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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Your beauty tortures me and I cannot hide from you. Mysterious angel, [âŠ] dark and terrible blossom of carnal darkness, grim as a wound impossible to heal.
I attract the snakes whose bite I fear. I crawl into wells where fear lies in wait for me. I sharpen the knives that will pierce my heart.
Life was given to me like a wound that never seems to close. And I cry out to death when it is love I so want.
IWAN GILKIN â La Nuit âŁÂ âFatumâ, (1897)
Fatum
chapter 3
âGot that pretty knife from yesterday? Think I might need it.â Jack nurses a headache as he waits for her to break them out of their handcuffs.
No one tells you that when you divorce a gangster you get stuck with his enemies even long after. Luckily the men who had locked her here with Jack didnât check her for weapons, heâs been disarmed but Eva has the small handgun and a knife on her garters, and the hair pins sheâs used to pick locks since she was twenty.
âThe Mob?â He rubs his wrist once its off and wisely makes no stupid questions as they figure out how to get the fuck out of here.
Heimarmene and Pronoia in Astrology
In the Corpus Hermeticum, Heimarmene is explicitly described as the âgoverning circuit of the stars,â the chain through which the Divine intellect structures the material world. It is the order (taxis) of the cosmos: an intelligent and binding necessity.
Heimarmene is the Law that governs the turning of the spheres, the mathematical correspondence between causes and effects. In Hellenistic and Gnostic thought, it is what makes the stars move and men repeat their actions, akin to a movement within a closed loop.
In the process of awakening consciousness, one may say that Heimarmene corresponds to the automatic motion, the mechanism of the heavens. This what traditional astrology mirror through the fatalistic primary directions and zodiacal cycles.
But Pronoia â from pro (âbeforeâ) and noein (âto perceive, to thinkâ) â is the mind that conceives that circle before it turns. Where Heimarmene governs by necessity, Pronoia moves by intention. If Heimarmene is the wheel itself, Pronoia is the idea of the wheel, the still thought that gives purpose to motion.
A traditional astrologer must hold this ethic at the centre of his art. Yes, the cosmos turns with mathematical precision, but the astrologerâs task is not mere submission to mechanism but participation in meaning. They stand between the Infinite and the Finite, aware of the apparent prison of the spheres but moved by the knowledge that each revolution is an act of Grace.
More at The Mirror of Sienna.
ÎÏÏÎčΔ ΔλÎηÏÎżÎœ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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dang, and what did YOU do for the plan s realization? hmm?
PRL propaganda poster /inspired <3 this is my oc Fatumâšâšâšâš
i have to start posting about my universe, because no one knows what is this all about<3
Les Anciens crurent que leurs routes Ă©taient noueuses, tortueuses et Ăąpres parce que le Destin rĂ©gnait, par-dessus leur tĂȘte pieuse. Et nous, fils de notre monde, ignorant les astres, on se prĂȘte parfois Ă de romantiques rĂ©pliques: "mon destin a croisĂ© ta route", "j'Ă©tais faite pour ce mĂ©tier", on parle de "vocation". Mais fonciĂšrement on estime ses expressions ĂȘtre les dĂ©bris d'un passĂ© dĂ©fait, les restes d'un mensonge, d'une supercherie dont les Anciens Ă©taient les heureux dupes. On croit que ce qui prĂ©side Ă notre vie est notre propre volontĂ©: on fait notre vie, on la forme, on la crĂ©e, on consent Ă quelques idĂ©es de l'immuable puisque l'humain est ainsi fait, mais ces idĂ©es ne sont qu'un Ă©clairage livide, utilitaire, pour rendre la route supportable. Au final, aprĂšs que la force dĂ©ployĂ©e se rompt, on observera l'ouvrage, l'Ćuvre dissonante de notre vie et on posera dessus notre signature de maĂźtre.
Ainsi, Antigone est flottante sur le fil qui sĂ©pare le vieux monde du nĂŽtre. Elle savait que le destin avait brisĂ© son pĂšre, dĂ©vastĂ© ses frĂšres. Elle savait le poids des mots humains, lorsqu'ils se laissent emplir d'incantations divines. Elle savait que le sort aime Ă s'acharner sur les consciences souveraines, qu'il aime Ă poursuivre la chĂšvre au pelage blanc, elle savait son goĂ»t de la souillure, de l'humiliation. Alors, elle posa un acte qui exigeait une grandeur inhumaine. Par le sacrifice, elle pu accoucher d'elle-mĂȘme. Devenant un monstre, elle s'accomplissait enfin et s'Ă©rigeait.
Le Dieu des chrĂ©tiens, le nĂŽtre, a posĂ© cet acte: consentir Ă la mort, y descendre, y rester, s'y dissoudre, afin qu'avec Lui meurt la mort elle-mĂȘme. Il est mort pour que vivent ses fils. Antigone s'est tuĂ©e, au dĂ©triment des vivants. Et sa mort ne ranima pas son frĂšre. Elle a permis en outre que, dans la mĂȘlĂ©e des ombres, la sienne reluise, Ă la maniĂšre d'un vers.
11:27 PM EDT October 19, 2024:
Ufomammut - "Fatum" From the album 8 (September 22, 2017)
Last song scrobbled from iTunes at Last.fm
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