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酒井 ✿ 千代
Being a writer is doubting the draft and still returning to it.
You read it. You question it. You briefly consider deleting the entire document.
And then you open it again the next day.
Doubt isn’t a sign to quit. It’s part of the craft.
If writing is a choice, then returning is also a choice.
No one forces you to sit back down. You do it because the story still matters.
Not because it’s easy. Because you decided it would.
The current state of my WIP
TENSHI KAWAII MARIN KITAGAWA THEMEPACK
requested by @silly-angel-babie !! f2u w credit,, please check DNI before using !!
can u tell i liked making the dividers. yea anyway enjoy !!!!

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My first draft ended up being 151K words, when I want it to be more around 90K, and so I was pretty worried that I’d really struggle to cut down on the word count that much
But now that I’ve started rereading the draft to make notes on what I need to edit, I’ve been pleasantly surprised to find whole chapters that can be cut out. It’s weirdly satisfying to just drop massive chunks of the book
Why are modern printers like this? I'm trying to print a hard copy of the story I'm working on and the printer is making me complete the damn 12 labors of Hercules to prove myself worthy of my hard copy
I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.
Your handy-dandy guide to different types of editing
disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.
Developmental Editing (Is it a good story?)
Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)
Line Editing (is it well written?)
Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)
Copy Editing (is is correct?)
Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.
Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)
Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.