#ensemble 0

Ensemble 0 plays Open Symmetry by Tristan Perich

Sébastien Betbeder’s comedy-drama L’Incroyable Femme Des Neige (The Incredible Snow Woman) looks like a lot of fun based on the trailer, but don’t judge the film score by the trailer music.  What Ensemble 0 (Sylvain Chauveau, Stéphane Garin & Joël Mérah) have composed is something tonally different: more subdued, as lighthearted as falling snow.  LAAPS is giving it the full treatment, along with…

Tristan Perich/Ensemble 0 Open Symmetry (Erased Tapes) Beak >>>> / Kosmik Musik (Invada) Warrington-Runcorn New Town Development Plan Your Community Hub (Castles In Space) John Luther Adams Arctic Dreams / Houses of the Wind / Waves and Particles (Cold Blue Music) Karl Bartos Off The Record (Bureau B) Drew McDowall A Thread Silvered and Trembling (Dais) Rob Aiki Aubrey Lowe Grasshopper Republic (Invada) Bad Ambulance Intel 95 (Nice Music) Carlos Giffoni Dream Walker (Ideologic Organ) Bob Vylan Humble As The Sun (Ghost Theatre 2) Lisa Lerkenfeldt Halos of Perception (Shelter Press) British Murder Boys Active Agents and House Boys (Downwards) Mono Oath (Pelagic) Wargasm UK Venom (Slowplay) Blossom Toes We Are Ever So Clean (Polydor)

Last delightful night of Superspective, Lyon:

A subset of Ensemble 0 performing Sarah Hennies'Zeitgebers.

Then an other subset of Ensemble 0 for Steve Reich's Four organs.

And the wonderful Pozgarria Da by Petar Klanac (https://petarklanac.bandcamp.com/track/pozgarria-da-full-album-continuous ) (at least one percussionist and a gamelan player didn't fit in the picture)

... and finally a sweet gamelan piece

Musica Nuvolosa by ensemble 0

The multinational contemporary group ensemble 0 changes its personnel based on the pieces it is performing. On Music Nuvolosa, two pieces originally composed for different configurations are arranged for a chamber septet. Pairing works by Pauline Oliveros and György Ligeti might at first seem like a strange choice. However, both were pivotal in the formation of experimental music in the 1950s and 60s, and the pieces presented here work well as a set, revealing contrasts and similarities. The recording was made at La Soufflerie, Rezé, France, and arrangements of the pieces were assembled by Julien Pontvianne and Joël Mérah.