Das Un-Gestell im Frühling 2025 (The Un-Enframing in Spring 2025), 2025 by J.G.Wind
seen from China

seen from Australia

seen from United States
seen from United Kingdom

seen from Italy

seen from Malaysia
seen from Estonia

seen from Italy

seen from Italy
seen from United States

seen from United States
seen from United States

seen from Germany

seen from Germany

seen from Malaysia
seen from United States
seen from Malaysia

seen from Malaysia
seen from Australia

seen from United States
Das Un-Gestell im Frühling 2025 (The Un-Enframing in Spring 2025), 2025 by J.G.Wind

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
"At the basis of the contemporary obsessions with so-called āBig Dataā lies the double ontological assumption that: (1) the language of information technology is capable of grasping the whole of the existent; (2) more extremely, the whole of the existent coincides with the reach of the language of information technology. The record-shattering investments in Big-Data systems and technology rest on the belief that there canāt possibly be anything ontologically relevant that couldnāt, at least potentially, be reduced (and reduced truthfully) to the serial units of the language of data.
Similarly, through substituting the terms āinformation technologyā with āfinanceā,Ā weĀ can understand the contemporary role played by financial capitalism, not merely as a translator of the world into its own linguistic structure, but as the creator of a world that coincides exactly with such structure. Financial capital does not apply value to preexisting things, let alone merely translating them into its own linguistic system of evaluation; conversely, it is the world (or whatever is left of it, tolerated only in its most larval state) that is expected to mobilize itself according to the grid of finance, if it wishes to be allowed within the gates of presence that finance so closely guards.
DOING LAPS IN FREE SWIM
DOING LAPS IN FREEĀ SWIM
āMay we suggest that art is likely to be characterized by low stringency (i.e., high ambiguity and interpretability) where systems of conduct ideals are in doubt or social values are in the process of transition.ā āErnst Kris, psychoanalyst and art historian.1
No shit. No art, all politics. No politics, all economics. Happy 2020! Have a āniceā day and aĀ postmodern rest of your life!
Soā¦
View On WordPress
All coming to presence, not only modern technology, keeps itself everywhere concealed to the last.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Daiku Hiroshi SakaguchiĀ
from the filmĀ āBeing in this Worldā by Tao Ruspoli, 2010
Man can indeed conceive, fashion, and carry through this or that in one way or another. But man does not have control over un-concealment itself
When we begin to see ourselves as technological products of our own rational calculative control and creation, we face a very real danger of being consumers of identity (to an even deeper extent than is already the case), and we stand to lose the orientation by which we discover the need to wrestle with our finite nature.
http://jetpress.org/v24/bailey.htm