Into the Unknown!

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Into the Unknown!

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Elemental Spirits -Â WoodenPencilBox
â[Karoline von GĂźnderrode] work incorporates features of early German Romanticism, including ideas of the universe as progressing towards unification [âŚ] death as the site of final unity with other individuals and the natural world, and love as unifying force. [âŚ] GĂźnderrode, like [Dorothea] Veit-Schlegel, is keenly attentive to issues of gender, especially regarding social roles for women and their impact on women's identity and ability to act. This combination of factors makes GĂźnderrode's writings an alternative to early German romantic models that reinforce traditional conceptions of gender. [âŚ] Her depictions of women show that she imagined women possessing characteristics and adopting roles that are traditionally considered masculine [âŚ] while the male characters around her are too weak or emotional to act effectively.
Like Novalis and [Friedrich] Schlegel, GĂźnderrode presents love as a unifying force, emphasizing the capacity of love to unite individuals in death. For example, in âThe Malabarian Widowsâshe writes that âDeath will become sweet celebration of love, / The separated elements unifiedâ [âŚ] In âThe Bonds of Loveâ she depicts a connection between the living narrator and a dead âbelovedâ, writing that âLove this bond is calledâ. And âThe Kiss in the Dreamâ describes a longing for a lover's kiss that can only be satisfied in death. However, unlike Novalis and Schlegel, GĂźnderrode does not present this unifying love as necessarily heterosexual. The âseparate elementsâ that are unified in death in âThe Malabarian Widowsâ are the many elemental forces that constitute the husband and wife, like all other human beings and other entities, some of which harmonize with each other and which, once released from their earthly constraints in two separate bodies, can join together. [âŚ] human beings, as created from âelementsâ that, over time, group together, then separate and recombine to form new entities, as individual creatures live and die, while âthe life-principle in the elements is immortalâ [âŚ] After death, the attraction between these harmonious elements brings them together to create new entities.â
â Anna Ezekiel; âWomen, Women Writers, and Early German Romanticismâ (2020)
I was going to put these up per @callistochan87âs request because I had mentioned that my muse went on Elemental Spirits enough to pop out some designs (or rather, adjust some designs), and I had actually really liked what I had come up with design-wise. BUT this morning, I had this random stray thought involving the story and reincarnation which suddenly completely changed the story. Kinda of.Â
Hi, what are your thoughts on element based spirits and entities? Do you work with any of them? Have you ever encountered one? đ Would love to read your version of gnosis on this topic. Favourite element?
Great blog btw, follow button pressed. đ
I think with the four elements, it's important to understand where that whole idea came from: Aristotle proposing an interesting, though extremely wrong theory of matter.
The idea of a favorite element is strange to me, because I'm accustomed to them as part of this theory of matter. For me, getting asked what my favorite element Aristotelian element is, is sort of like getting asked "do you prefer calcium, oxygen, iron, or carbon?"
I haven't tried any elemental spirit workings, because the four elements paradigm doesn't resonate with me on an occult level. I also don't have what I'd call gnosis about them.
(Also just to be clear, I'm one of those "most spirits are probably psychological projections" people, because after comparing so many spirit encounter stories, it became clear that people's experiences were informed by their cultures. Like when you start seeing like D&D and White Wolf tropes popping up, or when someone's gnosis looks suspiciously similar to Homestuck, well... it's a bit hard to deny.)

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What's you opinion on elemental spirits like gnomes, salamanders, undines and sylphs?
I don't often interact with them; I'm more likely to interact with the elements themselves or with spirits of specific places, bodies of water, etc. than the elemental denizens, so to speak. In general, I find that they won't bother me if I don't bother them first. I tend to view them as neighbors in the neighborhood, folks I know but that I don't actively seek out.
We're playing "What's your opinion on...?"! (:
Boris Dolgov (1910-1958), Our Fair City
(Weird Tales, January 1949)