The crew at BOSS never fail to impress when it comes to Delay Pedals (or any pedals, for that matter), and that is certainly the case with the DM-101 Delay Machine!! Check out our lengthy demo below, cheers!!
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The crew at BOSS never fail to impress when it comes to Delay Pedals (or any pedals, for that matter), and that is certainly the case with the DM-101 Delay Machine!! Check out our lengthy demo below, cheers!!

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BNoss just released the DD-8 delay pedal and I had some thoughts on delays in general. Posted on my substack.
Wild noisy shoegaze, probably gonna be a non-album track because it doesn’t fit with LP2 but I like it a lot
If you're a big fan of analog delay, there might not be a better one than the Sending V2 from Electronic Audio Experiments...seriously.
Gear Inspiration
Man, youtube… every once in a while you’ll see something and it will just click for you.
I just watched an episode of That Pedal Showwhere they talk about delay pedals. I have a really nice digital delay on my pedal board right now, a Wampler Faux Tape Echo, and I have been using the crap out of it. I use it’s tap tempo switch and it’s subdivision switch and I get dotted eighth note delays and…
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What would be (in your opinion) a good companion delay to the EQD Afterneath for ambient stuff? I've been using a couple Danelectro delays for a while that I really dig but want to upgrade. Thinking about the Black Fountain from Old Blood Noise?
The Black Fountain is sick and would do well. On the cheaper side but still an upgrade, look for a used Ibanez DE7, I just posted about getting one again and the “Echo” setting is a little warmer than a typically digital delay and it goes to like 2600ms or something. The “echo” setting is best described as a slightly lofi digital delay. I love it.
Other than those two I would say another neat analog delay that works well for this stuff is the Boss DM-2W. I love the control of the feedback and oscillations.
here’s a more concise example of what using a delay pedal with large amounts of feedback can sound like in a musical context
caution gets loud as fuck at the very end