Jonell, Method ManĀ āÆĀ Round & Round (Remix)
How High OSTĀ |Ā 2001

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seen from Türkiye
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seen from Türkiye
Jonell, Method ManĀ āÆĀ Round & Round (Remix)
How High OSTĀ |Ā 2001

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I donāt care if you hate on it or think Iām a big girl for being so in love with this! (Like my wife does Lol) THE LAST UNICORN has been one of my all time favorite movies since it came out in 1982, I have loved the soundtrack just as much as the movie it has taken me 40 years to finally own a physical copy of the soundtrack. Iāve only ever seen the version from Holland available. Featuring Jeff Bridges, Mia Farrow, Angela Lansbury, Alan Arkin, & Christopher Lee. Fun fact the movie/cd, the actual Compact disc format was brought into existence the same year 1982. So this disc is literally a first generation compact disc, and it sounds magnificent 40 years later! Iām so excited to finally own itā¦Iāve looked for years and havenāt found it yet on any music streaming service, this is a Grail for my collection! Another Amazing benefit of being a Dad to 3 girls is that I was able to share this beautiful movie and soundtrack with my kids and people act less weird about it. ;) #thelastunicorn #dasletzeeinhorn #jimmywebb #america #americatheband @realjimmywebb @americaband #rankinbass #emi #holland #soundtrack #filmsoundtrack #raresoundtracks #rarecds #animated #animatedfilm #jeffbridges #miafarrow #alanarkin #angelalansbury #christopherlee #thebestmoviesoundtracks https://www.instagram.com/p/CoIiJYmPTNO/?igshid=NGJjMDIxMWI=
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Ennio Morricone - My Dear Killer Soundtrack
Death Waltz Recording Company, 2018.
I bought the 2049 soundtrack isn't she beautiful

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Take Me ThereĀ ā¤Ā Ā Blackstreet, Mya, Mase, Blinky Blink
The Rugrats Movie Soundtrack, ā98
Listen to 4 tracks by Riz Ortolani from the original soundtrack album āLa Ragazza dal Pigiama Gialloā (Cinevox Records, MDF 33.119, Italy, 1978)
Yes, itās Giallo soundtrack time. Giallo, that particularly lurid and trashy seam of crime/ thriller/ horror cinema that blossomed (or maybe bred, like bacteria, would be a more apt verb) in Italy between the late 1960s and 1970s. Who is the girl in the yellow pyjamas? Well, in true Giallo style sheās the dead woman burnt beyond recognition on a beach before the film even starts, and therein lies the problematic nature of the genre; with intersecting tropes such as the objectification, menacing, torturing and murdering of women, or female characters who, if not killed off, are invariably psychotic, duplicitous, nymphomaniacs or addicted to drugs, these films make for difficult viewing in 2020. Yes, some film fans love these movies for their stylish interiors, enviable retro clothes, glamorous European locations and gorgeous acting leads, but for me, itās the music, which suits me just fine; I can stick on a record for 35 minutes instead of watching two hours of casually gratuitous misogyny, often badly dubbed into Italian.
Apart from some lush, light funk orchestral cues found on the LP, check out the 15 minute sound clip to hear downtempo Euro slow-jam sleaze, tense electronics, a brazen Giorgio Moroder rip-off and the fabulously deadpan voice of Amanda Lear.Ā Who? you ask. No, Iād never heard of her either, but we will all know her as the woman taking her black panther for a stroll on the front cover of the second Roxy Music album, āFor Your Pleasureā. She was a model from the mid 1960s, became a European disco sensation in the late 70s and then settled into a career as a popular host on 1980s Italian television. She even managed to squeeze in a book about her long and close friendship with Salvador Dali.
Here she is in her 1977 disco heydayĀ Ā and again in 2014 in her less successful guise as an interpreter of classic Elvis Presley. Oh dear...
Listen to 4 tracks from the original soundtrack album āTake A Girl Like Youā (Pye Records, NSPL 18353, Stereo, UK, 1970)
This is not a record to get too excited about. Having said that, and in the knowledge that countless 1960s soundtrack albums promise more than they deliver, this one has enough to keep one interested if a bit of male scat, light Latin moods, flutes and a jazz waltz get you going. It also contains a smattering ofĀ poppy vocalĀ beat numbers written and sung by one Ram John Holder, singer-cum-actor, who is now best remembered for playing the character Augustus "Porkpie" Grant in Channel 4ā²s early 1990s barbershop sitcom āDesmondāsā, set in Peckham, South East London. Much of the music is composed by Stanley Myers, writer of groovy 60s film scores āKaleidoscopeā and the oddball āOtleyā, as well the more well known guitar piece āCavatinaā, which began life in the 1970 movie āWalking Stickā before being cemented in the collective consciousness by its re-purposing as the main theme for āThe Deer Hunterā in 1978. He is also credited with being an influence on, and mentor to, Hans Zimmer, so now you know who to blame.
The film itself appears to be yet another swinginā 60s look at sexual morality, permissiveness and gender politics (check out the trailer). Based on a 1960 novel by Kingsley Amis, it may well have been a fresh topic at the time, but nearly a decade later, even in the eyes and words of its director Jonathan Miller, the story was āold fashionedā. It flopped with critics and box office alike despite a script by jazz singer George Melly, and our favourite drunken boor Oliver Reed starring as Patrick Standish- a man in a desperate quest to have a shag (in case you have forgotten just how much of a liability Ollie was, remind yourselves here). According to one of his co stars, Aimi McDonald, heād quite often had a couple of drinks by 7am. The poor woman had to do twelve takes of a naked sex scene with Reed while the director tried to get him to stop panting. She did have the presence of mind however to insist on having a towel placed strategically between them. Had it have been me, I would have preferred to be inside a bell diving suit.