd been pacing, close enough to knock his toes against Galeâs with a dull thunk of leather on leather.Â
John tilts his head first one direction then the other, squints, purses his lips like studying Gale is the most complicated problem heâs ever been faced with. Gale manages to play along in his own small way, raising an eyebrow at him and lifting his chin in silent defiance, but John still kicks him again, a gentle tap muffled nearly to silence by the thick carpet. Gale nudges him back and John nods like thatâs answered his unasked question.
âItâs okay Marge, looks like heâs still alive in there,â he tells her and though Gale smiles just a little for the weak joke Marge tenses against his side and fixes John with a flat look, no doubt for the morbidity of it. Her shoulders relax again slightly under the arm Gale slings around them, and the rest of her irritation visibly melts away moments later when he brings that hand up from her arm to brush the backs of his curled knuckles against her cheek instead, not quite stroking but close enough as he leans in to press a kiss to her hair.
âSorry sweetheart, you say somethinâ?â
âNo,â Marge sighs. She kicks her shoes off to bring her feet up onto the sofa beside her and curl in closer to Galeâs side. âWe just decided no suburbs, is all.â
âOh. Thatâs fine. Good.â
His headâs still too full of the endless parade of featureless shacks his father dragged him to every few months, every time the rent came due without a big win at the track or the pool hall to match it, to know if thatâs actually good or not. He doesnât want to live in a city but nor does he want to be on the fringes again like he was back then, too far away to get any help even if heâd ever been able to swallow enough shame to ask for it (he hadnât). Whatâs so wrong with a suburb instead?
Gale doesnât get a chance to ask; John squints at him for a long moment, though what heâs looking for Gale has no idea, nor can he tell if he finds whatever it is or not. Johnâs expression is locked down tight, nothing but grim acceptance in the tight press of his lips and the stubborn set to his jaw.
âWell â no suburbs and no New York, really. Right?â he eventually mutters, surly and with ill grace. He nods to himself without waiting for an answer â mouth turned down in an exaggerated frown and his hands on his hips â and exhales a slow sigh out of his nose as he looks between Gale and Marge. âRight. Iâm gonna take a walk.â
âJohn-â Marge starts, but Gale stops her with his free hand on her thigh before she can get up to follow him out, and a moment later the front door clicks shut so quietly itâs nearly silent.
âLet him work it out.â Margeâs wary glance at him is warranted, heâs willing to acknowledge, even if it bothers him. âWhat?â
âYouâre alright just letting him go â when heâs that upset?â
Heâs working on it. âYes.â
Again, the skepticism written all over her face is warranted. Again, it bothers him, and heâs too worn out from a long day to curb his tongue as much as he should.
âWhat, Marge?â
âNothing,â she huffs and stands, rustling her skirts straight with a snap of her wrists. âIâll get started on supper, you keep an eye out for him.â
She leaves without a glance back and Gale tilts his head back onto the sofa to avoid having to stare at his own photos on the mantel across from him as he listens to Marge banging around in the kitchen. He listens to her chopping, the staccato patter of the knife on the cutting board, the fibrous break of vegetables under her hands. He waits to get up until he hears something sizzling in a pan and tells himself that heâs not waiting until sheâs trapped there over the stove, heâs justâŚletting her work off some frustration first.
He drifts down the hall and when he reaches the kitchen door he stays in it, not daring to take a step further without permission.
âMarge,â he calls; her shoulders twitch but she gives no other sign sheâs heard except maybe a too-savage thrust of the knife through a pork chop sheâs slicing a slab of fat off of. âSweetheart, you said it yourself â he feels too cooped up in here when heâs in a mood.â
âSo? Didnât stop you from bringinâ him in just a few minutes ago!â
âSo, weâve gotta let him work it out on his own. If we donât heâll never believe we trust him to come back.â
Marge turns to look at him over her shoulder, not quite a glare but definitely accusatory. âYou donât fool me Gale, you donât like him leavinâ anymore than I do, so donât get high and mighty about it at me.â
âI didnât say I like it, I said itâs gotta be done. Heâll be back for supper.â
Marge says nothing, just stirs the vegetables sizzling in the pan and goes back to trimming the pork chops, her back once again firmly to him.
âIâll go keep an eye out for him, then,â Gale tells the rigid line of her shoulders and he pretends not to hear her sigh behind him as he goes. He could sit on the stoop, he supposes, or in Margeâs chair in the sitting room. He could sit comfortably by the radio and keep one eye on the street and the other on a book. He could be relaxed about it, could wait patiently, but thereâs a tight buzzing sort of thing under his skin, a threat of more memories of a succession of more dingy houses, lurking just beneath the surface, and Gale knows that until John walks back through the door safe and sound he wonât be able to let his guard down.
He steps to the left instead, into the den. The angle of the light in here is ever so slightly different from the way it cuts across the living room, some twelve feet between one window and the other enough of a step removed to change everything. Gale stands to the left of the window, leans against the wall with the curtain bunched up under the press of his shoulder, to cross his arms and look up the street in the direction heâs sure John went.
He could follow him again. He could tail him along flat long sidewalks and call out to him under a streetlight, just flickering on for the evening. He could look at the tired lines of his face, the slumped defeat in his shoulders, when he tells him to turn around, that thatâs far enough, Major. He doubts John would ask to be hit again, but if he did for some reason Gale thinks he might do it without waiting to be goaded into it this time, wouldnât say no. Heâs learned very well that John wants it both ways sometimes, gentle and painful all wrapped up in one; heâd once thought that to be gentle with John was to be rough with him, and to some degree he knows thatâs still true. If itâs the only way heâll find comfort tonight, if he really wants Gale to hurt him just to also pout at him to help him mop up then fuck, he could do it. Heâd lay John out and then take him home, hands wandering in the only way theyâre allowed in public, a bracing arm around his waist, a hand curled around his wrist to keep Johnâs body draped over him, heavy and loose and the smell of hot iron in his nose from the dribble of it down Johnâs face. Heâd get him inside, where he can hold him pressed in a compromising curl over the sink so he wonât drip blood on the carpet or the linoleum, and heâd lay over his back to hold his head up for him again, and heâd straighten up his nose with a sharp cartilage crunchâŚonly this time heâd kiss him too, after setting it. Heâd taste blood on Johnâs open mouth and chase it down with an unruly hunger he shouldnât feel. Heâd let John take him by the hips like heâd tried to that late June night in his kitchen, before Gale could accept that he felt things for John that made him want more and more of it, insatiable filthy hunger licking at his ribs.
He could do it. They could do it all over again. John might not even remember having done it the first time, heâd been stumbling on his whiskey, talking too slow and careful in the way of an alcoholic deep in his cups. Maybe they could have a do-over, maybe this time Gale could drag John back right where he wants him and love him just as hard as he hits him.
He stands at the window and lets the room get dark around him. He stands there when the streetlights flicker on, and porch lights, and the last of the summerâs fireflies come bobbing out of the tall grass of a few yards that need trimming.
Margeâs voice is soft when she stops outside the door to look in. âAny sign of him?â
Gale takes a deep breath in, shakes himself out of his reverie. Shakes his head no. Not yet.
âSupperâll be on the table in ten minutes.â
âAlright.â
She leaves him to it, doesnât ask if he wants the light on. Gale shuffles forward a step to press his temple to cool glass, squints a little and tilts his chin to see even just an inch or two further up the road, his stomach heavy with dread.
Something scuffs against the pavement just outside and Gale jerks away from the window to twist and face it straight on â John. Hands in his pockets and expression relaxed but resigned, heâs coming up the street from the opposite direction, as if heâs just coming over from his own place next door.
Galeâs got the front door open for him by the time his foot is on the bottom step.
âSmells good in there, Buck,â he says; Gale steps aside to let him in, shuts the door behind him. âSaw you waitinâ for me,â he murmurs much more softly the moment theyâre alone, the hallway dark with just the lights in the kitchen at the other end of it to cut through the gloom. John kisses him in an uncomplicated greeting, sweet and soft and just for him.
âUh-huh.â He breathes it soft as a feather against the warm, damp press of Johnâs mouth to his.
âLooked like youâd wait there all night.â
âIf I had to.â
John hums, kisses him again a little more deeply. His arms slide around Galeâs neck and Gale leans against his chest in return, slings his arms around his waist.
ââM sorry about New York,â Gale sighs.
âI know. Me too.â
Another kiss. A nudge of the end of Johnâs nose against the end of his. A kiss. A kiss.
âDecided Iâm gonna follow you anywhere, though,â John tells him, low like a secret, âwherever you wanna go, and Iâll be happy about it because itâs where you are. The rest of itâs just window dressing.â
This time Gale kisses him first; itâs easier than trying to find the right words to say back, but he knows John understands.
âBoys,â Marge calls. When they turn to look at her, sheâs leaning against the door frame at the end of the hall, haloed by the kitchen lights behind her. âSupperâs on the table. Come in and eat.â
â//â
Tuesday, early September
âJesus John, yes,â Marge gasps and John grins with feral gritted teeth as he doubles down on his efforts. Itâs worth the burn in his thighs and the cramp in his hand and forearm to watch Margeâs back arch right off the bed as she comes for him, red lips parted and strands of hair clinging to the sweat beading on her forehead and at her temples. He slows down when she starts whimpering but does absolutely nothing to be gentle, just takes his sweet time in between each thrust so she feels every inch of him, every second of overstimulation. He thumbs at her clit and ducks down to lick the faint salt of her sweat off a bruise on her neck in the shape of Galeâs mouth from last night.
He fucks Marge hard and slow with his free hand wrapped around a pole of the headboard and with one foot on the floor off the side of the bed for better leverage, and he doesnât let her squirm away from the too muchness of it all until sheâs come again and each breath is a gasping sob for air, eyes dry but the whole rest of her wet with sweat or the slick of her come smeared between her thighs (and all over his, too). He pulls out when she begs him to and shoves a couple fingers inside her instead, just once with rough efficiency, to wet them enough to glide over his cock so he can finish himself off with a few sharp tugs while she recovers. He groans as he finishes; she pants up at the ceiling and responds a beat too late when he kisses her, quick and smiling. When he sits up on the knee planted on the bed between her thighs she lifts just her head to look down the glistening length of herself and Johnâs smile widens into a shit-eating grin when she groans and flops back down flat.
âJohn,â she huffs, almost whining, ânow I have to take a shower!â
âHate to break it to you, but you were gonna need one anyway, doll,â he snickers and reaches forward to scrub thick sticky strings of his come deeper into the thatch of hair between her legs, scritching fingertips through the damp tangle of it for just a second before she shouts a wordless exclamation, laughs in a nose scrunching kind of way that could almost be a giggle, kicks his hand away and rolls naked across the bed to stumble off the other side of it onto her feet, hair a mess and all of her flushed a tender overheated pink.
âYouâre a menace, Bucky,â she bites with an accusatory finger pointed at him that she leaves up until sheâs slipped behind the door into the bathroom to start up the shower with a squeak of a knob, the pipes groaning and clanking behind the wall. John lays out on his back on clammy sheets, arms and legs spread as far as he can get them to let the cool fall breeze slipping through the open window beside the bed tickle over every damp inch of him.
âYou still gonna be alright to come help me with the shopping?â Marge calls over the water pattering in noisy waves into the tub. John lifts one hand off the mattress to drape it heavily over his own bare chest instead, scritching his fingertips through the faint dusting of sweat-clumped hair on his sternum, same as heâd done between Margeâs legs.
ââCourse I am, gorgeous. You just-â he yawns so widely his jaw pops half out of socket and he has to raise his hand to it to nudge it back where it goes, â-just say when weâre goinâ and Iâll be ready in five minutes.â
âYou wanna take a nap first?â
âMaybe, yeah. Youâll take one too, though, huh? Did I not do it good enough this time or somethinâ? You always sleep after.â
ââCourse it was good,â she interrupts herself with a wide yawn to rival his, audible even over the splash of water against the tub, âIâm just not sleepinâ on those filthy sheets.â
John cracks an eye open and looks at what he can see of the sheets around his own spreadeagle limbs. Alright fine, so there are a few extra-damp splotches adding to the general clamminess of their sweat that likely need addressing sooner rather than later, but so what?
âGood thing weâre airing out the room at least, I guess,â John huffs. His head falls back onto the bed, cracked open eye slips shut again. He runs an idle fingertip in circles around a nipple, not to do anything in particular, just to feel it. The breeze and his drying sweat are conspiring against him, raising the hairs on his arms as his whole body tingles with goosebumps in the chill, nipples hardening more for that than his idle touching.
The water shuts off and within a minute, maybe two, Marge is crawling over him again, damp and warm and settling in with her hips lined up just right against his, her chest pressing soft to his diaphragm. No towel or a stitch of clothing to be found.
âThought you werenât sleepinâ on these sheets?â he yawns.
ââM not on the sheets, am I?â As if to further demonstrate the point she lays her head down on his chest and John smiles as he slings his arm around her shoulders, presses a blind kiss to her temple.
âWanna go lay down in the guest bed? Could get an hour in and still make it to the store in plentyâa time.â
âMm. Mhm.â
John cups his hand against the back of her head (his fingers areâŚmostly clean. Theyâre at least not sticky anymore, just a little flaky) and pets the side of his thumb against the soft fall of her hair. She gets steadily heavier against him with every deep breath and as much as John would like to fall asleep here like this he knows he shouldnât let her. She huffs at him for jostling her awake but she still helps him up and out of bed and holds his hand loosely, just their fingertips tangled, as they cross the hall to the guest room, so she must not mind too much.
âOhhh this was the right call,â Marge sighs as she slides between crisp, cool sheets and promptly rolls onto her front to bury her face in the pillows. John opens the window in here too before he slides in next to her, a little less luxuriously as he still needs to clean up and he doesnât need to doom this set of sheets to the wash, too. Theyâve been going at it for a while, and heâs pretty ripe with a damn good workout, not to mention covered in the drying evidence of Margeâs pleasure on his hips and thighs and hands and chin-
Marge turns onto her side just enough to slide a proprietary hand across his chest to settle right over his steady heart, and within moments theyâre both out cold.
John wakes groggily some time later (the angle of the lightâs only a little different, canât be more than an hour he hopes) to a touch heâs not expecting, but that doesnât make it unwelcome. Margeâs slim fingers fit just as nicely between his cheeks as they do everywhere else so he just sighs and lets his left leg fall wide, knee bent and thigh turned out perpendicular to his hip, to give her room to explore.
She doesnât say anything so he doesnât either. He keeps his eyes shut and stays as relaxed as he can as he feels Marge prop herself up onto an elbow to get a better angle as she slips him a fingertip, dry and dragging but he doesnât mind.
âYou and Gale really like it like this,â she muses, mouth pressed to his shoulder so it comes out faint and muffled.
âMhmm.â
âWould you like it with me too?â
âMm..probably. If you wanna find out right now though weâre gonna run out of time to go into town.â
John forces his eyes open just enough to look at Marge through feathered lashes, watches her consider the options with a thoughtful twist to her smudged red lips even as she works her finger slowly a little further inside him, down to the second knuckle with a drag thatâs all tight friction. Her eyes flash to his and he doesnât look away, just watches her think and keep touching.Â
âI wanna try it, but not right now. Another time?â
John shrugs, âSure, Margie. Anything you want, doll, you know that.â
Marge smiles, almost shy, and takes her sweet time pulling back out, even snags her fingertip on the inside of his rim to give him a little tug before it slips all the way out and leaves him empty. She presses a quick kiss to his cheek and tells him to go freshen up, so naturally he does. He gets dressed to actually go out in public for the day, even gels his hair and pats on aftershave on his freshly smooth cheeks, and when he heads downstairs to hunt for the car keys Marge is waiting for him looking as buttoned up and prim as anyone could ever want her to be, all ready to go.
Galeâs got his car at work of course so they take Johnâs, windows cracked open just enough to enjoy the crisp fall afternoon, the last clinging bits of late summer heat lost to the cool breeze threatening the cast of his gel and rippling across Margeâs hairscarf, though itâs tied securely enough it doesnât make any grand escape attempt.
âYou doinâ okay, John? With-â Marge gestures vaguely but John knows what she means. He doesnât spare the lane that leads out to the high school a second glance as they pass it by.
âFine.â Itâs only the second day of the new school year; if he were there heâd most likely still be going over introductions to all the equipment and the projects heâd planned for the year â nothing special, just the same projects he did last year, but with a new crop of kids looking up at him itâd feel brand new, he knows. âThat what all this keeping busy has been about?â he asks as he turns into the small lot at the grocerâs a few blocks down from the school, trawling the aisles to find a good spot.
Yesterday sheâd asked for his help in the garden, weeding and mulching and otherwise preparing the flower beds for the first frost, even though theyâre trying to be gone before winter settles in and it wonât matter much to them anymore if the plants survive or not. Today, itâs a good hard fuck and a trip to the grocery store in time to make something nice for supper that heâll probably end up helping with, too. He wonders how long itâll take her to run out of activities to keep him busy, though he decides in the next moment that he doesnât actually care. He doesnât need to be distracted like a child who canât sit still, but he appreciates that she wants to do what she can to keep him from dwelling on yet another of lifeâs disappointments.
âMaybe. Oh, just there, Bucky,â she points through the windscreen, âHenriettaâs leaving.â
John grits his teeth and drifts to a stop to wait and any hope he mightâve had to not be spotted is dashed almost immediately. Henrietta Smith â who lives across the street and three houses down from Johnâs place and who has fashioned herself to be the queen bee of the neighborhood social circle since well before he blew into town â glances at them as she turns away from loading her paper sacks into the trunk of her husbandâs Pontiac Torpedo, even shades her eyes with one red-gloved hand to see better. John wonders how often heâs felt that same stare on his back through curtains twitched nosily aside, without any expectation of ever knowing the answer. Heâs sure the numberâs plenty high even without knowing the specifics.
âMarge,â he says and he finds it impossible to say it any other way but through nearly-clenched teeth, his whole body so tight the steering wheel creaks under his grip. âNoticed somethinâ when I was movinâ my stuff in. Got a question for you, keep forgettinâ to ask.â
âWhat is it?â
Henrietta has straightened up again with a look on her face like sheâs just been spit on. John tries to relax his grip as she sets her shoulders and marches towards the passenger side of the car.
âWhatever happened to my pistol?â
âWhaddya need-?â
John holds every muscle clenched as tight as he can to keep from jumping when Henrietta raps a knuckle on Margeâs window, though Marge isnât quite so disciplined. She jumps and hurries to crank the window down another inch or two, just enough for Henrietta to lean over and peer over her little white-framed sunglasses at Marge first, then him. She sticks her fingertips into the gap Marge made for her, curls them over the edge of the glass, and Johnâs jaw aches with the urge to clench his teeth around them and bite clean through.
âYes, I thought it was you two,â Henrietta drawls, like they were in the middle of a conversation already. âMarge, dear, I thought Iâd made it very clear ages ago that this isnât at all in your best interests-â
âOh yes, well,â Marge simpers so sweetly it can only be false, âyou know, you always did have an awful lot to say but Iâm just having the darndest time spotting what it is thatâs got all the rest of you ladies in such a tizzy about my friend Bucky here â and I reckon these days no one on the block knows John better than I do, donât you think? If I donât see anything wrong here, why should anyone else?â
âOf course, Marge,â Henrietta smiles â and she does it so bitterly it can only be false. âEveryoneâs perfectly aware of exactly how well you know Major Egan these days.â
Johnâs a terrible actor, canât keep his tone neutral in the least when he spits back, âAnd Iâm sure youâve been keeping yourself pretty damn busy gettinâ the word out about it, havenât you?â
âDonât be rude, Major, itâs unbecoming and only digs your grave further,â Henrietta sniffs. Johnâs fingers itch again for that missing pistol. âIn the neighborhood is one thing, I suppose, but this â in public? You ought to be ashamed of yourselves.â
Marge puts on the same exact haughty tone to huff, âWell clearly weâre not,â and god John could just kiss her, audience or no audience. âWhatâs so wrong about it? Nothing to be ashamed of weâre just gettinâ groceries, and if you donât mind weâd like to finish up in time to get everything put away before supper needs starting so-â
âMarge!â Henrietta yelps when Marge nearly closes her fingers in the window without any further warning. âJesus. You know, youâre really somethinâ else, Marge Cleven,â she huffs but she does at least storm off back to her own car then, shooting a couple of glares at them over her shoulder â once on her way to her spot, and then again when she backs out and pulls away with a squeal of her tires.
âSo. My pistol?â John huffs and uses the excuse of parking just so between the lines to keep from looking over at Marge to gauge her reaction, certain itâs nothing but wary disapproval.
âIf you wanna use that damn thing, I hid it under the yellow rose bush on the side of the house once you threw it down that day during your episode, and as far as Iâm concerned you can fish it back outta there any time, and with my blessing.â
John turns to look at her askance but she isnât even looking back at him to see, in fact sheâs already out of the car and practically stomping across the parking lot. John scrambles after her when itâs clear sheâs not waiting, so surprised he loses his grip on most of his anger on the way inside.
âWeâre gettinâ outta here, John, I promise,â she mutters to him as they whizz down aisle after aisle, Margeâs low heels clacking noisily on the tile, and she pointedly ignores every stare they catch as they go. âIâm sure I can come up with somethinâ Gale will go for this time. Weâll talk about it again tonight after supper, make him see reason.â
John hums, accidentally catches and locks eyes with the shop owner standing up at the front and watching them turn the end of an aisle, one hand tucked below the checkout counter and an expression on his face that puts Johnâs hackles up. He mutters, âBetter come up with somethinâ quick,â out of the side of his mouth and forces himself not to look back at the glare still burning between his shoulder blades. âDonât think weâre makinâ any friends around here and I also donât think any of us want to give Walker another excuse to throw me in a cell.â
âNo oneâs getting arrested,â Marge hisses. She drops a sack of flour in the buggy with a thud and marches onward, John following at her heels. âWeâre friends-â
âYeah Marge, weâve made that pretty damn clear, and since I moved in all our neighbors got a pretty strong case against us for adultery because of it!â he hisses back. âAnd now here we are provinâ it to everyone in town-â
âShh!â Marge elbows him in the stomach just in time for another woman to round the corner, too caught up in wiping something sticky off her toddlerâs face to bother with looking at them. âItâs fine,â Marge continues in an undertone when theyâre alone again. âNo one enforces those laws anyway, and itâs hardly going to come up in a divorce hearing, is it? Weâll be long gone soon enough, just stick it out. Weâre alright.â
John has ironclad evidence that yes people absolutely do and heâs already got one strike against him to nearly guarantee some jail time should he be dragged out for it again, butâŚMarge already knows that, to an extent. Sheâd called the station last time, after all, hadnât she? Told Walker that he had it all wrong, that she wasnât afraid of John Egan at all, that theyâre friends and she wonât take kindly to anyone saying otherwise. That has to be enough to prevent him getting dragged away again for all the same accusations, right?
John sighs and lets it go, just follows Margeâs directions to pick up what she wants and keeps a wary eye on the owner whenever heâs in sight. When it comes time to pay John slots himself neatly between Marge and the ownerâs glare under the guise of helping get the sacks loaded up properly in the cart, a tidy double column of rustling brown paper bags. Marge pays, and John spares one final glance over his shoulder as the cashier counts out her change.
The ownerâs still watching them, of course, and heâs still got one hand conspicuously below the counter. John canât say he sees the logic in shooting somebody for daring to walk into his establishment to spend money just because he doesnât like who that someoneâs walking around with, but heâs also seen men get shot for absolutely no reason at all so heâs not taking any chances.
Marge doesnât protest when he chivvies her out as quick as they can go and he only relaxes with a shuddering exhale when theyâre loaded up and back on the road, halfway to home. She puts a hand on his knee, silent support and apology, and John lifts it to press a kiss to the back of her palm.
âWeâre gettinâ out,â she promises him again, her voice low.
âWhatever we do, we gotta go somewhere no oneâll ask questions they shouldnât,â John tells her as he puts her hand back down on his knee. âIt has to be somewhere big, no one cares what anyone else is doing in a city. Even out in the middle of nowhere miles away from anyone thereâs still neighbors to get nosy and go poking around-â
âOh honey, I know,â Marge sighs. âWhy do you think we left Casper? Just leave it to me, Iâll figure something out.â
Chicago
Itâs snowing the morning they arrive at their new house, Gale driving the moving truck and John and Marge following behind him in Johnâs car. Itâs not in a suburb per se, but itâs not quite in the city either. The house sits in a little neighborhood just on the cusp of both, a sort of in-between space where they could get the bus or train into town but their cars will be handier. Itâs quiet but not so quiet they have to worry about causing a stir, and this way they can have a flower garden again, and a garage for Johnâs equipment, a new workbench.
Thereâs a high school nearby in search of a shop teacher, and plenty of offices looking for a secretary, and plenty of factory or railway work for Gale, or thereâs always a physics degree â or any other course! â at the University of Chicago if he wants that instead.
Itâs got nearly everything attractive about New York without being New York â anonymity, and freedom, options, the opportunity to live their lives on their terms. If they play their cards right they could live there for the rest of their lives, no more moving around, no more shuffling. They can make a good life in Chicago, go out dancing on Saturday nights and make friends, maybe even with other people like them, people are always talking about how the cities are full of people living in ways God never intended, and, well, now thatâs them too and maybe thereâs-
âNo.â
âGale-â
âNo, Marge,â Gale snaps; Johnâs been leaning against the mantel for Margeâs pitch but at that he twists at the waist and raises an eyebrow when he catches sight of the black look on Galeâs face.
âBuck?â
âNot Chicago.â
John glances at Marge but apparently this just so happens to be a rare occasion in which she looks as lost as he feels, the vehemence of Galeâs response a mystery for both of them.
âHoney you seemed fine when we went for the weekend this summer, whatâs wrong with it?â
Gale chews on the inside of his cheek so hard his teeth cut a visible dent in the healthy curve of it, and for a few long moments it seems thatâs all heâs going to offer up by way of an answer. Abruptly, though, he cuts another look at John and mutters, surly and accusatory, âBucky doesnât want to go to Chicago either.â
âHey-â
âJohn?â
John gives Gale an ugly look of his own but fine, if heâs going to be made out to be the bad guy then heâll be it. Whateverâs got Gale in a twist can be figured out later when he finds whatever words heâs chewing on to explain himself â or maybe he wonât, itâs not as if heâs all that good at it, and since the talk about moving began in earnest heâs been getting sorer and sorer about it any time itâs mentioned. For now, John lets himself be made the villain and sighs, turns his face into his hand propped up by his elbow on the mantel to rub the pad of his thumb against a headache starting up between his brows.
âI donât want to move to Chicago, Margie. Donât know Buckâs reasons but Iâve got my own.â
âWell you were the one sayinâ just this afternoon-â
âI know what I said!â John takes a deep breath in; heâd caught Galeâs blink-and-youâll-miss-it flinch out of the corner of his eye even though heâd barely even raised his voice. âI know, Margie, but we can still come up with something else, you told me not to worry so much about it-â
âI know but â Gale donât-â Marge pleads but Galeâs already up and striding from the room with some muttered excuse about needing air.
âIâll go with him, bring him back,â John sighs, and before Marge can protest heâs slid past her with a brush of his hand against hers to follow Gale out the front door heâd left standing wide open behind him, no doubt expecting to be followed.
John keeps his distance, lopes along with his hands in his pockets and Galeâs long lean figure fixed in his sights, 12 oâclock level. Heâs walking with some purpose but not rushing. Heâs making it perfectly easy to follow him so John does, down their street and the next without falter and without doing anything to close the distance between them.
At the third junction Gale tosses a sighing, âGo home, John,â over his shoulder without breaking stride. Gonna be a long one, then.
âNah, I like the view better from back here, thanks.â
Galeâs shoulders slump with what looks like another sigh but the sound of it is lost to the evening breeze and the scuff of Johnâs shoes on the pavement. They march on and John keeps his eyes on Gale. He doesnât ask where theyâre going, it doesnât matter â following Gale is easy as breathing and, despite having never had the opportunity to test it, John knows without a doubt that heâd let Gale lead him into something far worse than whatever they can find around here, if he needed to. Whatâs a brisk evening walk through suburbia in the face of the knowledge he wouldnât have ever hesitated to follow Gale straight into a dogfight, or a stalag, or the neverending march ever-deeper behind enemy lines if heâd had the chance?
They walk, Gale in front and John behind, and unlike Johnâs walks around the block that follow something of a loop thatâll bring him back home, they just keep going, forward, always forward, until abruptly Gale steps aside through a narrow turnstile gate and John follows him a few moments later into something of a park. Itâs entirely too manicured, clearly new and shiny and a little too perfect to seem comfortable on first blush. But thereâs a large pond some dozen yards away overgrown at the edges and rippling with a few ducks keeping company with a pair of swans gliding across the placid surface; the little ducks occasionally dunk forward with their feet in the air to chase their dinner while the swans look over everything with a haughty grace, and the grass is soft and cool and dry when John sits down next to Gale waiting for him on the gentle downward slope towards the water, just a couple of yards off the footpath.
Itâs too early in the evening and almost too late in the year for fireflies but the setting sun is still burnishing everything sweetly golden and the breeze brings with it a chill that wasnât there even last week â as good an excuse as any to press against Galeâs side from shoulder to ankle.
They breathe in time, automatic process synchronizing as they sit there in the quiet, Gale with his feet planted and wrists draped almost daintily over his bent knees and John slumped beside him, soles of his shoes facing each other and his knees splayed, knuckles resting on the grass between his thighs. John reckons their hearts are probably going to start beating together soon too, if they arenât already.
âWish Iâd had you then, Buck.â Itâs nothing he hasnât said before, but it strikes him now just as strongly as the last time heâd said it, too vulnerable and yet Gale hadnât flinched away then, and he doesnât now. âDonât want to do any of the rest of it without you.â
âI know. Yâwonât have to.â Galeâs fingers twitch in the air between his bent knees like heâs got the urge to roll a cigarette, or a pair of dice.
John nods, shoulders bobbing with the motion. He always does it with his whole body, he knows, but Gale doesnât seem to mind the jostling of Johnâs shoulder against his so he doesnât try not to. Instead, he tries to think of something tactful to say, something that wonât lead to Gale shutting him out between one maybe-matched heartbeat and the next, but tact has never been his strong suit and after a few false starts â parted lips and preparatory inhales that all send Galeâs shoulders a little further up around his ears â he gives up.
âI know you hate it, but weâve got to get this place behind us if weâre really doing this.â He takes a risk, a leap, and leans his shoulder harder into Galeâs to better hide the way he raises a hand from the grass to stroke the back of his index finger along the shapely contour of Galeâs forearm, his loose sleeve soft and warm with his body heat under the touch. âWeâre riding this out until whatever kind of end comes, arenât we?â
Gale swallows, thick and like he needs to sniffle but he wonât. âYeah.â He turns his hand over, palm up towards the sky and his so-delicate wrist draped and extended over the highest point of his knee. John obliges him, brushes the tip of his finger along the longest line criss-crossing the meat of his palm, outer edge to the crevice at the base of his index finger and back. John strokes it a few times back and forth, back and forth, warm dry skin and the twitch of Galeâs fingers towards him without quite touching. After a few more passes he hooks his fingertip under his starched cuff instead to tug it down and expose pale green-blue veins under skin so thin John can see the thudding of Galeâs pulse through it.
He was right, his own heart is thumping along in lockstep.
âThe longer we stay here the sooner it all ends,â John tells him, thumb brushing sweetly against that faint drumbeat of a pulse. The only thing that keeps him from turning his head to chase the same where it beats stronger under Galeâs jaw with nose and mouth is the sound of voices on the road outside the park, young high ones that call out to each other over the whizz of bicycle tires. âIâm with you until whenever that comes, but now that Iâve been offered it I want to have more time than that. Buck.â
Itâs Johnâs turn to swallow hard around a knot of things he canât say. The first Buck, his first sweetheart before he even knew what a sweetheart could beâŚtheyâd been on borrowed time neither of them couldâve ever known to hold dear. He hadnât gotten a goodbye, heâd just lost him, not to death or illness or an accident, nothing concrete he could blame, but instead to the cruel whims of people bigger and stronger than them who didnât understand and hated them for it. Heâs never going to see that boy again, he knows that, but he can try again now â in fact he hasnât been given much of a choice. The last thing he thinks he could stand is if he suddenly lost it all over again, his sweetheart, sitting here beside him against all probability, dragged away like the first by something too strong and too big and too hateful to escape.
John curls his hand around Galeâs wrist and brings his limp hand up to himself, raises it so briefly to his mouth his lips barely brush the tender meat of his upturned palm. When he turns his head enough to meet Galeâs eyes he sees a reflection of his own quiet devastation, muted and translated through layers of his own losses, his own fears, but recognizable enough despite that.
The swans ruffle onto the bank of the pond with a few beats of their wide wings and John lets Gale take his hand back, faces forward again and drops his own hand back to the grass. The sun dips lower until their lengthening shadows abruptly disappear and only half the pond and its far bank are still coppery gold.Â
They sit bathed in cool blue evening shade and only then does Gale murmur, âWherever we go I want it to be the last.â
âCanât guarantee that, Buck, you know that. But weâll sure as hell try.â
Gale nods and asks, still watching the pond, âIf youâre so worried about goinâ whyâd you say no to Marge?â
John snorts and before he can think better of it he cuts Gale a glance out of the corner of his eye, his mouth twisting up in a smile around a teasing, âCâmon Buck â the Cubs?â
Itâs not the reason, of course, but it startles Gale enough that he laughs, breathlessly fleeting but real, so itâs the answer heâs sticking with and itâll just have to do. Gale leans into him for a moment, tilts his chin like heâs thinking of kissing him but turns the almost-motion into a glance over his shoulder instead, face close enough for John to count each of his sandy pale lashes.
âYou trust me, John?â Gale asks, and heâs still so close and fuck but John loves him; Gale flicks a glance up at him through those pale lashes and it takes no thought at all to nod, struck dumb but he still has to answer. Gale does kiss him then, a swift ghosting peck thatâs done and over so quickly John doesnât even get to chase it before Galeâs looking forward again. âIâll figure something out, I swear. Yâjust gotta be patient, Iâll get us out of here in one piece.â
One day John wants to know why Galeâs so twisted up about this, why he drifts so far away when they try to talk about it. Marge has mused on it just once, something about how when they were kids Galeâs daddy was infamous for cutting and running any time a bill came due and it gave Gale some strong ideas about not quitting on anything to try to balance it out. John doesnât know if thatâs so, or if Gale would ever tell him one way or the other, or if he even knows what it is that gets him stuck, but for now itâs alright.
âYouâre on the left,â John tells him instead of asking, leans his shoulder harder into Galeâs at his side, nudges him with his elbow. âYouâre callinâ the shots here, Major. Just tell me where weâre going and Iâll do what I can to get us there.â
Gale nods and offers up another fleeting ghost of a smile. They sit there until the sun goes down and the streetlights click on and the last of the summer frogs are singing down by the edge of the water. They get up and walk home, as close to hand-in-hand as they can be with their shoulders brushing and knuckles rubbing every few steps. John catches a curious glance from a woman he doesnât know standing in her front window to pull her curtains for the evening, and though the attention prickles between his shoulder blades he just offers her a quick wave on their way past.
â//â
Thursday, Early-Mid September
âGale? You alright?â
Marge keeps her voice low, conscious of John asleep behind her. Galeâs been having a pretty good run lately â even if he still has nightmares more often than sheâd like he hasnât had to sit up and read or stare at the ceiling for weeks, heâs actually sleeping at night more than heâs not. Tonight sheâs not sure which it is, if heâs managed to wake himself out of a nightmare or if heâs still waiting to fall into one, but either way she can feel his heart racing under her hand and heâs breathing conspicuously deep and even. If his eyes werenât open, lids at half-mast and his gaze fixed unblinking on the ceiling, sheâd think he was asleep after all for all he acknowledges her.
âHoney?â
John stirs at her back, sleeping lightly apparently, and Marge would curse except, selfish as it makes her feel, itâs sort of nice to have someone else there to turn to when Gale gets like this, same as itâs nice to have Gale help her when John shakes apart. Itâs a give and take that neither of them seems to begrudge the other.
John is, however, typically less gentle about it than Marge would be on her own. He stirs again with more intent, clearly waking with a sharp inhale against the back of her neck, and when heâs lifted his head to take a look at Gale over her shoulder he just sighs. After a moment of watching Gale do nothing but stare at the ceiling and breathe like heâs still sleeping, John slides his arm away from Margeâs waist to raise his hand less than an inch away from Galeâs face and snap his fingers twice, one right after the other rapid-fire, loudly enough that the echo of it bounces back at them off the ceiling. Gale flinches and with that suddenly seems to remember how his muscles work well enough for a full-body jolt half a beat later.
If itâs less gentle than Margeâs methods itâs at least also more effective; Gale snarls and snatches up Johnâs wrist, though he comes back to himself enough to go still again before he can do anything that would hurt any of them. Johnâs hand stays limp in Galeâs white-knuckles fist save for a quick little wiggle of his fingers like heâs waving hello.
By way of explanation, John rasps, âYâgot stuck again, baby,â and he sounds like heâs half asleep again already. âGimme it back and talk to Marge.â
Gale releases Johnâs wrist one stiff finger at a time but John doesnât seem to be in any hurry, just waits patiently until heâs been fully released to tuck himself around Marge again with a sigh and go lax again, heavy and warm against her back as he drifts back off with a soft snore. Heâs always so tired, Marge is glad he seems to sleep easier these days, too, though she doesnât exactly have the same frame of reference for that as she does for Gale, of course.
âSorry, sweetheart,â Gale whispers. Heâs still laying flat on his back but heâs at least turned his face towards her enough to meet her eyes. âJust thinkinâ. Go back to sleep.â
âAbout what?â
Gale must be almost as exhausted as John; instead of telling her again not to worry about it and go back to sleep he swallows and wets his lips and whispers, âThings at work are gettinâ rougher, andâŚIâm figuring out a plan I reckon you and Bucky could go along with. We oughta go before winter, right?â
âYeah, we should,â she whispers and tries to keep her voice as casual as anything. âNeither of you does well in the cold, we should be settled somewhere before it sets in.â
Gale nods and looks up at the ceiling again to watch whatever mysterious thing is happening behind his eyes, some unknown play or memory, a flickering film reel with an audience of one.
His heart slows gradually, so gradually Marge hardly notices it until she realizes itâs nearly as slow as her own pulse in her ear pressed to the pillow. She draws little nonsense shapes against his skin with a fingernail and watches his lashes flutter as he fights to stay awake and, eventually, loses. Marge strokes his chest for a while, times it with the puffs of Johnâs soft snoring into her hair, and eventually she drifts off with them.
Her neck and hips are stiff come morning when she wakes in the exact same spot, but John promises her a massage to make up for pinning her between them and Gale tells her between goodbye kisses on his way out the door that he hopes heâll have some good news for them that afternoon, so things could certainly be worse.
John makes good on his promise after theyâve cleaned up from lunch, his hands warm and hard on what feels like every muscle in her back until sheâs a puddle of relaxed limbs in their bed, and eventually itâs only the need to get supper going that coaxes her up and out of her dozing.Â
John joins her in the kitchen as usual â more to have something to do rather than out of any real knack for cooking â and theyâre working together in companionable quiet when Gale comes home. Heâs pale and drawn as he has been for weeks now, always in need of some distraction and some time spent with one or both of them before heâll get some color back in his cheeks, but Marge knows better by now than to ask him whatâs wrong. He wonât say whatâs going on at work to make him look like that (âI can handle it, sweetheart, donât worry about me.â) but Marge suspects itâs not anything too much unlike the cold shoulder sheâs getting just about everywhere she goes these days, or the reason John barely sticks his nose out the front door anymore if he can help it even as he chafes at locking himself away at the same time. Today, though, pale as he is thereâs also something feverish in Galeâs eyes, a manic light that doesnât match the grim set of his mouth as he steps inside and tells them hello so clearly somethingâs changed, though for better or worse remains to be seen.
âHey. Yâokay Buck?â John asks. Heâs sitting at the table shelling peas for supper but he hurries to tug the mess heâs making of it out of the way of the cream-colored paper packet Gale tosses at him that lands on the Formica with a hefty slap.Â
âBoston.â
Marge abandons the washing up and hurries to dry her hands on her apron on her way to Galeâs side. She reaches up to press the back of her palm to his cheek flushed a deep splotchy red, tuts a little over the harried and longsuffering look he shoots her, and she only lets herself be distracted from checking him over when Johnâs finished wrestling open the envelope and stands up so quick his chair nearly topples over.
âBuck, this is from Harvard.â
âI know.â
Marge blinks at John blinking down at a letter heâs clutching in both hands, his chin ducked so low she canât see the look on his face.
âYouâve been accepted to Harvard.â
âUh-huh, seems that way.â
Johnâs unresisting when Marge snatches the letter out of his hands, he just steps around her to barrel across the kitchen to wrap Gale up in a hug so big and squeezing he picks him right up off the floor with it, but Marge only has eyes for the neatly printed letter in her hands, dated just a few days ago.
Dear Major Cleven,
After carefully reviewing your aptitude test and entrance essay, and having received your school transcripts and service record both further confirming your suitability, we are pleased to extend to you an offer of a place in our undergraduate program. All going well, you may join us for the Winter term commencing Monday January 13th, 1947-
âGale Cleven you brilliant fucking sonuvabitch! And here youâve been lettinâ me think youâre all looks huh? Gorgeous fuckinâ brain of yours â Harvard!â
âJohn-â Marge calls because heâs still staggering around with Gale trapped in his arms, and Galeâs even starting to smile about it â looks to be on the verge of laughing â but the kitchenâs only so big and full of very breakable things, and Johnâs not watching where heâs going with Galeâs toes dangling a couple inches off the linoleum, â-put him down, youâre gonna break something!â
John obeys but only so he can raise both hands to Galeâs jaw and yank him into a kiss that looks like it hurts. Gale doesnât complain, though, just kisses him right back with both hands curled into fists so tightly in the back of Johnâs shirt that Marge suspects sheâll have to iron out the creases before he tries wearing it again. She skims the rest of the letter, glances over the detailed outline of what else the envelope contains â class schedule, book lists, housing information, tuition fees with a description of whatâs covered by his scholarship and whatâs taken care of by the G.I. Bill (which, between the two, is very nearly all of it) and how to pay whatever remainder may exist after all the aid â but it can all wait at least long enough to celebrate. She drops the letter to the table and turns just in time to catch John breaking the kiss in order to plant one on the end of Galeâs nose and then another right in the middle of his forehead, big smacking ones that make Gale wrinkle his nose and bat at him half-heartedly as if that could ever be enough to get John to cut it out.
âYou been workinâ on this for a while, huh?â John asks in between smaller, likely drier pecks to Galeâs cheeks and mouth; Marge tucks herself up nearly under one of Galeâs arms and hugs him around the middle, content for now to wait her turn. âWhy didnât you say?â
âCouple of weeks,â Gale mutters, âdidnât want to spoil it for ya âtil I knew for sure.â
A couple of weeks. Marge tucks her face into his shoulder and wonders if Johnâs going to do the math and figure out that means Galeâs probably been working on this probably since just after they talked about New York, that heâs probably been dragging his feet since then at least in part because he knew he had something even better coming down the line.
Trust Gale to push himself, without a word to anyone, to do what needs doing in a way that ensures heâll come out at the very top, no matter how unnecessary that is. Trust Gale Cleven to attend to the people he loves, as devoted a husband as heâs ever been, and do it without a fuss. Steady, sweet, tender Gale Cleven, the very same as the boy sheâd fallen in love with a long time ago.
âHow âbout it, Mrs Cleven?â Gale asks and Marge looks up to find him looking down at her with bright eyes and flushed cheeks, no doubt pink with the kisses Johnâs busily nipping and lipping against his ear. âReckon youâd be okay in Boston?â
In all honesty itâs not exactly at the top of her list, but like hell is she ever going to admit that. A home can be made anywhere, and so long as itâs somewhere she can go with Gale and John then thatâs where sheâs going to make them one.
âBoston sounds great, Buck,â she smiles. âIâm so proud of you.â She doesnât just mean for getting into Harvard, though of course thatâs nothing to sneeze at. Gale smiles, a small thing, a little sad around the edges and it doesnât quite reach the faraway look in his eyes, but itâs real, and heâs doing this for them. How could Marge ever complain?
Gale ducks in to kiss her much more gently than John had kissed him, and she basks in it as much as the excitement practically pouring off of John, so sudden and bright it throws into stark relief the creeping shadow of lethargy thatâs been dogging his steps lately, such a gradual creeping in that sheâs embarrassed to think she hadnât even seen it coming on. This is John as he should be, she thinks, this is the John sheâs glimpsed more and more since they settled into this together, the John whoâs Bucky, whoâs the life of the party, who knows no strangers, who sparks the kind of affection and respect sheâd seen in Rosie that night in New York. Itâs a side of him she desperately hopes to see more and more of once theyâve settled somewhere he can feel safe.
John breaks away from mauling Galeâs neck to quite literally sweep Marge off her feet next and she yelps in between peals of laughter as he swings her around with his arms around her waist.
âBucky!â she cackles, not much of an admonishment but he puts her down anyway with a mischievous look in his eyes she knows all too well these days.
âMargie, Iâve had an idea,â he says once her feet are back on the linoleum where they belong.
âAnd whatâs that?â
âI reckon our Buck deserves a reward â maybe even a special treat.â
Marge turns to look at Gale in the same moment John turns to do the same with an arm slung over her shoulders, her partner in crime for their favorite shared hobby. Gale looks between them with caution even as his mouth twitches around the toothpick he pops between his teeth to gnaw on, another smile threatening.
âI know that look,â he says and even if his smile is barely on his mouth itâs still heavy in his rasping voice, drawling and warm. âDonât I get a say?â
Marge raises an eyebrow and asks, âYou want one?â as dryly as she can manage.
Gale flicks his toothpick to the other corner of his mouth, wets his lips with a quick pink flash of tongue. âNo, maâam.â
âAlright then,â she smiles, and John squeezes her shoulders just once before he lets her go again and heâs off like a shot, thundering up the stairs â she presumes to go to get things set up, but when heâs in a mood like this thereâs no telling.
In the quiet he leaves in his wake, Marge watches Gale take a deep breath and hold it, shoulders high around his ears with tension and the shove of his hands in his trouser pockets. Heâs staring at the packet on the table, at his acceptance to Harvard, of all places, laying haphazardly amongst half-shelled peas and a stained tea towel John had been using to dry his hands periodically to keep them from going pruny.
âYou alright?â she asks, nearly lost under a loud thump from upstairs.
âSure, sweetheart. Will be,â Gale shrugs. His eyes donât leave the mess on the dining table. âItâs a guarantee now, isnât it? Four years in the same place, longer if I go for more than the one degree. Right? Four years.â
Marge keeps her voice low and stomps down the urge to go wrap Gale up in a hug that would likely only make him feel stifled like this. âThatâs right. Four years at least, but Iâm sure itâll be more, whether you do a Masters or not. Just wait and see, weâll get it right this time. I can feel it.â
Gale nods slowly, hums low in his throat. He flicks his toothpick back to the side it had started on, flicks a glance at her out of the corner of his eye in the same half a second. He looks tired; the late night last night after weeks of uncertainty must be catching up to him, but he just stands there in the middle of the kitchen, still on his feet after a full day of the same at the plant, and he stares at the table, and he gnaws on his toothpick.
Marge waits, sheâs always willing to wait for him however he needs her to, and this time, as always, he rewards her patience.
âItâs gotta be fast now that we know. Overheard some fellas talking at work, think more people than just the neighbors are gettinâ the wrong idea about John beinâ here with us.â
âAs in theyâve got all the right ideas?â
Galeâs toothpick snaps in half and he turns to pluck one half out with his fingers, spits the other into the sink, plucks a splinter off his tongue and rinses it all down the drain.
âSomethinâ like that.â
âI know.â
Gale nods, keeps his back to her but in the window starting to darken with the coming evening she can see the pale smudge of his reflection. Winterâs coming on; though the weather hasnât turned just yet, the nights are getting longer, and Marge hopes they find somewhere in Boston with a nice hearth for Gale to tuck himself up close to again until spring frees him. Maybe this year, now that they have him, John will be able to sit there and keep him company around the fire, if Gale will allow someone to get through to him when he retreats so far in himself as he did last winter. And maybe he wonât, maybe heâll sit there staring into the flames and not moving at all no matter what goes on around him except to throw another log on when it gets too low, but either way theyâll both be better off together than they were apart last year.
âIâve been thinkinâ of ways we could do it, a story to give when we get there so we donât look so strange â buy us some time.â
Thereâs another thump from upstairs; Marge keeps her gaze fixed on Galeâs stiff shoulders, his white-knuckle grip on the edge of the sink that she can just barely see past his hip.
âIâm sure itâs a good one, whatever youâre thinkinâ,â she hedges when Gale doesnât go on. âYouâre gonna be able to keep us safe, Gale, I know it. Youâre so good to us.â
He turns around at that, and the agony on his face is so raw Margeâs feet are moving before sheâs even consciously decided to go to him, to cup his cheeks in both hands and stroke her thumbs against his scars, to pull him down for a sweet kiss full of tender passion like theyâd shared at the altar and too many times to count since, a kiss that makes him whimper and wrap strong arms around her waist tight enough to ache.
âShh, I mean it,â she tells him, whispering against his trembling mouth, no splinters left, just soft flesh and a shaking exhale warming her lips. âI mean it, youâre such a good man, Gale. Iâm so proud to be your wife, and youâve kept every promise you ever made me. You hear me?â
She thinks of their vows, fidelity and love and protection and nothing but death itself to ever come between them. Some â most, maybe even all, maybe even Gale â would say heâs broken the first and last so thoroughly thereâd be no recovering them even if he wanted to. Marge, of course, heartily disagrees. She shushes him again and tilts her head to tuck his into her shoulder where he nestles in with a deep inhale, a long sigh that warms her collar and the side of her throat.
Eventually, after another thump from upstairs and when Marge has worked her fingers through every bit of his hair that she can reach to scratch her nails lightly over his scalp to soothe him, Gale confesses, âI donât know why I canât be happier about this.â
Marge ignores the cold pit in her stomach and the sudden thump of her heart to ask, âHappier about what?â
âMovinâ somewhere better for the two of you.â
Her heart slows again and she swallows to remind her stomach where it ought to be instead of trying to climb up her throat. She didnât think Gale was having second thoughts about them being with John, but there are rare occasions where she doesnât know whatâs going on in his mind. Stranger things have happened.
âItâs alright if you canât figure it out, Gale. I think Buckyâs gonna be happy enough for all three of us, if you need to borrow some for a while.â
Gale huffs at that and she feels the shape of his smile on his mouth when he presses it to her jaw. âReckon so.â Thereâs more, she can feel it somehow in each careful kiss he presses to her throat, and after a few more he goes on, âHeâs already perking up, huh? Whatâd you say about him before â like a big dog wagging his tail?â
Marge snorts as she nods, looks up at the ceiling overhead as if that could help her figure out the source of yet another dull thump. âWhat in the world is he doing up there?â she huffs, still half-smiling, and Galeâs amused hum echoes through her ribcage like itâs her lungs giving him the breath to do it.
âIf I were a betting man,â he breathes against the sensitive spot just below her ear that always makes her shiver, âIâd bet heâs getting a head start on packing. Finally got his orders to move, so heâs moving. You know he likes it when I give him something clear to follow.â
âYou alright with that, him getting started already?â she asks.
His hands tighten on her waist, thumbs nearly touching across her stomach, but Galeâs saved from answering at the last moment by the clatter of John tumbling down the stairs and bursting back into the kitchen to collide with her back, long arms wrapping around them both as he tucks in and slides his hands into Galeâs back pockets, gives him a sloppy kiss over her head.
âYou two lovebirds gonna come upstairs or what? Or are we doing this right here? I can go get the H-R from the nightstandââ
âWeâll go upstairs, but we canât get so distracted we forget to come back down for supper, Bucky,â Marge chides even as she leans back to kiss whatever part of John she can reach like this, which ends up being the end of his chin.
She doesnât like the way John avoids her eyes and the warning both, but sheâs not going to push it when heâs feeling so good. Instead, she lets him herd her and Gale upstairs with wandering hands and aimless kisses dropped wherever on whoever, and when they get there they tumble into bed together as theyâre becoming increasingly good at doing and remind each other without so many words â but still thoroughly and at length â exactly why theyâve got to protect what theyâre building together at all costs.
Boston
Tuesday, Early October, 1946
âMr Cleven? UhâŚsir?â
Marge pokes her head out of the moving truck with the last of the boxes in her arms and spots the very nice young man whoâd driven the truck for them standing there with a sheaf of papers and a pen in his hand, looking a little lost. She clambers down out of the truck, sets her box down on top of the last little pile of others to be taken inside, and steps up next to the boys standing together on the sidewalk with their hands on their hips staring up at their new townhouse, both clearly lost in thought.
âHoney,â she coaxes, tugging on a too-loose sleeve with the sudden vertiginous lurch of deja vu. âThink heâs talkinâ to you.â
âHuh? Oh-â John turns around at her coaxing and shakes himself out of wherever his headâs gone to smile at the kid in his nametagged coveralls. The patch reads âBobbyâ; he looks sweet. âSorry, gathering wool I guess. We all square?â
âYes sir, just need you to sign off and Iâll get the truck back to the depot for you before end of business, save you another dayâs charge.â
âHow âbout that,â Gale hums, not quite smiling but warm. Marge nudges him gently with her elbow, gets a quick wink back, the quickest flutter of his lashes possible.
âYou got it, and thanks for that,â John agrees easily. Marge doesnât watch him sign but she listens carefully â not a single momentâs hesitation in the scribble of the pen, and just like that âJohn Clevenâ has agreed (on his own behalf as well as that of his wife and her âbrotherâ, one Gale Egan) that everythingâs in order. Marge tucks her smile into her palm, slings the other arm around Johnâs waist when he straightens up again beside her.
âWell.â Gale hums and stops, a full thoughtâs worth of words tucked neatly into the one.
âWell,â John echoes, but heâs never been nearly as economical as Gale so he goes on, âguess thatâs it then. Home sweet home. Better get on inside, find out where all the linens ended up. Donât know about you two but Iâm pretty beat.â
âYou two make up the beds, Iâll rustle up something for dinner,â Marge suggests and pretends like she doesnât see the way Johnâs expression twists just a little. He doesnât want to eat, she knows, but he doesnât ever say it anymore, and he makes a point out of finishing whatever she puts in front of him, thanks her for it when heâs done, so he gets a pass, especially after all the stress of moving thatâs got them all a little ragged around the edges.
âCâmon Bucky, daylightâs wasting,â Gale says and passes John a box, and then Marge, and finally takes the last one for himself. He heads inside, Marge behind him, but when she crosses the threshold she turns back to find John still standing on the sidewalk looking up at their windows, box in his hands and his arms hanging loose with it.
âJohn?â she calls, and though he doesnât look at her she knows heâs heard her. âCome on, baby, letâs get settled in. Been a long day.â
âThatâs the truth,â he agrees easily. He stares up at their windows for another long moment and then heâs shaking himself all over and loping up the stairs. He crowds her into their front hallway with a laugh tucked somewhere in the crooked corner of his mouth, in the creases around his smiling eyes.
âGo on, Mr Cleven,â she jerks her head towards the stairs and the sound of Gale already moving around overhead. âIâll call you down when supperâs ready.â
John hesitates only long enough to duck down and peck her on the cheek before he takes the stairs two at a time. His eager crow of, âBuck, baby, doll, sweetheart câmere, I got somethinâ for ya,â filters down the stairs after him and Marge smiles, shakes her head, at the distinctive echo of a smacking wet over-the-top kiss that follows it in the split second before one of the bedroom doors snaps shut.
The kitchenâs still all in boxes but theyâd stopped for groceries while theyâd waited for Bobby in the moving truck to catch up, and with only a bit of rummaging through carefully labelled boxes she digs out a couple pans and enough utensils to make a valiant attempt at a normal supper to keep them all on their routine as much as possible. Theyâll have to eat it straight out of the pans huddled all together around the counter unless one of the boys remembers where they put the boxes of china in the midst of everything else, but thatâs alright. She gets it all going until it just needs to simmer a while and leaves it there on the stove to set about at least organizing the piles of boxes in the front room even if theyâve got no energy to actually start unpacking any of them tonight.
Itâs a nice house, she muses. Good bones to it, sturdy red brick with thick walls and neighbors only on one side, theirs the house at the very end of the long row of them, all connected and close to the street but with sectioned off back yards for each one. Sheâs assuming the boys have had the good sense to christen the bedroom that doesnât share a wall with the neighbors, because the walls may be sturdy enough but she can still hear the distinctive creak of bed springs overhead and, when she stands still and listens for it, John babbling something thatâs probably effusive compliments and pleas for more. Just a hunch.
The sitting room just off the kitchen is cozy but wonât be claustrophobic when itâs all unpacked; thereâs no proper den here but thereâs a small nook of a space under the stairs thatâll do, just big enough for a bookshelf and a chair with a lamp. The kitchen will be comfortable enough too when itâs not overflowing with boxes, and sheâs even ended up with that Automagic washer and electric refrigerator that John was so keen on after all. Thereâs a clothesline already strung up in their minuscule patch of a garden Johnâs already talking about building some planter boxes for, anchored at the opposite end to a tool shed that they just might be able to squeeze Johnâs tools into if he gets smart about how to store them. Upstairs are a deep linen closet and two bedrooms, one with a proper bathroom attached and a half-bath in the hall for the other. Theyâll make up the inner room for guests, leave just enough of Galeâs clothes in it for plausible deniability, and the three of them will tumble together into the other bedroom like a pack of puppies, all in each otherâs pockets and happy to be it.Marge stands in the middle of it all and reckons she was right in the end â a home can be made anywhere, and despite Galeâs last lingering misgivings she knows theyâre going to make this a good one. The best one. A permanent one, or as close to it as they can get when nothing in this life is a guarantee. But at least theyâll get to be together, make each other happy, keep each other safe. Theyâll make a whole life together thatâs just right for each of them, and every day sheâll wake up glad that, against all odds, they found each other and decided that this was worth doing; that each of them, in spite of or maybe because of it all, is someone worth loving â someone worth knowing.
On a porch, in the dark, somewhere in Broken Bow, Nebraska, on a random autumn Saturday, Robby brings his cigarette to Dennis' lips, as if it is the easiest thing in the world. But there is so much more to this one act of kindness, in the way his fingers brush against Dennis' lips, the way Dennis looks up at him through his lashes, eyes wide on his parents' porch. Dennis fears he might lose the family that raised him, but he isn't as scared, if it means he might gain a new one.
After Dennis' parents find out that he is trans and has been transitioning ever since leaving for medical school, Dr. Robby offers to drive him home to his parents, to do damage control.
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Dreamling | E | slow burn, hurt/comfort, trauma, + smut | ~40k total
Hob's beloved stranger comes back to him, but he seems⌠changed. Damaged. Hob wants to help, but it's hard when his friend can barely even admit that he's hurting.It's hard to come home and find home destroyed, everything you created gone, the pieces you crafted of your own soul turned against you. Dream barely wants to think about it. But if he is ever to create again, he's going to have to let that pain in.
-
Hob woke lying in bed. But not his bed. It was a massive canopy bed, all silk as black as the night sky. The canopy above him shimmered with stars. The bed was impossibly comfortable, alternately plush and firm in the right places in a way that defied reason, and Hob thought if he had his way he would never get up. He still felt exhausted. Just utterly spent.
Dream was lying atop him. Curled up by Hobâs legs, actually, one possessive arm slung over Hobâs hip, his head cushioned on Hobâs stomach. This must be his bedroom, Hob thought, the awareness of dreaming coming to him.
He worked his fingers into Dreamâs hair, and Dream hummed in pleasure. âYou alright, love?â
Dream turned his head to look at him with one luminous eye. It was somewhat of an unnatural position that should probably have broken his neck, but Hobâs dreaming mind managed to allow it. âDo not ask me to move,â he said.
âWasnât going to. As you were.â
Dream settled down again, and Hob took up petting his hair. Curled up like that, Dream looked like some kind of uncanny creature out of folklore. A mare, maybe, crawling from the night to settle on Hobâs chest and feed on his dreams, leaving Hob all tangled up when he left.
Ship: Nesta Archeron/OC
Status: Chapter 5/5
Rating: N/A
Words: 19,742
Read Chapter 5 here!
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Chapter snippet:
Cassian didnât blink at her snappish tone. He propped a hand against the doorframe and gave her a crooked grin that only served to make her want to slam the door in his face. âRough night, Nes?â
Not even seven in the morning and he was already there, judging her.
Nesta was well aware of how she probably looked to him: a drunken wreck in someone elseâs shirt, hair tangled from sleep, and smelling of wine and sweat and sex. She could practically see the list of words running silently through his headâirresponsible, shameful, a waste of potential. She refused to shrink under his gaze, though, and narrowed her icy eyes, ready to hold her ground against whatever heâd come here to start.
When he didnât add more, she moved to shut the door on him. He shoved a booted foot into the gap, however, before she could break his fingers. Her nostrils flared in frustration.Â
âFeyre wants you at the house, ASAP.â