Kyoung Ae Cho: Portfolio Collection Vol. 17
Today we’re highlighting Kyoung Ae Cho, visual artist, professor, and head of UW-Milwaukee’s Fibers program within the School of Art & Design. Born in Onyang, South Korea in 1963, Cho completed her graduate work at the Cranbrook Academy of Art in Bloomfield Hills, MI. She has been on the faculty at UWM since 1999. The images here are drawn from the 17th volume of the Portfolio Collection series, edited by Matthew Koumis for Telos Art Publishing out of Winchester, England. Cho’s volume, published in 2003, features a forward by textile artist and head of the fiber arts department at Cranbrook Academy Gerhardt Knodel, and an introduction by poet and scholar H.L. Hix.
Raised in a multi-generational home, Cho was often left in the care of her grandmother while her parents worked. From her grandmother she learned the craft of sewing, and the art of collecting and transforming unassuming objects. Hix concurs with Cho in defining the character of her art as that of a gift:
Gifts embody love and care and attention, enacting the values instilled in Cho by her grandmother: the pursuit of craftsmanship, respect for materials, and an insistence on imbuing the ordinary with singularity, the trivial with gravity, the negligible with meaning.
Cho prioritizes the gathering of materials in respectful conversation with environment and its natural processes. Materials gathered for the highlighted pieces include: wild sage bushes, balsam fir needles, thread, cotton, honey locust stems, beeswax, hair, shells, a found typeset drawer, horsechestnut twigs, and burning bush leaves. Cho weaves or stitches decoration with thread or hair, and with burn marks on wood. She explains:
It brings me a smile whenever I find myself spontaneously organizing pine needles, autumn leaves, twigs, shells, pebbles…because it reminds me that what I am doing now is not much different from what I did as a little girl sitting next to my mom.
--Amanda, Special Collections Graduate Intern