British poet Edward James, captivated by his wife, had the trail of her wet footprints from a bath woven into the carpet.
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British poet Edward James, captivated by his wife, had the trail of her wet footprints from a bath woven into the carpet.

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Edward James, patron of the surrealists, was so besotted with his wife, the dancer Tilly Losch, that when he saw the trail of wet footprints she left up the stairs after her bath at Monkton House, he had them woven into the carpet.
"Staircase" âš Monkton House (1930s) ~ Edward James â Tilly Losch's footprints forever mid-step
Can you guys watch them while I clean my room? Thanks âşď¸
MAKE SURE THEY DONâT GET INTO ANYTHING
Edward James
Magritte visited (his patron) James in London, he painted a version of his 1929 canvas "On the Threshold of Liberty" to install in the stairwell; he also photographed James in front of the painting.
The photographic description is so close to the painterâs realistic style, and James is so close to the painting, that he seems to stand on the threshold-evidently unaware that the potential liberty before him is threatened by the heavy artillery at his side.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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more magma doodles :3
One of which featuring @kluskinoodles ocs, the babies, Callie and Eddie :3
Mae West Lips Sofa designed by Salvador Dali and Edward James, made by Green & Abbott in the UK in 1938.
Victoria and Albert Museum, London.
âTilly Losch Footprintâ Carpet,â 1950,
Monkton House, South Downs, West Sussex, United Kingdom,
The Surrealist British poet Edward James was so in love with his ballerina wife, Tilly Losch, that when he saw a trail of her wet footprints up the stairs after her bath, he had them woven into the carpet. He also created a stairwell lined in a carpet woven with his dogâs paw-prints.