It seems that Scorpius is the only one truly capable of guiding and influencing Albusâuntil Delphi appears, and a hidden rivalry forms between them. This competition is for influence over Albus, as if Delphi and Scorpius are like an angel and a devil sitting on his shoulders, constantly arguing over which path he should take.
Delphiâs advantage over Scorpius lies in her sex and age. Albus is encountering a girlâand an older one at thatâfor the first time, and she shows him positive attention. This creates deep confusion within him because, during adolescence, attention from the opposite sexâespecially from someone olderâis seen as a social advantage and a mark of superiority. This very fact prevents Albus from properly recognizing his true friend, Scorpius, and the genuine intimacy they share. It doesnât matter how much Albus loves Scorpius or how important he is to him; at this moment, under Delphiâs influence, he temporarily forgets about him.
This relational dynamic is reminiscent of the concept of âtoxic masculinityâ that Jack Thorneâthe co-writer of this playâexplored in the series âAdolescence.â Although presented here within a more fantastical and child-friendly framework, its traces are clearly visible. Albus, unlike his father Harryâwho had numerous friends, was also friend with a girl (Hermione), and had good relationships with others like Neville, Seamus, and Deanâlives in complete isolation. He has only one same-sex friend.
Albus sees himself as âostracizedâ in many ways: the name his father chose for him (Albus Dumbledore)âcompared to the names of Harryâs parents chosen for his siblingsâseems indifferent and random to him, and not as significant as his siblingsâ names. Itâs as if his existence was superfluous from the very beginning. This feeling is reinforced by intensified societal rumorsâespecially by Rita Skeeter âthat his brother pushed him, his father was inattentive to him, and he is rejected by others at school. Even starting a romantic relationship seems impossible for him, which is seen as a âcomplete failureâ among his peers. His only remaining refuge is Scorpius.
If you consider the consequences of this, according to that line, âLeave him and Voldemortâs child to it, I say.â or "Albus Potter. An irrelevance. Even portraits turn the other way when he comes up the
stairs." you will understand the situation. Itâs not unlikely that things like: âUseless Potter, no girl looks at him,â or âPotter, is Malfoy your boyfriend too?â or âSo pathetic you couldnât even find a girl,â etc., have also been said to him. This likely turns into internalized homophobia and toxic masculinity, and if he has any feelings of love for Scorpius, he most likely tries to run from them and ignore them. Delphi arrives and aids in this endeavor.
Delphi exploits this emotional isolation and Albusâs vulnerability precisely. By creating an artificial intimacyâan imitation of the real relationship between Albus and Scorpiusâshe tries to usurp Scorpiusâs place. Delphi constantly belittles Scorpius and affirms Albusâs rash opinions, which gives Albus a false sense of confidence. He comes to believe that the root of his problems is Scorpius, and that if Scorpius werenât there, he wouldnât be a loser. The lineââwithout you holding me back â I can make a proper go of it.ââshatters Scorpiusâs heart.
Interestingly, Delphi had been corresponding with Albus before this, but it seems that without Scorpiusâs presenceâas the main catalystâshe was unable to advance her plan. She even tells Albus that she can do it himself, and this underestimation of Scorpius ultimately leads to Delphiâs downfall.
However, when Albus sees Scorpiusâs deep hurt after their fight, his eyes are opened to the truth. He realizes the mistake he has made, and returns the Time-Turner, which he had taken from Scorpiusâs bag without permission, back to him. He begs him for them to hide together, otherwise they will be separated forever.
When Scorpius tells Albus heâs been indifferent to his motherâs death, Albusâs behavior wasnât out of selfishness. It was because Scorpius himself had asked Albus not to talk about it after Astoria died, and Albus didnât want to upset him further by bringing it up. Albus then apologizes and only then realizes how much Scorpius, in that emotionally heavy moment, had needed to talk.
Finally, unlike the initial attempt to escape the trainâwhere Albus told Scorpius that heâll entirely mess it up if he doesnât come with him.âthis time he tells him: âI can do it without you â but I want you there. Because I want us to do this together. Set things right together.â He asks Scorpius if he wants to come or not, and tries to respect his opinion and make up for the past. Fortunately, Scorpius agrees to come, otherwise the outcome would have been disastrous. This shift in attitude demonstrates Albusâs character growth and his deeper understanding of the meaning of friendship and responsibility.
ALBUS: I liked her, Mum, you know that? I really liked her. Delphi. And she was â Voldemortâs daughter?
GINNY: Thatâs what theyâre good at, Albus â catching innocents in their web.