It seems that Scorpius is the only one truly capable of guiding and influencing Albusāuntil Delphi appears, and a hidden rivalry forms between them. This competition is for influence over Albus, as if Delphi and Scorpius are like an angel and a devil sitting on his shoulders, constantly arguing over which path he should take.
Delphiās advantage over Scorpius lies in her sex and age. Albus is encountering a girlāand an older one at thatāfor the first time, and she shows him positive attention. This creates deep confusion within him because, during adolescence, attention from the opposite sexāespecially from someone olderāis seen as a social advantage and a mark of superiority. This very fact prevents Albus from properly recognizing his true friend, Scorpius, and the genuine intimacy they share. It doesnāt matter how much Albus loves Scorpius or how important he is to him; at this moment, under Delphiās influence, he temporarily forgets about him.
This relational dynamic is reminiscent of the concept of ātoxic masculinityā that Jack Thorneāthe co-writer of this playāexplored in the series āAdolescence.ā Although presented here within a more fantastical and child-friendly framework, its traces are clearly visible. Albus, unlike his father Harryāwho had numerous friends, was also friend with a girl (Hermione), and had good relationships with others like Neville, Seamus, and Deanālives in complete isolation. He has only one same-sex friend.
Albus sees himself as āostracizedā in many ways: the name his father chose for him (Albus Dumbledore)ācompared to the names of Harryās parents chosen for his siblingsāseems indifferent and random to him, and not as significant as his siblingsā names. Itās as if his existence was superfluous from the very beginning. This feeling is reinforced by intensified societal rumorsāespecially by Rita Skeeter āthat his brother pushed him, his father was inattentive to him, and he is rejected by others at school. Even starting a romantic relationship seems impossible for him, which is seen as a ācomplete failureā among his peers. His only remaining refuge is Scorpius.
If you consider the consequences of this, according to that line, āLeave him and Voldemortās child to it, I say.ā or "Albus Potter. An irrelevance. Even portraits turn the other way when he comes up the
stairs." you will understand the situation. Itās not unlikely that things like: āUseless Potter, no girl looks at him,ā or āPotter, is Malfoy your boyfriend too?ā or āSo pathetic you couldnāt even find a girl,ā etc., have also been said to him. This likely turns into internalized homophobia and toxic masculinity, and if he has any feelings of love for Scorpius, he most likely tries to run from them and ignore them. Delphi arrives and aids in this endeavor.
Delphi exploits this emotional isolation and Albusās vulnerability precisely. By creating an artificial intimacyāan imitation of the real relationship between Albus and Scorpiusāshe tries to usurp Scorpiusās place. Delphi constantly belittles Scorpius and affirms Albusās rash opinions, which gives Albus a false sense of confidence. He comes to believe that the root of his problems is Scorpius, and that if Scorpius werenāt there, he wouldnāt be a loser. The lineāāwithout you holding me back ā I can make a proper go of it.āāshatters Scorpiusās heart.
Interestingly, Delphi had been corresponding with Albus before this, but it seems that without Scorpiusās presenceāas the main catalystāshe was unable to advance her plan. She even tells Albus that she can do it himself, and this underestimation of Scorpius ultimately leads to Delphiās downfall.
However, when Albus sees Scorpiusās deep hurt after their fight, his eyes are opened to the truth. He realizes the mistake he has made, and returns the Time-Turner, which he had taken from Scorpiusās bag without permission, back to him. He begs him for them to hide together, otherwise they will be separated forever.
When Scorpius tells Albus heās been indifferent to his motherās death, Albusās behavior wasnāt out of selfishness. It was because Scorpius himself had asked Albus not to talk about it after Astoria died, and Albus didnāt want to upset him further by bringing it up. Albus then apologizes and only then realizes how much Scorpius, in that emotionally heavy moment, had needed to talk.
Finally, unlike the initial attempt to escape the traināwhere Albus told Scorpius that heāll entirely mess it up if he doesnāt come with him.āthis time he tells him: āI can do it without you ā but I want you there. Because I want us to do this together. Set things right together.ā He asks Scorpius if he wants to come or not, and tries to respect his opinion and make up for the past. Fortunately, Scorpius agrees to come, otherwise the outcome would have been disastrous. This shift in attitude demonstrates Albusās character growth and his deeper understanding of the meaning of friendship and responsibility.
ALBUS: I liked her, Mum, you know that? I really liked her. Delphi. And she was ā Voldemortās daughter?
GINNY: Thatās what theyāre good at, Albus ā catching innocents in their web.