Jun 17, 2024
Donald Judd: The Purity of Form in Minimalism
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Donald Judd: The Purity of Form in Minimalism
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"The straightforward, clearly revealed structure of his [Donald Judd's] art, its honest use of materials, its saturated colors, formed a kind of visual morality, a set of principles not only to make art by but to judge art by, to display art by, to build furniture and buildings by and, ultimately, to live by." Roberta Smith, NYT
“The space surrounding my work is crucial to it,” Donald Judd wrote in 1977: “as much thought has gone into the installation as into a piece itself.” Quote and photos are from 'Donald Judd Spaces' — new, expanded edition, published by @juddfoundation Image credits: 1. 101 Spring Street, Kitchen with furniture by Donald Judd. Photo 2018. 2. 101 Spring Street, Permanent installation, left to right: Donald Judd, untitled, 1962; Claes Oldenburg, Soft Ceiling Lights at La Coupole, 1964 – 72; Lucas Samaras, Box #48, 1966; Dan Flavin, untitled, 1970; platform bed by Donald Judd. Photo 2018. 3. La Mansana de Chinati/The Block, West building. First library with Frank Stella, study for River of Ponds III, 1971; furniture by Donald Judd. Photo 2018. 4. La Mansana de Chinati/The Block, Art studio. Interior with, left to right: untitled, 1987; untitled, 1987; untitled, 1989; untitled, 1989; untitled, 1985; untitled, 1985. Photo 2012. 5. Las Casas, Don's house. Permanent installation, untitled, 1987; furniture by Gustav Stickley. Photo 2018. 6. La Mansana de Chinati/The Block, Architecture Studio. Interior with desk by Donald Judd; chair by Ludwig Mies van der Rohe; chair by Gerrit Rietveld; lamp by Karl Trabert. Photo 2019. 7. La Mansana de Chinati/The Block, East Building. Permanent installation of south room, left to right: untitled, 1969; untitled, 1963; untitled, 1963; table and chairs by Gustav Stickley. Photo 2012. Edited by Flavin Judd, Rainer Judd. Text by Donald Judd. Read more via linkinbio. #donaldjudd @flavinjudd @rainerjudd #juddfoundation #101springstreet #chinati #ayaladechinati #marfa #design #architecture #art #minimalism #sculpture https://www.instagram.com/p/CqVhafYuxEg/?igshid=NGJjMDIxMWI=
Can't argue with @curbed — we're happy to have three of the editors' picks for best Architecture, Urbanism & Design books of Spring 2023: Donald Judd Spaces: Judd Foundation New York & Texas, published by @juddfoundation Heads Together: Weed and the Underground Press Syndicate, 1965–1973, published by @editionpatrickfrey @triagiovan Loisaida, New York Street Work 1984–1990, published by @damiani_books Read the reviews via linkinbio. #bestdesignbooks #bestarchitecturebooks #besturbanismbooks #judd #donaldjudd #weed #headstogether #triagiovan #loisaida https://www.instagram.com/p/CqBHGhfu-Mo/?igshid=NGJjMDIxMWI=
Installation view with work by Alfred Jensen and Donald Judd at “125 Newbury,” the project space in New York City helmed by Arne Glimcher, Founder and Chairman of Pace Gallery. #artgallery #125newbury #alfredjensen #donaldjudd #arneglimcher #tribeca #nyc (at 125 Newbury) https://www.instagram.com/p/Cpx2Oo1r5d6/?igshid=NGJjMDIxMWI=
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Donald Judd
Richard Paul Lohse
‘The attitudes implicit in Lohse's work, including strong and still radical ideas about society, are very interesting, both as to what is older and what newer. The squares and rectangles comprise schemes that repeat or vary with colours that correspondingly repeat or vary. This way of working which now is common to lots of us, didn't exist before Lohse and some others. It's not the way that Mondrian, Malevich, or Van Doesburg worked. In Lohse's work there is the end of the European compositional tradition, a good end, and also there is the beginning of much that is still beginning to develop.’ - Donald Judd, 1988
Richard Paul Lohse was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements. In 1918 he joins the advertising agency Max Dalang where he trains to be an advertising artist. Lohse, the autodidact, paints expressive, late cubist still lifes. In the 1930s his work as a graphic artist and book designer puts him among the pioneers of modern Swiss graphic design; in his painting he works on curved and diagonal constructions.
1943 marks a breakthrough in Lohse's painting: he standardises the pictorial means and starts to develop modular and serial systems. In 1953 he publishes the book "New Design in Exhibitions", and from 1958 he is coeditor of the magazine Neue Grafik/New Graphic Design. Important exhibitions and publications bring Lohse's systematic-constructive art and constructive graphic design worldwide acclaim. He died in Zürich in 1988.
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1. Richard Paul Lohse, Untitled, 1981, Tate
2. Richard Paul Lohse, Sechs systematische Farbreihen von gelb zu gelb, 1955/65, Christie’s Auction
3. Richard Paul Lohse, Bewegung von 4 kontrastierenden Gruppen aus einem Zentrum, 1952/62, Christie’s Auction
4. Richard Paul Lohse, Progression von Winkelgruppen, 1968, Christie’s Auction
Donald Judd Aluminum Armchair, Model no. 1. Clear anodized aluminum. Designed 1984, executed 2013. Produced by Lehni, Dübendorf, Switzerland.