animated fractal from SylvieTG Animations on Vimeo.
From Chaotica, this is a few second dive into a fractal with lots of spirally bits.
seen from China
seen from South Africa
seen from India

seen from Brazil

seen from United States
seen from China
seen from United States
seen from United States
seen from China
seen from United States
seen from United States
seen from Mexico

seen from Canada
seen from United States

seen from United States

seen from United States
seen from Brazil

seen from Canada
seen from United States
seen from China
animated fractal from SylvieTG Animations on Vimeo.
From Chaotica, this is a few second dive into a fractal with lots of spirally bits.

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frame[000000-001799] from SylvieTG Animations on Vimeo.
Fractal zoom from Chaotica (this one is not super impressive)
prostheticknowledge:
DeepZoom Fine Art, Alexander Mordinvtsev
zoom in and out on google maps until you know how big the earth is

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On investments of time
Once again, I have run into one of my recurring frustrations with fractals: render time. The particular image that’s troubling me is the cheerful rainbow one I made in celebration of more kinds of marriage becoming legal. It looks just like a fractal, with stripes of bright colors and some curly bits.
The thing is, I wanted it to have hearts in it, and I wanted them to be an integral part of the fractal, rather than an applied coloring algorithm. I know that there are places in the Mandelbrot set that make heart shapes, and I know how to find them, because I spent most of a summer systematically learning the geography of the Mandelbrot, so that I could reliably find the base shapes I needed for a given image.
So the rainbow picture is a piece of the Mandelbrot set that makes curly heart shapes*, but to get there requires a fairly deep zoom.** Deep zooms mean lots of decimal places in the numbers, and if you have enough decimal places, eventually you need arbitrary precision, which is very, very slow. The small render I initially posted took overnight to calculate. The medium-sized render for prints took about two days, and the t-shirt-sized render says it’s going to need more than a week. Nearly ten days of continuous calculation, with all the processors I have available plus a few I can use over a network, just to make a picture that anyone would look at and say, “Yep, that sure is a rainbow fractal, all right.”
I can never decide if all the time spent over the years learning about fractals (so I can find what I want) and then rendering them (so I can see the pictures) counts as well-spent or wasted. It makes me feel like I might as well have used a bunch of my life learning to be a really sublimely skilled mime, or something. It doesn’t seem like something that’s ever likely to count for much, in the real world.
*center coordinates (-1.749195211317223470906166435795, -1.454047500474074859383113318985E-19) **magnification 1.1381307E20
I assume this is Photosynth, but there's a lot more detail shown here than in the TED demo from a year or so ago. The video is 7 minutes long but definitely worth watching all the way through… if you're into that sort of thing. More info on “Photo Tourism” is available on the University of Washington's website.
http://phototour.cs.washington.edu/