Okay so… I remember you posting some snippets which I think were from About Andrew, and I’m obsessed with it already. But also I’m torn because Steddie Bad ending so… let’s go with raptor chaser and maybe I’ll get greedy later and prompt you for some more Andrew… 👀
I have mostly been working on about andrew, that's true! Its the closest to being Something I Could Post so I was trying to chase that momentum. But I welcome multiple asks tbh I got these wips that I only seem motivated to work on when I get prompting to do so. BUT I got another ask about rapture chaser, so here's my too-verbose explainer!
Director's commentary wise the title of the song comes from a song of the same name by Spanish Love Songs. The title came well after I'd written a good portion of the internal monologue narration, but without really any sense of setting or emotional stakes. I think it was just added after a page break on the original wip I posted so its origins were pretty directionless as my wips often are and it didn't have a title. Pretty sure I was just listening to the album in the car on the way to work after having picked at the wip a little bit and just ended up looping this track all the way in and it crystalized a lot of what I had been trying to articulate in the context of this AU. There are sections that I think are pretty transparently influenced by lyrics from the verses as a result.
But in an attempt to not let myself off the hook and leave it at that, I decided to put some work in for real on rapture chaser and here's what I managed:
Steve’s got his hand on his thigh, boiling blood hot in the early summer humidity, dropped it right there when he sat down, arm over armrest over armrest with his thumb purposefully in the crease of his hip. He gives Steve a look, looks him in the eye, a really? look, and Steve doesn’t react, doesn’t even act like he saw it, like he’s being obtuse, like he’s being a shithead, and doesn’t move his hand. Just flexes his thumb into the ravine of his groin. Jess asked if you’d drive home, is all he says. And Sure, is all he says in return. Steve’s grip tightens. He won’t try anything, even if he’s implying he will. Steve’s bold, but Steve’s mostly talk. Steve’s no exhibitionist. Steve has become so fundamentally risk averse he’d sooner drop dead than get caught out at anything un-normal. Steve will invite strangers into his house under the guise of knowing the answer to some big secret and then tell them what they already know about his hometown that turned into a crater. Gets the praise of telling people what they want to hear about something he shouldn’t be talking about with none of the potential legal blowback. Steve will rake his whole hand up the fly of Bobby’s jeans, palm the whole shape of him on god’s front porch but if the wind blows wrong, if someone laughs too loud, he hears one voice over the rest of the chatter he’ll be gone. Steve will ice him out for the rest of the day. Nothing happened, and he’ll act like it won’t ever again. Steve is a gold star compartmentalizer. They don’t talk about that either.


















