#extremehorror

“Extreme Horror Basement – Would You Dare to Enter?”

Step into the ultimate nightmare. This extreme horror basement is filled with dark corners, chilling vibes, and spine-tingling details that will make your heart race. From eerie lighting to terrifying decor, every inch of this basement is designed to give you goosebumps.

The Unfunnies prioritizes shock value over substance, presenting a series of grotesque scenes in lieu of a plot or compelling protagonist. As someone who appreciates underground comics, horror films, and "extreme" literature (also known as splatterpunk), I’m open to gritty themes when they offer an interesting perspective. However, The Unfunnies falls flat in that regard.

Unlike the cream of the underground comic or horror crop—which uses disturbing content to challenge the audience—The Unfunnies frequently employs cartoonish dialogue as a jarring contrast to its dark subject matter. Characters often break the fourth wall in the style of vintage Gold Key or Archie comics, but this is juxtaposed with disturbing contexts, such as a character being arrested for possessing child pornography. While this contrast can make certain scenes unsettling, it quickly becomes apparent that this is the only brush in Millar’s palette, and it grows tiresome.

Even when a more intriguing supernatural horror storyline emerges toward the end, it remains bogged down by filler content and shock tactics. A more structured approach with developed character arcs and organic plot progression could have elevated the series into a memorable horror comic. The premise—a cartoonist’s fictional world degenerating as he becomes a serial killer—is strong and could have provided a solid foundation. But rather than exploring that concept, Millar leans on disjointed, depraved vignettes, making the series feel more like a string of tasteless sketches than a cohesive story.

Millar has stated that The Unfunnies was intended as a comic counterpart to disturbing ensemble films like Happiness or Magnolia. Unfortunately, it lacks the believable character motivations and thematic interconnectedness that make those films work. Instead of resonating as an ensemble piece or anthology, it comes off as a scattered assortment of sketches made solely to offend.

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Keep Your Hennies Close and Your Henemies Closer.

One pageant, one winner, and one Queen hell-bent on snatching that crown by any means necessary. Gamble Donna Phart is a fishy little drag queen aiming to make a splash in a pool of tenacious, bloodthirsty sharks. Despite that, she’s determined to shake up the food chain at the upcoming Trick’d & Treated pageant. So when a fierce, masked killer starts slaying the competition one by one, it’s every hunty for herself. Luck be a lady-killer tonight, for there can be only one Queen.

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Gig of the Damned came about because I had an open note in my phone called “drag queen names” that was overflowing with potential. So I said how can I utilize them? …Ah ha! I should write an homage to giallo (Italian horror) films except with an all drag queen, dwindling cast.

I’m a very visual person. So before I even wrote the first word of the story, I came up with this cover concept. I saw the heel, I saw the face, I saw the blood. It’s truly what inspired me to make the Gig of The Damned multiverse a reality.

I could not have done it without the incredible talents of Jeremy Lopez aka Krustyna Klown aka @neonclownart on IG. A long time friend, a stunning performer, and one of my favorite artists: who I knew was the ONLY person who could truly capture my vision. It’s perfect in every way. It’s been my phone wallpaper since the first day I saw it and I can stare at it all day. 🖤 Thank you so much for helping to make one of my dreams come true! Hopefully I wasn’t too much of pain in the ass & you can relax soon.

…Cuz a little duck-walking birdy told me GOTD has already been greenlit for a season 2 henny! 💃🏽

Preorder is up! Official drop day is June 1st! 🖤

https://mybook.to/GOTD

For most, Halloween is a cheerful blend of costumes, candy, and harmless spooks. Yet, beneath the veneer of commercialized celebration lies a current of profound dread—a darkness that is often diluted but never truly extinguished. The concept of confronting “Halloween Most Horror” is an invitation to strip away the fluff and explore the historical, psychological, and cinematic elements that make…

Halloween, for many, is a holiday of cheerful costumes, plentiful candy, and friendly ghost decorations. But beneath this sugar-coated surface lurks a primal, potent strain of dread—the ‘most horror’ side that transcends simple jump scares and enters the territory of true psychological confrontation. This pursuit of extreme fear is not a modern trend; it is woven into the very fabric of the…

Dropping 4.1.25!

Thoughts, Prayers, & Chainsaw Kisses 💋

Official artwork by Phrique