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THERE ARE GODS, THEY USED TO SAY, that reign over the skies and hang the stars in the heavens, that sung the earth into existence and plucked the sun from the constellations to shine brightest in the day, that wept until the seas filled more of the world than land and gave their breath to the wind and their rage to the thunder and lightning. these are our gods, they used to breathe with lips parted in sacred exaltation, eyes turned skywards, to the vast infinite beyond where they imagined the sky and moon and stars watched them live and die. these are our gods, they gave us the world and everything in it.
they worshipped the gods like lovers, like mothers and wives, like blood and kin. to the gods that guarded their hearth and home, they gave their food and the best of each season’s harvest. for the gods of lust and hunger that gave them love and war, they spilt blood and crowned their victors in the carnage. for the gods that brought them rain and wisdom and plenty, they danced and revelled and feasted from dawn till dusk. they named them father sky, and mother earth, and prayed to their children, the gods of wind and storms, the gods of the land and forest, honoring above all, the gods of the living and the dead. in the south, the daughters of summer warmed the air and kissed the clear sky with stars so they could always find their way home; in the north, old man winter and grandfather frost came out of the cold to sit by their fires and bring gifts of food and laughter to their children.
all over the world, in each age of humanity, scattered across the eras of history and civilization, they spoke of gods. their veneration, their devotion, was absolute.
it was life, the very breath that filled their lungs, the certainty that everything under the skies was here because the gods had willed it. the divine –– they move the heaven and the earth, rattle the skies and the oceans –– but the one feat that mankind had never needed them for, the act of divinity they taught themselves, they wielded like song, and story, requiem and warcry.
this was how they immortalized themselves. and this was how they began to forget.
ACT II THE AGE OF HUMANITY.
IN THE BEGINNING, MEN AND WOMEN knew nothing beyond the borders of the world the gods had carved for them. they were the architects, the authors, the great masterminds of human design. but centuries passed, and as mankind grew, evolved, advanced, they began to discover a world that had no need of rulers and sovereigns they could not see or touch.
in egypt, the people called them pharoahs, half-king and half-god. in persia, the kings and conquerors were one and the same, men of war and bloodletting. in china, they were emperors, sons of heaven and supreme rulers of all under heaven. rome went through their philosopher-kings, dictators, and emperors, faster than they could replace them, and their republic of men rose and fell crumbling into dust. russia had her csars, derived from caesar, ancient and biblical. in every city-state and later country, kings and queens with their gilt crowns and diadems reigned from on high, and their people adored them, worshipped them, like their bloodlines were more than simply royal. as if their birthrights made them divine.
worship became a matter of fanaticism rather than belief, a means of power and control to extend man’s dominion. they called on the gods not for mere protection or prosperity but merciless victory in battle, the demise of their enemies, the triumphs of their conquests, slaughters, subjugations. the gods listened, helpless, as so many of them bled. a god is powerless, after all, if the people do not truly believe. temples and holy places burned, and burned, and others took their churches with them in blazes of fire or flood, choosing to flee before they watched their people burn, too.
in some parts of the world, belief survived as ritual and tradition, passed from mother to daughter, father to son, like treasure and heritage. ceremony and old folklore thrived in the tales spun by high priestesses, wise men, magicians. stories survived. and humans cast their own heroes, too, made gods out of the ones amongst them that walked like they had the blood of the divine running through their veins.
their gods were rebels, revolutionaries, heretics. they defied the heavens and the stars, and they brought their own hell and their own heaven down upon the gods of old. a reckoning born of long-awaited retribution. for what’s a god to a non-believer ? what use were gods who reigned from on high, from their mount olympus or valhalla, when mortal men could build their own empires, their own legends. new heroes and martyrs rose, part-human and all glory, and they were loved for it, adored for the fallibility that made them worthy of the empathy of men. they were loved, they were hated, and they lived on the lips of men and women who spun their greatest triumphs and tragedies into gold.
eventually, even half-gods must die. but buried in the immortality of history, they were never truly dead to begin with.
ACT III HOW TO KILL A GOD.
THE RISE AND FALL OF EMPIRES is woven into the thread of mortal history. according to the sacred texts, gods existed for millennia before the creation of men. according to the lore of the divine, gods will exist long after the last mortal takes their last breath. the stories do not tell you that gods die. and when they truly die, they die unmourned and unremembered.
what are gods, after all, without belivers ? without worship, without faith and prayer to keep them and sustain them. for centuries, their power and vitality had waxed and waned on the whim of humanity. some learned to thrive in their own way, expanding their domain into unexpected, increasingly inventive places so long as there were disciples willing to listen. devotion came in new forms: new ways for mortals to sell their blood, soul, and bone for a price. ideas are more difficult to kill than people, or gods, and the divine had lived feeding from the cornucopia for centuries; if you believed the cynics, religion was the greatest con humanity had ever played on themselves.
for most of them, modernity meant death. many vanished altogether into obscurity and folklore, shrouding themselves in the protection oblivion offered rather than watch themselves decay.
it was the lesson they all should have seen coming, the price they paid for immortality. eternity lasts, but what god can abide living forever, forgotten and unwanted.
new gods, those who could still recall the taste of humanity, flourished best. the game of longevity became adaptation. humanity had new things to worship now fame, media, technology, money. an endless, inexhaustible list of thrills to fill the void of their life’s pursuit for meaning. for the new gods, everything became about survival. reinvention. they refused to languish, defiant even at the brink of annihilation, as countless old gods had.
in an age where men could walk on the moon, halt disease and delay death, revel in their own brilliance and daring and laugh in the face of their own morality, divinity has become extinct. the modern world is no place for blind worship anymore, at least not in gods. but the minds and hearts of mortals remain malleable, their desires and wants so easily sated. you see, humans want to believe. they want, more than anything, to know their mortality isn’t subject to the cold indifferent nothingness of mere existence without meaning or higher purpose or profound truth.
belief is still the most powerful thing in the world. men have waged wars, burned empires, destroyed everything and themselves included, believing in something.
all gods who receive homage are cruel, but mercy and devotion made them almost soft. once, they were powerful, all-knowing, and above all, beloved. now, the divine are dead and dying. humanity has abandoned them in pursuit of hubris and apotheosis, but the gods have not left, they never have. and the ones who want to survive, the restless and the hungry, they’ll burn the world down before they let themselves die forgotten.
half-gods are worshipped in wine and flowers, they’ll let themselves be satisfied with hollow ingratitude, brawling in the dirt of sacrilege for any scrap of mortal devotion.
real gods require blood.
INSPIRED BY THE WICKED + THE DIVINE AND AMERICAN GODS.
VERSE INFO BELOW
PINTEREST. BROUGHT TO YOU BY IRONARMORED / CLAUDIA.
PREMISE
this is a group verse inspired by image comic’s the wicked + the divine by kieron gillen and jamie mckelvie, and american gods by neil gaiman. you don’t have to have read ( or watched ! ) either to join this verse but feel free to read their basic synopses on goodreads or wikipedia, or catch the new episodes of american gods every week.
this is a non-superpowered au in the sense that the traditional ‘ superpowers ’ superhumans / metahumans have will not be considered as such. you might translate those powers into divine abilities but obviously, they will extend from your muse’s divine status rather than their superhuman abilities. also, if it wasn’t clear already, there are no superheroes in this world, instead there are gods.
track #DIVINEAU, and #DIVINEOOC to find out more, and to stay up to date with the verse. information about biographies & plotting calls will be posted shortly.
GENERAL CODE OF CONDUCT
all drama should be kept fictional only. ooc drama and godmodding / metagaming are forbidden and will lead to removal from the group. if any issues arise that can’t be sorted out privately between the relevant parties, contact me and i’ll see what i can do to help resolve them.
this verse will contain mature content and triggering material. all triggers should be appropriately tagged; if you need something tagged let the rper in question know.
stay as active as possible. because there are limited positions open inactivity without explanation for more than 2 weeks may result in you being dropped from the verse. if you’re taking a hiatus or you know you’ll be busy for a while, let me know and i’ll keep your spot on hold until you’re back.
GAMEPLAY
the way this verse will work will be based on 3 main things:
1. everyone interacting with everyone. do your absolute best to engage with everyone in the group ic and ooc. most of the dynamics between all our muses should be pre-established so go wild with plotting / establishing dynamics / building backstory.
2. in service of the overarching plot arcs for the verse, there will be fortnightly plot updates. or maybe every three weeks, i haven’t decided yet. more information on this later !
3. apart from act one, major plot arcs will be a joint decision between all of us. your input and suggestions are vital to the development of this group verse. if you have any ideas or things you’d like to see happen please don’t hesitate to message / im me.
THE OLD GODS & THE NEW
the original inspirations for this verse are both highly diverse and representative of a wide range of folklore and mythology spanning cultures from all over the world. i love graeco-roman mythology as much as the next person, however it would be very boring and cliche to have this verse populated with deities that are exclusively greek or roman. i absolutely encourage you all to look to other ancient mythologies when choosing your character’s god / demigod / mythological figure. godchecker is an excellent resource and database for deities around the world, and wikipedia has lists of deities sorted by classification.
the pantheons are divided between OLD GODS, and NEW GODS. the distinction is fairly clear but i’ll allow for loose intrepretations if you’ve already considered a good reason why your character would be more suited to one allegiance over the other. for the most part however, new gods are only demi-gods or half-gods, or not divine at all. they are mythological figures, and not officially part of any major pantheons; they should be fringe gods or lesser-known ones as they are considered relatively ‘ newer ’ than the old, traditional, more well-established gods. to use greek myth as an example, hercules / ariadne / odysseus / achilles / circe would all be considered new gods. again, i encourage people to look outside the usual greek-roman sources. it might take some research and in-depth wiki-ing but honestly, everyone’s going to need to do some research on their god to fill out their character’s backstory and work out their individual details for this verse, so don’t shy away from going for the rare or obscure. those are the most interesting !
you may syncetrize your chosen deity, i.e., use an amalgamation of different interpretations of the same ‘ type ’ of god. people who choose a greek / roman deity can use one or both versions of the god. there are other cases throughout history where the same god has been reinterpreted in different ways and if you like, you can work out a way through your deity’s history and your own muse’s characterisation to invent and explain the merging of your two chosen gods. an example of this might be combining inanna, sumerian goddes of love / beauty / sexual desire / fertility, and bastet, egyptian goddess of love / sexuality / beauty / dance
alt fcs of color are welcomed, and in fact, encouraged.
v. important: the ethnicity of your character does not necessarily have to match the gender identity or cultural background of your chosen deity.
before deciding on your god, i would suggest taking a look at the blogs that have already been accepted to ensure that the one you’re interested in hasn’t already been taken. there will inevitably be overlaps in terms of the domains of each god but ideally, i don’t want any direct repeats, e.g. having helios / ra / amaterasu would be pointless, but apollo / ushas / bastet would be acceptable as they cover a wider range of functions and areas they were worshipped for.
APPLICATION
to begin with, there will be 23 available slots for people to apply for, 12 new gods / 11 old gods. if there’s enough interest / demand, i may consider opening that up. to join, message me with your faceclaim, your character’s deity, and whether they are an old god / new god. i reserve the right to ask you to reconsider your deity if they share too many similarities with already accepted gods.
no duplicate characters, faceclaims, or gods.
for the moment, this verse is only open to mutuals that are following me and that i’m following back. if all goes well and i end up expanding the verse, i may open slots for non-mutuals.
DRAMATIS PERSONAE
OLD GODS
I. INANNA / ISHTAR / APHRODITE TALIA AL GHUL / NADINE NASSIB NJEIM. @alghul
II. GEVURAH KATE KANE / IDINA MENZEL. @viiragini
III. THOR THOR ODINSON / CHRIS HEMSWORTH. @tordenvaer
IV. HEKATE WANDA MAXIMOFF / DEEPIKA PADUKONE. @nexusbeing
V. ATABEY AMERICA CHAVEZ / HERIZEN GUARDIOLA. @americhic
VI. AMATERASU HIKARU SULU / JOHN CHO. @starlightsulu
VIII. PERSEPHONE LYDIA MARTIN / LANA DEL REY. @shelazarus
IX. EREŠKIGAL / KĀLĪ / LILITH EREŠKIGAL / SEGOVIA AMIL. @erkalla
NEW GODS
I. PROMETHEUS / 盤古 TONY STARK / GODFREY GAO. @ironarmored
II. MORPHEUS EMMA WALKER / KRISTIN KREUK. @somniferi
here’s the biography template for the group verse ! write as much or as little as you feel necessary, this is just to let everyone in the group know a little more about your muse and how they fit into the world of the verse to make things easier for plotting + writing when we get to it. you can format this however you like, with plain text or prose. using a graphic is optional, the information is more important !
NAME: your chosen deity / deities.
ALIAS: their human canon name, but this can be any alias / pseudonym you like. ( e.g. odin in american gods goes by mr. wednesday, thoth / mr. ibis, anubis / mr. jackal. obviously, more creativity is always welcome. )
DIVINITY: which cultural belief system / pantheon your god is from, and what your god was worshipped for, and is / was responsible for in their culture. any symbols and themes associated with them.
BIOGRAPHY: this can be as long or as short as you like, but basically a brief overview of 1. what happened to your god as their worship died out; 2. how they survived and maintained what power they could; 3. what they’ve been doing in the present in america, or how they came to america if they’re based in the US. ofc, if your character’s religion is still alive and practiced today, use that instead.
ALLEGIANCE: old god / new god. their stance re: the modern age / survival / the war brewing between the old and new. your character does not have to fall strictly in line with either side, they might be indifferent, wild cards, or maybe they’d rather align with the other side despite their status.
